-
1
-
-
0347212134
-
Can Music be Experimentally Studied?
-
R. Aiello (ed.) Oxford: Oxford University Press
-
Aiello, R. (1994) 'Can Music be Experimentally Studied?' in R. Aiello (ed.) Musical Perceptions, pp. 273-282. Oxford: Oxford University Press
-
(1994)
Musical Perceptions
, pp. 273-282
-
-
Aiello, R.1
-
4
-
-
79957051802
-
-
Cambridge: Cambridge University Press
-
Bent, I. (1994) Music Analysis in the Nineteenth Century, Vol. 1, Fugue, Form, and Style. Cambridge: Cambridge University Press
-
(1994)
Music Analysis in the Nineteenth Century, Vol. 1, Fugue, Form, and Style
-
-
Bent, I.1
-
7
-
-
60949147110
-
Hierarchical Unity, Plural Unities
-
K. Bergeron, and P. Bohlman (eds) Chicago: University of Chicago Press
-
Cohen, R., and Dempster, D. (1992) 'Hierarchical Unity, Plural Unities', in K. Bergeron, and P. Bohlman (eds) Disciplining Music: Musicology and its Canons. Chicago: University of Chicago Press
-
(1992)
Disciplining Music: Musicology and Its Canons
-
-
Cohen, R.1
Dempster, D.2
-
9
-
-
84968082089
-
Grouping Conditions in Listening to Music: An Approach to Lerdahl & Jackendoff's Grouping Preference Rules
-
Deliège, I. (1987) 'Grouping Conditions in Listening to Music: An Approach to Lerdahl & Jackendoff's Grouping Preference Rules', Music Perception 4 (4). 327-366
-
(1987)
Music Perception
, vol.4
, Issue.4
, pp. 327-366
-
-
Deliège, I.1
-
10
-
-
39749173098
-
Mechanisms of Cue Extraction in Memory for Musical Time
-
Deliège, I. (1993) 'Mechanisms of Cue Extraction in Memory for Musical Time', Contemporary Music Review 9: 191-207
-
(1993)
Contemporary Music Review
, vol.9
, pp. 191-207
-
-
Deliège, I.1
-
11
-
-
0040559159
-
Musical Schemata in Real-Time Listening to a Piece of Music
-
Deliège, I., Mélen, M., Stammers, D., and Cross, I. (1996) 'Musical Schemata in Real-Time Listening to a Piece of Music', Music Perception 14 (2). 117-160
-
(1996)
Music Perception
, vol.14
, Issue.2
, pp. 117-160
-
-
Deliège, I.1
Mélen, M.2
Stammers, D.3
Cross, I.4
-
12
-
-
84970270500
-
Information Integration Theory: An Approach to the Study of Cognitive Development of Music
-
Demorest, S.M. (1992) 'Information Integration Theory: An Approach to the Study of Cognitive Development of Music', Journal of Research in Music Education 40 (2). 126-138
-
(1992)
Journal of Research in Music Education
, vol.40
, Issue.2
, pp. 126-138
-
-
Demorest, S.M.1
-
13
-
-
0001594090
-
Recognition of Melodic Transformations: Inversion, Retrograde, and Retrograde Inversion
-
Dowling, W.J. (1972) 'Recognition of Melodic Transformations: Inversion, Retrograde, and Retrograde Inversion', Perception and Psychophysics 12 (5). 417-421
-
(1972)
Perception and Psychophysics
, vol.12
, Issue.5
, pp. 417-421
-
-
Dowling, W.J.1
-
14
-
-
84926184778
-
Rhythmic Groupings and Subjective Chunks in Memory for Melodies
-
Dowling, W.J. (1973) 'Rhythmic Groupings and Subjective Chunks in Memory for Melodies', Psychological Review 85: 341-354
-
(1973)
Psychological Review
, vol.85
, pp. 341-354
-
-
Dowling, W.J.1
-
15
-
-
60950252654
-
Recognition of Repeated and Altered Thematic Materials in Music
-
Duerksen, G.L. (1968) 'Recognition of Repeated and Altered Thematic Materials in Music', Journal of Research in Music Education, 16: 3-30
-
(1968)
Journal of Research in Music Education
, vol.16
, pp. 3-30
-
-
Duerksen, G.L.1
-
17
-
-
0011651342
-
-
London: Lawrence Erlbaum
-
Francès, R. (1988[1958]) The Perception of Music, trans. W.J. Dowling. London: Lawrence Erlbaum
-
(1958)
The Perception of Music
-
-
Francès, R.1
-
20
-
-
84968081487
-
The Effects of Instrumentation, Playing Style, and Structure in the Goldberg Variations of Johann Sebastian Bach
-
Gottlieb, H. and Koneçni, V.J. (1985) 'The Effects of Instrumentation, Playing Style, and Structure in the Goldberg Variations of Johann Sebastian Bach', Music Perception 3 (1). 87-102
-
(1985)
Music Perception
, vol.3
, Issue.1
, pp. 87-102
-
-
Gottlieb, H.1
Koneçni, V.J.2
-
22
-
-
61049294561
-
Remote Keys and Multi-movement Unity: Haydn in the 1790s
-
Haimo, E. (1990) 'Remote Keys and Multi-movement Unity: Haydn in the 1790s', The Musical Quarterly 74 (2). 242-268
-
(1990)
The Musical Quarterly
, vol.74
, Issue.2
, pp. 242-268
-
-
Haimo, E.1
-
25
-
-
84968157977
-
The Effects of Structural Interventions in the First Movement of Mozart's Symphony in G Minor K. 550 on Aesthetic Preference
-
Karno, M. and Koneçni, V. J. (1992) 'The Effects of Structural Interventions in the First Movement of Mozart's Symphony in G Minor K. 550 on Aesthetic Preference', Music Perception 10 (1). 63-72
-
(1992)
Music Perception
, vol.10
, Issue.1
, pp. 63-72
-
-
Karno, M.1
Koneçni, V.J.2
-
26
-
-
79953919477
-
KV503: The Unity of Contrasting Themes and Movements
-
Keller, H. (1956) 'KV503: The Unity of Contrasting Themes and Movements', Music Review 17: 120
-
(1956)
Music Review
, vol.17
, pp. 120
-
-
Keller, H.1
-
27
-
-
44449131941
-
How We Got into Analysis, and How to Get Out
-
J. Kerman (ed.), Berkeley, CA: University of California Press
-
Kerman, J. (1998) 'How We Got into Analysis, and How to Get Out', in J. Kerman (ed.). Write All These Down: Essays on Music, pp. 12-32. Berkeley, CA: University of California Press
-
(1998)
Write All These Down: Essays on Music
, pp. 12-32
-
-
Kerman, J.1
-
28
-
-
0017324889
-
A General Methodology for the Analysis of Experiments with Repeated Measurement of Categorical Data
-
Koch, G., Landis, J., Freeman, J., Freeman, D. and Lehnen, R. (1977) 'A General Methodology for the Analysis of Experiments with Repeated Measurement of Categorical Data', Biometrics 33: 133-158
-
(1977)
Biometrics
, vol.33
, pp. 133-158
-
-
Koch, G.1
Landis, J.2
Freeman, J.3
Freeman, D.4
Lehnen, R.5
-
29
-
-
77956715031
-
Elusive Effects of Artists'"Messages"
-
W.R. Crozier and A.J. Chapman (eds) Amsterdam: North-Holland
-
Koneçni, V.J. (1984) 'Elusive Effects of Artists'" Messages"', in W.R. Crozier and A.J. Chapman (eds) Cognitive Processes in the Perception of Art, pp. 71-93. Amsterdam: North-Holland
-
(1984)
Cognitive Processes in the Perception of Art
, pp. 71-93
-
-
Koneçni, V.J.1
-
31
-
-
0011299279
-
A Perceptual Analysis of Mozart's Piano Sonata K. 282: Segmentation, Tension, and Musical Ideas
-
Krumhansl, C.L. (1996) 'A Perceptual Analysis of Mozart's Piano Sonata K. 282: Segmentation, Tension, and Musical Ideas', Music Perception 13 (3). 401-432
-
(1996)
Music Perception
, vol.13
, Issue.3
, pp. 401-432
-
-
Krumhansl, C.L.1
-
33
-
-
84961720791
-
The Perception of Tone Hierarchies and Mirror Forms in Twelve Tone Serial Music
-
Krumhansl, C.L., Sandell, G.J. and Sergeant, D.C. (1987) 'The Perception of Tone Hierarchies and Mirror Forms in Twelve Tone Serial Music', Music Perception 5 (1). 31-78
-
(1987)
Music Perception
, vol.5
, Issue.1
, pp. 31-78
-
-
Krumhansl, C.L.1
Sandell, G.J.2
Sergeant, D.C.3
-
34
-
-
33750646620
-
Perceived Similarity of Musical Motifs: An Exploratory Study
-
M. Ramscar, U. Hahn, E. Cambouropoulos and H. Pain (eds) Edinburgh: Department of Artificial Intelligence, University of Edinburgh
-
Lamont, A. and Dibben, N. (1997) 'Perceived Similarity of Musical Motifs: An Exploratory Study', in M. Ramscar, U. Hahn, E. Cambouropoulos and H. Pain (eds) Proceedings of the Interdisciplinary Workshop on Similarity and Categorisation, pp. 143-150. Edinburgh: Department of Artificial Intelligence, University of Edinburgh
-
(1997)
Proceedings of the Interdisciplinary Workshop on Similarity and Categorisation
, pp. 143-150
-
-
Lamont, A.1
Dibben, N.2
-
35
-
-
0011651565
-
Motivic Structure and the Perception of Similarity', special issue: 'Similarity Perception, Categorization, and Cue Abstraction
-
Lamont, A. and Dibben, N. (2001) 'Motivic Structure and the Perception of Similarity', special issue: 'Similarity Perception, Categorization, and Cue Abstraction', Music Perception 18 (3). 245-274
-
(2001)
Music Perception
, vol.18
, Issue.3
, pp. 245-274
-
-
Lamont, A.1
Dibben, N.2
-
36
-
-
0017360990
-
The Measurement of Observer Agreement for Categorical Data
-
Landis, J. and Koch, G. (1977a) 'The Measurement of Observer Agreement for Categorical Data', Biometrics 33: 159-174
-
(1977)
Biometrics
, vol.33
, pp. 159-174
-
-
Landis, J.1
Koch, G.2
-
37
-
-
0011605226
-
-
Ithaca, NY: Cornell University Press
-
Levinson, J. (1997) Music in the Moment. Ithaca, NY: Cornell University Press
-
(1997)
Music in the Moment
-
-
Levinson, J.1
-
38
-
-
84968054144
-
Texture as a Sign in Classic and Early Romantic Music
-
Levy, J. (1982) 'Texture as a Sign in Classic and Early Romantic Music', Journal of the American Musicological Society 35 (3). 482-531
-
(1982)
Journal of the American Musicological Society
, vol.35
, Issue.3
, pp. 482-531
-
-
Levy, J.1
-
39
-
-
85024987775
-
Using Analysis of Variance with a Dichotomous Dependent Variable: An Empirical Study
-
Lunney, G. (1970) 'Using Analysis of Variance with a Dichotomous Dependent Variable: An Empirical Study', Journal of Educational Measurement 7 (4). 263-269
-
(1970)
Journal of Educational Measurement
, vol.7
, Issue.4
, pp. 263-269
-
-
Lunney, G.1
-
40
-
-
33847727671
-
Concepts of Musical Unity
-
N. Cook and M. Everist (eds) Oxford: Oxford University Press
-
Maus, F.E. (1999) 'Concepts of Musical Unity', in N. Cook and M. Everist (eds) Rethinking Music, pp. 171-192. Oxford: Oxford University Press
-
(1999)
Rethinking Music
, pp. 171-192
-
-
Maus, F.E.1
-
41
-
-
79954132921
-
Similarity, Invariance and Musical Variation
-
R. Zatorre and I. Peretz (eds) New York: Annals of the New York Academy of Sciences
-
McAdams S. and Matzkin, D. (2002) 'Similarity, Invariance and Musical Variation', in R. Zatorre and I. Peretz (eds) The Biological Foundations of Music. New York: Annals of the New York Academy of Sciences
-
(2002)
The Biological Foundations of Music
-
-
McAdams, S.1
Matzkin, D.2
-
42
-
-
0013252375
-
-
Philadelphia: University of Pennsylvania Press
-
Meyer, L.B. (1989) Style and Music. Philadelphia: University of Pennsylvania Press
-
(1989)
Style and Music
-
-
Meyer, L.B.1
-
43
-
-
84990365096
-
An Examination of Music and Nonmusic Majors' Response to Selected Excerpts from Stravinsky's "le Sacre du Printemps"
-
Misenhelter, D. and Price, H.E. (2001) 'An Examination of Music and Nonmusic Majors' Response to Selected Excerpts from Stravinsky's "Le Sacre du Printemps"', Journal of Research in Music Education 49 (4). 323-329
-
(2001)
Journal of Research in Music Education
, vol.49
, Issue.4
, pp. 323-329
-
-
Misenhelter, D.1
Price, H.E.2
-
44
-
-
79954059752
-
Special Issue: 'Similarity Perception, Categorization, and Cue Abstraction'
-
Music Perception. whole issue
-
Music Perception (2001) Special Issue: 'Similarity Perception, Categorization, and Cue Abstraction', Music Perception 18 (3). whole issue
-
(2001)
Music Perception
, vol.18
, Issue.3
-
-
-
46
-
-
0020649069
-
Emergence of Thematic Concepts in Repeated Listening to Music
-
Pollard-Gott, L. (1983) 'Emergence of Thematic Concepts in Repeated Listening to Music', Cognitive Psychology 15 (1). 66-94
-
(1983)
Cognitive Psychology
, vol.15
, Issue.1
, pp. 66-94
-
-
Pollard-Gott, L.1
-
50
-
-
0038511933
-
-
Cambridge, MA: Harvard University Press
-
Rosen, C. (1995) The Romantic Generation. Cambridge, MA: Harvard University Press
-
(1995)
The Romantic Generation
-
-
Rosen, C.1
-
52
-
-
0004074494
-
-
New York: Longman
-
Schenker, H. (1979[1935]) Free Composition, trans. E. Oster. New York: Longman
-
(1935)
Free Composition
-
-
Schenker, H.1
-
53
-
-
32844473202
-
Tracking Performance Correlates of Changes in Perceived Intensity of Emotion during Different Interpretations of a Chopin Piano Prelude
-
Sloboda, J.A. and Lehmann, A.C. (2001) 'Tracking Performance Correlates of Changes in Perceived Intensity of Emotion During Different Interpretations of a Chopin Piano Prelude', Music Perception 19 (1). 87-120
-
(2001)
Music Perception
, vol.19
, Issue.1
, pp. 87-120
-
-
Sloboda, J.A.1
Lehmann, A.C.2
-
54
-
-
0002155947
-
Semi-Structured Interviewing and Qualitative Analysis
-
J.A. Smith, R. Harré, and L. Van Langenhove (eds) London: Sage
-
Smith, J.A. (1995) 'Semi-Structured Interviewing and Qualitative Analysis', in J.A. Smith, R. Harré, and L. Van Langenhove (eds) Rethinking Methods in Psychology, pp. 9-26. London: Sage
-
(1995)
Rethinking Methods in Psychology
, pp. 9-26
-
-
Smith, J.A.1
-
55
-
-
60949246363
-
Superior Myths, Dogmatic Allegories: The Resistance to Musical Unity
-
Street, A. (1989) 'Superior Myths, Dogmatic Allegories: The Resistance to Musical Unity', Musical Analysis 8 (1-2). 77-123
-
(1989)
Musical Analysis
, vol.8
, Issue.12
, pp. 77-123
-
-
Street, A.1
-
56
-
-
33847762062
-
Graphic Representations of Short Musical Compositions
-
Tan, S.L. and Kelly, M.E. (2004) 'Graphic Representations of Short Musical Compositions', Psychology of Music 32 (2). 191-212
-
(2004)
Psychology of Music
, vol.32
, Issue.2
, pp. 191-212
-
-
Tan, S.L.1
Kelly, M.E.2
-
59
-
-
60950211597
-
Comparison of Novice Listeners' Similarity Judgments and Style Categorisation of Classic and Romantic Piano Exemplars
-
Thorisson, T. (1998) 'Comparison of Novice Listeners' Similarity Judgments and Style Categorisation of Classic and Romantic Piano Exemplars', Psychology of Music 26 (2). 186-196
-
(1998)
Psychology of Music
, vol.26
, Issue.2
, pp. 186-196
-
-
Thorisson, T.1
-
60
-
-
0010079330
-
Does Formal Structure Affect Perception of Musical Expressiveness?
-
Tillmann, B. and Bigand, E. (1996) 'Does Formal Structure Affect Perception of Musical Expressiveness?' Psychology of Music 24 (1). 3-17
-
(1996)
Psychology of Music
, vol.24
, Issue.1
, pp. 3-17
-
-
Tillmann, B.1
Bigand, E.2
-
62
-
-
33749849202
-
Musical Coherence, Motive, and Categorization
-
Zbikowski, L.M. (1999) 'Musical Coherence, Motive, and Categorization', Music Perception 17 (1). 5-42
-
(1999)
Music Perception
, vol.17
, Issue.1
, pp. 5-42
-
-
Zbikowski, L.M.1
|