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Volumn 60, Issue 4, 2006, Pages 732-748

Qatar and the world: Branding for a micro-state

(1)  Peterson, J E a  

a NONE

Author keywords

[No Author keywords available]

Indexed keywords

INTERNATIONAL RELATIONS; POLITICAL DEVELOPMENT; STATE BUILDING; SURVIVAL;

EID: 33750894569     PISSN: 00263141     EISSN: None     Source Type: Journal    
DOI: 10.3751/60.4.15     Document Type: Article
Times cited : (98)

References (87)
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    • A more recent study disputes this idea and points out that microstates have small or, in some cases, non-existent armed forces. "Yet microstates exist in a generally supportive global milieu with a variety of regional and international resources at their disposal. This is particularly the case in terms of ensuring their international legal personality and continued independence: the determination of the international system itself, in its manifold guises, to support the sovereignty and the territorial integrity of even its smallest members"
    • Harden, Small Is Dangerous, p. 1. A more recent study disputes this idea and points out that microstates have small or, in some cases, non-existent armed forces. "Yet microstates exist in a generally supportive global milieu with a variety of regional and international resources at their disposal. This is particularly the case in terms of ensuring their international legal personality and continued independence: the determination of the international system itself, in its manifold guises, to support the sovereignty and the territorial integrity of even its smallest members."
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    • "In the developing south, most small and micro-states exhibit helplessness and vulnerability owing to a range of factors, many of which are externally induced while a number are indigenous and particular to specific states." Amalendu Misra, "Theorising 'Small' and 'Micro' State Behaviour Using the Maldives, Bhutan and Nepal," Contemporary South Asia, Vol. 13, No. 2 (June 2004), p. 145.
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    • Of course there is always the alternative adopted by the Duchy of Grand Fenwick in classic film, declare war on the United States, then surrender and receive foreign aid
    • Of course there is always the alternative adopted by the Duchy of Grand Fenwick in Peter Sellers' classic film, The Mouse That Roared: declare war on the United States, then surrender and receive foreign aid.
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    • "Qatar's Foreign Policy: The Quest for National Security and Territorial Integrity"
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    • "The Rise of the Brand State: The Postmodern Political Image and Reputation"
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    • "What Is Branding?"
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    • Another practitioner divides branding into phases: the 1950s were characterized by the USP (unique selling proposition, with emphasis on the product rather than the brand); the 1960s saw the emergence of ESP (emotional selling proposition, with brands seen differently primarily because of an emotional attachment); the 1980s produced the OSP (organizational selling proposition, in which the organization or corporation behind the brand was in fact the brand, rather than a product); and the 1990s saw the BSP (brand selling proposition, in which the brand was stronger than the physical dimension of the product)
    • Twitchell, Branded Nation, p. 38. Another practitioner divides branding into phases: the 1950s were characterized by the USP (unique selling proposition, with emphasis on the product rather than the brand); the 1960s saw the emergence of ESP (emotional selling proposition, with brands seen differently primarily because of an emotional attachment); the 1980s produced the OSP (organizational selling proposition, in which the organization or corporation behind the brand was in fact the brand, rather than a product); and the 1990s saw the BSP (brand selling proposition, in which the brand was stronger than the physical dimension of the product).
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    • "The Rise of the Brand State"
    • Van Ham, "The Rise of the Brand State," p. 2.
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    • "Rise of the Brand State"
    • Van Ham goes even further in asserting that "...state branding is gradually supplanting nationalism. The brand state's use of its history, geography, and ethnic motifs to construct its own distinct image is a benign campaign that lacks the deep-rooted and often antagonistic sense of national identity and uniqueness that can accompany nationalism. By marginalizing nationalist chauvinism, the brand state is contributing greatly to the further pacification of Europe"
    • Van Ham, "Rise of the Brand State," p. 3. Van Ham goes even further in asserting that "...state branding is gradually supplanting nationalism. The brand state's use of its history, geography, and ethnic motifs to construct its own distinct image is a benign campaign that lacks the deep-rooted and often antagonistic sense of national identity and uniqueness that can accompany nationalism. By marginalizing nationalist chauvinism, the brand state is contributing greatly to the further pacification of Europe."
    • Van Ham, P.1
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    • "Rise of the Brand State"
    • Van Ham, "Rise of the Brand State," p. 3.
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    • "Rise of the Branded State"
    • Quoted in Van Ham, "Rise of the Branded State," p. 4.
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    • "Rise of the Branded State"
    • Van Ham, "Rise of the Branded State," p. 4.
    • Van Ham, P.1
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    • "Rise of the Branded State"
    • Van Ham, "Rise of the Branded State," pp. 5-6.
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    • These immense and costly projects also gained the emirate some notoriety with the abrupt dismissal and temporary house arrest in early 2005 of Shaykh Sa'ud bin Muhammad bin 'Ali Al Thani, the head of the National Council for Arts, Culture, and Heritage. Shaykh Sa'ud had created ripples in the art world with the scope and deep pockets of his acquisitions of Islamic art. No reason was given for his dismissal but it is thought to have been the result of his mixing acquisitions between the state collections and his private collection. The events have been covered in the March 9
    • These immense and costly projects also gained the emirate some notoriety with the abrupt dismissal and temporary house arrest in early 2005 of Shaykh Sa'ud bin Muhammad bin 'Ali Al Thani, the head of the National Council for Arts, Culture, and Heritage. Shaykh Sa'ud had created ripples in the art world with the scope and deep pockets of his acquisitions of Islamic art. No reason was given for his dismissal but it is thought to have been the result of his mixing acquisitions between the state collections and his private collection. The events have been covered in the New York Times, March 9, 2005,
    • (2005) New York Times
  • 86
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    • (London), March 14 and 31
    • and The Art Newspaper (London), March 14 and 31, 2005.
    • (2005) The Art Newspaper


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