Music exposure and audiological findings in Brazilian disc jockeys (DJs)

International Journal of Audiology

Volumn 46, Issue 5, 2007, Pages 223-231

  Santos, Lorayne ^a   Morata, Thais C ^a,b   Jacob, Lilian C ^a   Albizu, Evelyn ^c   Marques, Jair M ^a   Paini, Michele ^a  

^a UNIVERSIDADE TUIUTI DO PARANÁ   (Brazil)

^b NATIONAL INSTITUTE FOR OCCUPATIONAL SAFETY AND HEALTH   (United States)

^c FUNDACENTRO Ministério Do Trabalho e Emprego   (Brazil)

Author keywords

Hearing loss; Music induced hearing loss; Otoacoustic emissions; Pure tone audiometry; Sound pressure levels; Temporary threshold shift; Tinnitus

Indexed keywords

ADULT; AMPLITUDE MODULATION; ARTICLE; AUDIOLOGY; AUDIOMETRY; BRAZIL; CLINICAL ARTICLE; COMPARATIVE STUDY; DISTORTION PRODUCT OTOACOUSTIC EMISSION; HEARING; HEARING DISORDER; HUMAN; INTERVIEW; JOB PERFORMANCE; MALE; MUSIC; NOISE MEASUREMENT; OCCUPATIONAL EXPOSURE; OTOACOUSTIC EMISSION; PRIORITY JOURNAL; REPRODUCIBILITY; SOUND INTENSITY; STATISTICAL ANALYSIS; WORK;

ADOLESCENT; ADULT; AUDIOMETRY, PURE-TONE; AUDITORY THRESHOLD; BRAZIL; HEARING DISORDERS; HUMANS; MUSIC; OCCUPATIONAL EXPOSURE; OTOACOUSTIC EMISSIONS, SPONTANEOUS;

EID: 34248577298     PISSN: 14992027     EISSN: 17088186     Source Type: Journal    
DOI: 10.1080/14992020601188575     Document Type: Article

References (40)

1. Andrijauskas, S. 2003. Estudo dos achados das emissões otoacústicas evocadas por transiente em músicos de rock'n roll. Dist Comunicação, 14, 413-18.
2. American National Standards Institute. 1991. Maximum Permissible Ambient Noise Levels for Audiometric Test Rooms. (ANSI S3.1-1991). New York: ANSI
3. Avan, P. & Bonfils, P. 2005. Distortion-product otoacoustic emission spectra and high-resolution audiometry in noise-induced hearing loss. Hear Res, 209, 68-75.
4. Avan, P., Bonfils, P., Loth, D., Elbez, M. & Erminy, M. 1995. Transient-evoked otoacoustic emissions and high-frequency acoustic trauma in the guinea pig. J Acoust Soc Am, 97, 3012-20.
5. Axelsson, A. & Clark, W. 1995. Hearing conservation programs for nonserved occupations and populations. Occup Med, 10, 657-62.
6. Axelsson, A. & Lindgren, F. 1978. Hearing in pop musicians. Acta Otolaryngol, 85, 225-31.
7. Axelsson, A. & Lindgren, F. 1981a. Pop music and hearing. Ear Hear, 2, 64-9.
8. Axelsson, A. & Lindgren, F. 1981b. Hearing in classical musicians. Acta Otolaryngol Suppl, 377, 3-74.
9. Balatsouras, D.G. 2004. The evaluation of noise-induced hearing loss with distortion product otoacoustic emissions. Med Sci Monit, 10, 218-22.
10. Bogoch, I.I., House, R.A. & Kudla, I. 2005. Perceptions about hearing protection and noise-induced hearing loss of attendees of rock concerts. Can J Pub Health, 96, 73-6.
11. Brasil, 1978. Ministério do Trabalho. Secretaria de Segurança- Higiene e Medicina do Trabalho, Brasil. Segurança e Medicina do Trabalho Lei n. 6514 de 22 de dezembro de 1977, Norma Regulamentadoras (NR) aprovadas pela portaria 3214 de 8 de junho de 1978. São Paulo, Ed. Atlas 1996; NR-15 Anexo 11.
12. Bray, A., Szymanski, M. & Mills, R. 2004. Noise induced hearing loss in dance music disc jockeys and an examination of sound levels in nightclubs. J Laryngol Otol, 118, 123-8.
13. Gorga, M.P., Neely, S.T., Bergman, B., Beauchaine, K.L., Kaminski, J.R., et al. 1993. Otoacoustic emissions from normal-hearing and hearing-impaired subjects: Distortion product responses. J Acoust Soc Am, 93, 2050-60.
14. Gunderson, E., Moline, J. & Catalano, P. 1997. Risks of developing noise-induced hearing loss in employees of urban music clubs. Am J Ind Med, 31, 75-9.
15. Hellstrom, P.A., Axelsson, A. & Costa, O. 1998. Temporary threshold shift induced by music. Scand Audiol Suppl, 48, 87-94.
16. International Standardization Organization ISO. Acoustics- Standard reference zero for the calibration of pure tone audiometers. ISO 389-1964. Geneva: ISO, 1991.
17. Jerger, J. 1970. Clinical experience with impedance audiometry. Arch Otoloryngol, 36, 61-71.
18. Kähäri, K.R., Zachau, G., Eklöf, M., Sandsjo, L. & Müller, C. 2003. Assessment of hearing and hearing disorders in rock/ jazz musicians. Int J Audiol, 42, 279-88.
19. Kemp, D.T. 1978. Stimulated acoustic emissions from within the human auditory system. J Acoust Soc Am, 64, 1386-91.
20. Kemp, D.T. 2002. Otoacoustic emissions, their origin in cochlear function, and use. Br Med Bull, 63, 223-41.
21. Laitinen, H. 2005. Factors affecting the use of hearing protectors among classical music players. Noise Health, 7, 21-9.
22. Lee, L.T. 1999. A study of the noise hazard to employees in local discotheques. Singapore Med J, 40, 571-4.
23. Liebel, J., Delb, W., Andes, C. & Koch, A. 1996. Die Erfassung von Lärmschäden bei Besuchern einer Diskothek mit Hilfe der TEOAE und DPOAE. Laryngorhinootologie, 75, 259-64.
24. Lindgren, F. & Axelsson, A. 1983. Temporary threshold shift after exposure to noise and music of equal energy. Ear Hear, 4, 197-201.
25. Lonsbury-Martin, B.L., Martin, G.K., Probst, R. & Coats, A.C. 1987. Acoustic distortion products in rabbit ear canal. I. Basic features and physiological vulnerability. Hear Res, 28, 173-89.
26. Mansfield, J.D., Baghurst, P.A. & Newton, V.E. 1999. Otoacoustic emissions in 28 young adults exposed to amplified music. Br J Audiol, 33, 211-22.
27. Marcon-Paniz, S.I. 2005. Caracterização dos níveis de pressão sonora em danceterias e avaliação auditiva de jovens freqüentadoras. In T.C. Morata & F. Zucki (eds.) Caminhos para Saúde Auditiva. São Paulo: Plexus Editora, pp. 28-40.
28. McMillan R. & Gunn P. 2000. Noise control in the music entertainment industry project report. Melbourne: Department of Consumer and Employment Protection. WorkSafe. http://www.worksafe.wa.gov.au/newsite/ worksafe/pages/noiscult0001.html
29. th International Congress and Exposition on Noise Control Engineering (INTERNOISE 2006), 3-6 December, Honolulu, Hawaii, USA.
30. Meyer-Bisch, C. 1996. Epidemiological evaluation of hearing damage related to strongly amplified music (personal cassette players, discotheques, rock concerts)-high-definition audiometric survey on 1364 subjects. Audiology, 35, 121-42.
31. Prasher, D. & Sulkowski, W. 1999. The role of otoacoustic emissions in screening and evaluation of noise damage. Int J Occup Med Environ Health, 12, 183-92.
32. Sadhra, S., Jackson, C.A., Ryder, T. & Brown, M.J. 2002. Noise exposure and hearing loss among student employees working in university entertainment venues. Ann Occup Hyg, 46, 455-63.
33. Schmiedt, R.A. 1986. Acoustic distortion in the ear canal. I. Cubic difference tones: Effects of acute noise injury. J Acoust Soc Am, 79, 1481-90.
34. Schmuziger, N., Patscheke, J. & Probst, R. 2006. Hearing in nonprofessional pop/rock musicians. Ear Hear, 27, 321-30.
35. Silveira, J.A.M., Brandão, A.L.A., De Rossi, J., Ferreira, L.A.L., Name, M.A.M., et al. 2001. Avaliação da alteração auditiva provocada pelo uso do walkman, por meio da audiometria tonal e das emissões otoacústicas (produto de distorção): estudo de 40 orelhas. Rev Bras Otorinolaringol, 67, 650-4.
36. Sisnando, M.S.M. 2002. Perfil auditivo em Disc Jockeys. Rev Fono Atual, 5, 10-13.
37. Swanson, S.J., Dengerink, H.A., Kondrick, P. & Miller, C.L. 1987. The influence of subjective factors on temporary threshold shifts after exposure to music and noise of equal energy. Ear Hear, 8, 288-29.
38. Tan, T.C., Tsang, H.C. & Wong, T.L. 1990. Noise surveys in discotheques in Hong Kong. Ind Health, 28, 37-40.
39. Vansin, R. & Assencio-Ferreira, V.J. 2002. Avaliação da alteraçǎo temporária do limiar auditivo em jovens freqüentadores de casas noturnas. Revista CEFAC, 4, 219-22.
40. Yahn, C. 2003. Volume superalto nos clubes afeta a audição de DJs na Inglaterra. Available from www.erikapalomino.com.br, São Paulo. Assessed on 6/5/2003 ás, 21, 00h.