In the land of noble knights and mute princesses: Polish heritage cinema

Historical Journal of Film, Radio and Television

Volumn 21, Issue 2, 2001, Pages 167-182

  Mazierska, Ewa ^a  

^a MANCHESTER METROPOLITAN UNIVERSITY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33845274859     PISSN: 01439685     EISSN: None     Source Type: Journal    
DOI: 10.1080/01439680120051505     Document Type: Article

References (26)

1. See Andrew Higson, Waving the Flag (Oxford, 1995), pp. 26-97;
2. Re-presenting the national past: nostalgia and pastiche in the heritage film, in Lester Friedman (ed. ), British Cinema and Thatcherism (London, 1993);
3. and The heritage film and British cinema, in Andrew Higson (ed. ), Dissolving Views (London, 1996).
4. Tadeusz Lubelski, Radosc I melancholia Pana Tadeusza, Kino (November 1999), pp. 26-31;
5. Manana Chyb, A to my wlasnie, Film (October 1999), pp. 43-45;
6. Jerzy Hoffman, Moj swiat Trylogii, Rzeczpospolita, 5 February 1999, p. 20.
7. Krzysztof Demidowicz, Ogniem I sercem, Film (March 2000), p. 36.
8. See Tadeusz Lubelski, op. cit. , Tadeusz Sobolewski, Pojedynek z dniem dzisiejszym, Kino, (April 1993), pp. 5-8.
9. Fred Davis, Yearning for Yesterday. A sociology of nostalgia (New York, 1979), pp. 11-12.
10. John Hill, British Cinema in the 1980 (Oxford, 1999), p. 74.
11. Robert Hewison, The Heritage Industry: Britain in a climate of decline (London, 1987), p. 47.
12. Andrew Higson, Re-presenting the national past: nostalgia and pastiche in the heritage film, op. cit. , p. 110.
13. See Homi K. Bhabba, DissemiNation, in Homi K. Bhabba (ed. ), Nation and Narration (London, 1990), pp. 297-298.
14. The Polish notion of class is rather different from that in Britain. In Poland the main determinant of belonging to a specific class is not so much inheritance, as education and cultural tradition.
15. Bozena Janicka, Na Dzikich Polach w XVII wieku, Kino (March 1999), p. 22.
16. Piotr Wojciechowski, A Kozaka zal, Film (March 1999), p. 68.
17. Piotr Tyma, Zaproszenie do dialogu, Tygodnik powszechny, 7 March 2000, p. 16.
18. Tomasz Stanczyk, Ku pojednaniu sere, Rzeczpospolita, 8 February 1999, p. 16.
19. See Krzysztof Kotowski, Hoffman nie krzepi, Zycie, 24 February 1999, pp. 14-15.
20. Zbigniew Majchrowski, Wojciech Owczarski and Zbigniew Zakiewicz, Soplicowo na sprzedaz?, Dialog, (February 2000), pp. 111-112.
21. Zdzislaw Pietrasik, Polskie skrzydla w blocie, Polityka, 13 February 1999, p. 16;
22. Jerzy Wojcik, Trudne milosci, krwawe pojedynki, Rzeczpospolita, 8 February 1999, p. 15;
23. Kazimiera Szczuka, Czar, co lby podchmiela, Film (October 1999), p. 41.
24. There are exceptions to this rule. The most important is Dlug (Debt, 1999) by Krzysztof Krauze, a contemporary film, based on a true story, which received the main award at the 1999 Festival of Polish Films in Gdynia, where With Fire and Sword was also included in the competition.
25. See Konrad Eberhardt, Piekna choroba polskiego filmu, in Konrad Eberhardt o polskich filmach (Warsaw, 1982), pp. 360-368.
26. Zygmunt Kaluzynski and Tomasz Raczek, Aria na scisnietym gardle, Wprost, 10 February 2000, p. 18.