God rock Africa: Thoughts on politics in popular black performance in South Africa

African Studies

Volumn 64, Issue 1, 2005, Pages 9-27

  Coplan, David B ^a  

^a UNIVERSITY OF THE WITWATERSRAND   (South Africa)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 34248200031     PISSN: 00020184     EISSN: 14692872     Source Type: Journal    
DOI: 10.1080/00020180500139015     Document Type: Article

References (15)

1. Allen, L., 2004. “Kwaito versus Crossed-over: Music and Identity during South Africa's Rainbow Years, 1994–1996”. Social Dynamics, 30 forthcoming (in 2005)
2. Ansell, G., 2004. Soweto Blues: Jazz, Popular Music & Politics in South Africa, New York and London: Continuum.
3. Askew, K., 2002. Performing the Nation, Chicago: Chicago University Press.
4. Ballantine C., “Popular Music and the End of Apartheid: The Case of Kwaito” Paper presented at the Conference of the International Association for Popular Music Montreal July 2003 At the Congress of the Musicological Society of Southern Africa Johannesburg August 2003
5. Bauman, R., 1977. Verbal Art as Performance, Rowley, MA: Newbury House.
6. Campschreur, W., and Divenda, J., 1989. Culture in Another South Africa, Edited by: Campschreur, W., and Divenda, J., New York: Olive Branch Press.
7. Coplan D., B. In Township Tonight! South Africa's Black City Music and Theatre Longman New York and London 1985 Ravan Johannesburg
8. Fabian, J., 1978. “Popular Culture in Africa”. Africa, 48 (4): 315–334.
9. Gilroy, P., 1993. The Black Atlantic, Cambridge: Harvard University Press.
10. Gostner, K., 2002. The Kwaito Nation: An Industry Analysis, Johannesburg: Yired Pty.
11. Mdladla, B., 2001. “Kwaito Power”. Drum magazine, 12 July: 18–27. (Johannesburg)
12. Peterson, B., 2003. “Kwaito, ‘Dawgs’ and the Antimonies of Hustling”. African Identities, 1 (2): 197–213.
13. Stephens, S., 2000. “Kwaito”. In Senses of Culture, Edited by: Sarah, Nutall, and Cheryl-Ann, Michael. Cape Town: Oxford University Press.
14. Sunday Independent. 2002. “Suppression of Ngema's Controversial Song Unconstitutional”. 14 July: 7
15. Taylor, T., 1997. Global Pop, New York: Routledge.