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Volumn 103, Issue 1, 2002, Pages 33-50

On the grammar and rhetoric of language mixing in Piers Plowman

Author keywords

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Indexed keywords


EID: 34248731264     PISSN: 00283754     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Review
Times cited : (13)

References (26)
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  • 9
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    • Howard-Hill, Trevor. 1998. "Villainous Boys: On Some Marked Exchanges in Romeo and Juliet. In Myers-Scotton, Carol (ed.), Codes and Consequences: Choosing Linguistic Varieties. New York: Oxford University Press. 124-135
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    • Howard-Hill, T.1
  • 10
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    • The Multi-lingual Pulpit in England
    • Iglesias-Rábade, Luis. 1996. "The Multi-lingual Pulpit in England (1100-1500)." Neophilologus 80. 479-492
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  • 11
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    • Implicatures of Styleswitching in the Narrative Voice of Cormac McCarthy's All the Pretty Horses
    • Myers-Scotton, Carol ed, New York: Oxford University Press
    • Kreml, Nancy. 1998. "Implicatures of Styleswitching in the Narrative Voice of Cormac McCarthy's All the Pretty Horses." In Myers-Scotton, Carol (ed.), Codes and Consequences: Choosing Linguistic Varieties. New York: Oxford University Press. 41-61
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    • Kreml, N.1
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  • 14
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    • Marked Grammatical Structures: Communicating Intentionality in the Great Gatsby and As i Lay Dying
    • Myers-Scotton, Carol ed, New York: Oxford University Press
    • Myers-Scotton, Carol. 1998. "Marked Grammatical Structures: Communicating Intentionality in The Great Gatsby and As I Lay Dying." In Myers-Scotton, Carol (ed.), Codes and Consequences: Choosing Linguistic Varieties. New York: Oxford University Press. 62-88
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    • 14-17 September, Ljouwert/Leeuwarden, The Netherlands: Fryske Akademy
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