Tourism and the moving image

Tourist Studies

Volumn 6, Issue 1, 2006, Pages 5-11

  Mazierska, Ewa ^a   Walton, John K ^a  

^a UNIVERSITY OF CENTRAL LANCASHIRE   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33845276501     PISSN: 14687976     EISSN: None     Source Type: Journal    
DOI: 10.1177/1468797606070583     Document Type: Editorial

References (20)

1. Baudrillard, Jean (1985) ‘The Ecstasy ofCommunication’, pp. 126-133 in Hal Foster (ed.) Postmodern Culture. London: Pluto Press.
2. Bauman, Zygmunt (1996) ‘From Pilgrim to Tourist-or a ShortHistory of Identity’, pp. 18-36 in Stuart Hall and Paul du Gay (eds) Questions of Cultural Identity. London: Sage.
3. Buzard, James (1993) The Beaten Track: European Tourism, Literature, andthe Ways to ‘Culture’. Oxford: Clarendon Press.
4. Corrigan, Timothy (1991) A Cinema without Walls: Movies and Culture afterVietnam. London: Routledge.
5. Crouch, David, Rhona Jackson and David Thompson (2005) ‘Introduction: The Media and TouristImagination’, pp. 1-13 in David, Crouch, Rhona Jackson and David Thompson (eds) Tourist Imagination: Converging Cultures. London: Routledge.
6. Dunn, David (2001) ‘A Place of Recreation: The Island of Taransay as TouristDestination in the Television Series Castaway 2000’, Media Education Journal 30: 23-27.
7. Dunn, David (2004) ‘Tabloid Tourists: Celebrity, Consumptionand Performance in British Television Holiday Programmes’,pp. 113-130 in Eileen Kennedy and Andrew Thornton (eds) Leisure, Media and Visual Culture: Representations andContestations. Eastbourne: Leisure Studies Association Publication 83.
8. Friedberg, Anne (1993) Window Shopping: Cinema and the Postmodern. London, Berkeley: University of California Press.
9. Higson, Andrew (1993) ‘Re-presenting the National Past:Nostalgia and Pastiche in the Heritage Film’, pp.109-129 in Lester Friedman (ed.) British Cinema and Thatcherism. London: UCL Press.
10. Higson, Andrew (1996) ‘The Heritage Film and BritishCinema’, pp. 232-248 in Andrew Higson (ed.) Dissolving Views. London: Cassell.
11. Mazierska, Ewa (2001) ‘In the Land of Noble Knights and Mute Princesses: PolishHeritage Cinema’, Historical Journal of Film, Radio and Television 2: 167-182.
12. Metz, Christian (1985) ‘Story/Discourse: Notes on Two Kinds ofVoyeurism’, pp. 546-547 in Bill Nichols (ed.) Movies and Methods. London and Berkeley: University of California Press.
13. Sontag, Susan (2002) ‘Questions of Travel’,pp. 274-284 in Susan Sontag Where the Stress Falls. London: Cape.
14. Stofik, M. Barron (2005) Saving South Beach. Gainesville: University Press of Florida.
15. Toulmin, Vanessa, Patrick Russell and Simon Popple (eds) (2004) The Lost World of Mitchell and Kenyon: EdwardianBritain on Film. London: BFI.
16. Urry, John (1990) The Tourist Gaze. London: Sage.
17. Urry, John (1995) Consuming Places. London: Routledge.
18. Urry, John (2002) The Tourist Gaze (2nd edn.). London: Sage.
19. Walton, John K. (ed.) (2005) Histories of Tourism: Representation, Identityand Conflict. Clevedon: Channel View Press.
20. Wright, Sue (2002) ‘Sun, Sea, Sand andSelf-Expression’, pp. 181-202 in Hartmut Berghoff, Barbara Korte, Ralf Schneider and Christopher Harvie (eds) The Making of Modern Tourism: The Cultural History of the BritishExperience, 1600-2000. London: Palgrave.