Whose rhyme is whose reason? Sound and sense in Cyrano de Bergerac

Language and Literature

Volumn 15, Issue 1, 2006, Pages 29-54

  Sweetser, Eve ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

Blending; Cognitive poetics; Cyrano de Bergerac; Dramatic verse; Intertextuality; Irony; Meter; Rhyme; Rostand

Indexed keywords

EID: 34248698124     PISSN: 09639470     EISSN: 14617293     Source Type: Journal    
DOI: 10.1177/0963947006060553     Document Type: Article

References (46)

1. Baudelaire, Ch. (1861) Les Fleurs du Mal.Paris: Poulet-Massis et Broise; available online at http://gallica.bnf.fr/Classique/
2. Bradshaw, G., Bishop, T. and Turner, M. (eds) (2004) The Shakespearean International Yearbook 4: Shakespeare Studies Today. Aldershot: Ashgate.
3. Brandt, P.A. (2004) 'Metaphors and meaning in Shakespeare's sonnet 73', in G. Bradshaw, T. Bishop and M. Turner (eds) The Shakespearean International Yearbook 4: Shakespeare Studies Today, pp. 123-131. Aldershot: Ashgate.
4. Dancygier, B. and Sweetser, E. (2005) Mental Spaces in Grammar: Conditional Constructions. Cambridge: Cambridge University Press.
5. Fauconnier, G. (1994) Mental Spaces. Cambridge; Cambridge University Press. (Originally published 1985, Cambridge, MA: MIT Press.)
6. Fauconnier, G. (1997) Mappings in Thought and Language. Cambridge, Cambridge University Press.
7. Fauconnier, G. and Sweetser, E. (eds) (1996) Spaces, Worlds and Grammar. Chicago, IL: University of Chicago Press.
8. Fauconnier, G. and Turner, M. (1996) 'Blending as a Central Process of Grammar', in A. Goldberg (ed.) Conceptual Structure, Discourse and Language, pp. 113-130. Stanford, CA: CSLI Publications.
9. Fauconnier, G. and Turner, M. (1998) 'Conceptual Integration Networks', Cognitive Science 22(2): 133-188.
10. Fauconnier, G. and Turner, M. (2002) The Way We Think. New York: Basic Books.
11. Fillmore, Ch. J., Kay, P. and O'Connor, M.C. (1988) 'Regularity and Idiomaticity in Grammatical Constructions: The Case of LET ALONE', Language 64(3): 501-538.
12. Freeman, D. C. (1978) 'Keats's "To Autumn": Poetry as Process and Pattern', Language and Style 9: 3-17.
13. Freeman, D. C. (1993) '"According to My Bond": King Learand Re-Cognition', Language and Literature 2: 1-18.
14. Freeman, D. C. (1995) '"Catch[ing] the Nearest Way": Macbethand Cognitive Metaphors', Journal of Pragmatics 24: 698-708.
15. Freeman, D. C. (1999) '"The Rack Dislimns": Schema and Metaphorical Pattern in Antony and Cleopatra', Poetics Today 20: 443-460.
16. Freeman, D. C. (2004) 'Othello and the "Ocular Proof"', in G. Bradshaw, T. Bishop and M. Turner (eds) The Shakespearean International Yearbook 4: Shakespeare Studies Today, pp. 72-97. Aldershot: Ashgate.
17. Freeman, M. (1995) 'Metaphor Makes Meaning: Dickinson's Conceptual Universe', Journal of Pragmatics 24(6): 689-708.
18. Freeman, M. (1997) 'Grounded Spaces: Deictic Self-anaphors in the Poetry of Emily Dickinson', Language and Literature 6: 7-28.
19. Freeman, M. (2002) 'Momentary Stays, Exploding Forces: A Cognitive Linguistic Approach to the Poetics of Emily Dickinson and Robert Frost', Journal of English Linguistics 30(1): 73-90.
20. Goldberg, A. (1995) Constructions: A Construction Grammar Approach to Argument Structure. Chicago, IL: University of Chicago Press.
21. Hanson, K. and Kiparsky, P. (1996) 'A Parametric Theory of Poetic Meter', Language 72: 287-335.
22. Hanson, K. and Kiparsky, P. (1997) 'The Nature of Verse and its Consequences for the Mixed Form', in J. Harris and K. Reichl (eds) Prosimetrum: Crosscultural Perspectives on Narrative in Prose and Verse pp. 17-44. Cambridge: D. S. Brewer.
23. Hiraga, M. K. (2005) Metaphor and Iconicity: A Cognitive Approach to Analyzing Text. Basingstoke and New York: Palgrave Macmillan.
24. Hopkins, G. M. (1918) Poems. London: Humphrey Milford; available online at http://www.bartleby.com/122/
25. Jakobson, R. (1981) Linguistics and Poetics. Selected Writings, vol. 3. The Hague: Mouton. (Originally published 1960.)
26. Jakobson, R. (1987) Language and Literature, ed. K. Pomorska, and S. Rudy. Cambridge, MA: Belknap Press of Harvard University.
27. Kiparsky, P. (1987) 'On Theory and Interpretation', in N. Fabb (ed.) The Linguistics of Writing, pp. 185-198. New York: Methuen.
28. Kiparsky, P. and Youmans, G. (eds) (1989) Phonetics and Phonology, Vol. 1: Rhythm and Meter. San Diego, CA: Academic Press.
29. Lakoff, G. (1987) Women, Fire and Dangerous Things: What Categories Reveal About the Mind. Chicago, IL: University of Chicago Press.
30. Lakoff, G. and Johnson, M. (1980) Metaphors We Live By. Chicago, IL: University of Chicago Press.
31. Lakoff, G. and Turner, M. (1989) More Than Cool Reason: A Guide to Poetic Metaphor. Chicago, IL: University of Chicago Press.
32. Langacker, R.W. (1987) Foundations of Cognitive Grammar I: Theoretical Prerequisites. Stanford, CA: Stanford University Press.
33. Langacker, R.W. (1991a) Foundations of Cognitive Grammar II: Descriptive Application. Stanford, CA: Stanford University Press.
34. Langacker, R.W. (1991b) Concept, Image and Symbol: The Cognitive Basis of Grammar. Berlin: Mouton de Gruyter.
35. Perrine, L. (1963) Sound and Sense, an Introduction to Poetry, 2nd edn. New York: Harcourt, Brace and World.
36. Rostand, E. (1961) Cyrano de Bergerac. Paris: INALF. (Originally published 1897: Repr. of the E. Fasquelle 1898 edn.) Available online at http://gallica.bnf.fr/Classique/
37. Sanders, J. and Redeker, G. (1996) 'Perspective and the Representation of Speech and Thought in Narrative Discourse', in G. Fauconnier and E. Sweetser (eds) Spaces, Worlds and Grammar, pp. 290-317. Chicago, IL: University of Chicago Press.
38. Sweetser, E. (1999) 'Compositionality and Blending: Semantic Composition in a Cognitively Realistic Framework', in Th. Janssen and G. Redeker (eds) Cognitive Linguistics: Foundations, Scope and Methodology, pp. 129-162. Berlin: Mouton de Gruyter.
39. Sweetser, E. (2004) '"The Suburbs of Your Good Pleasure": Cognition, Culture and the Bases of Metaphoric Structure', in G. Bradshaw, T. Bishop and M. Turner (eds) The Shakespearean International Yearbook 4: Shakespeare Studies Today, pp. 24-55. Aldershot: Ashgate.
40. Sweetser, E. and Fauconnier, G. (1996) 'Cognitive Links and Domains: Basic Aspects of Mental Space Theory', in G. Fauconnier, and E. Sweetser, (eds) Spaces, Worlds and Grammar, pp. 1-28. Chicago, IL: University of Chicago Press.
41. Taub, S. F. (2001) Language from the Body: Iconicity and Metaphor in American Sign Language. Cambridge: Cambridge University Press.
42. Traugott, E. C. (1989) 'Meter in Auden's "Streams", in P. Kiparsky and G. Youmans (eds) Phonetics and Phonology, Vol. 1: Rhythm and Meter, pp. 291 - 304. San Diego, CA: Academic Press.
43. Tsur, R. (1992) Toward a Theory of Cognitive Poetics. Amsterdam: North Holland.
44. Turner, M. (1987) Death is the Mother of Beauty: Mind, Metaphor, Criticism. Chicago, IL: University of Chicago Press.
45. Turner, M. (1996) The Literary Mind: The Origins of Language and Thought. Oxford: Oxford University Press.
46. Turner, M. and Fauconnier, G. (1995) 'Conceptual Integration and Formal Expression', Journal of Metaphor and Symbolic Activity 10(3): 183-204.