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Volumn 30, Issue 2, 2004, Pages 82-111

Kwaito versus Crossed-over: Music and Identity during South Africa's Rainbow Years, 1994–99

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EID: 33845397496     PISSN: 02533952     EISSN: 19407874     Source Type: Journal    
DOI: 10.1080/02533950408628686     Document Type: Article
Times cited : (26)

References (27)
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  • 3
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  • 4
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    • Allen, L.1
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    • Music, Film and Gangsters in the Sophiatown Imaginary: Featuring Dolly Rathebe
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    • Allen, L.1
  • 7
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    • Bogatsu, M.1
  • 13
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    • Davies, Nollene. 1994. "The Guitar in Zulu Maskan da Tradition:' The World 4 Music 36(2): 118-37.
    • (1994) The World 4 Music , vol.36 , Issue.2 , pp. 118-137
    • Davies, N.1
  • 14
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    • Pygmy POP: A Gene alogy of Shizo phonic Mimesis
    • Feld, Steven. 1996. "pygmy POP: A Gene alogy of Shizo phonic Mimesis". Yearbook for Traditional Music 28: 1-35.
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    • Lucia, C.1
  • 20
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    • Paul Simon's Graceland, South Africa, and the Mediation of Musical Meaning
    • Meintjes, Louise. 1990. "Paul Simon's Graceland, South Africa, and the Mediation of Musical Meaning:' Ethnomusicology 34(1): 37-73.
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    • Stylizing the Self: The Y Generat ion in Rosebank, Johannesburg
    • Nuttall, Sarah. 2004. "Stylizing the Self: The Y Generat ion in Rosebank, Johannesburg." Public Culture 16(3): 430-52.
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    • (1996) Cahiers D'ttudes Africaines , vol.143 , pp. 335-371
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  • 24
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* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.