The aesthetics of photographic transparency

Mind

Volumn 112, Issue 447, 2003, Pages 433-448

  Lopes, Dominic McIver ^a  

^a UNIVERSITY OF BRITISH COLUMBIA   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 34347311860     PISSN: 00264423     EISSN: None     Source Type: Journal    
DOI: 10.1093/mind/112.447.433     Document Type: Article

References (13)

1. Arnheim, R. 1986: 'Splendor and Misery of the Photographer'. In New Essays in the Psychology of Art. Berkeley: University of California Press
2. Currie, G. 1995: Image and Mind: Film, Philosophy and Cognitive Science. Cambridge: Cambridge University Press
3. Friday, J. 1996: 'Transparency and the Photographic Image'. British Journal of Aesthetics, 36, pp. 30-42
4. Gaut, B. 2002: 'Cinematic Art'. Journal of Aesthetics and Art Criticism, 60, pp. 299-312
5. King, W. K. 1992: 'Scruton and Reasons for Looking at Photographs'. British Journal of Aesthetics, 32, pp. 258-65
6. Lopes, D. M. 1996: Understanding Pictures. Oxford: Oxford University Press
7. Savedoff, B. E. 2000: Transforming Images. Ithaca: Cornell University Press
8. Scruton, R. 1983: 'Photography and Representation'. In Aesthetic Understanding. London: Methuen
9. Walton, K. 1984: 'Transparent Pictures: On the Nature of Photographic Realism'. Critical Inquiry, 11, pp. 246-77
10. - 1997: 'On Pictures and Photographs: Objections Answered'. In Film Theory and Philosophy, R. Allen, (ed.). New York: Oxford University Press
11. Warburton, N. 1988: 'Seeing Through "Seeing Through Photographs'". Ratio, 30, pp. 64-74
12. - 1996: 'Individual Style in Photographic Art'. British Journal of Aesthetics, 36, pp. 389-97
13. Wicks, R. 1989: 'Photography as a Representational Art'. British Journal of Aesthetics, 29, pp. 1-9