Categorization and schematization processes used in music perception by 10- to 11-year-old children

Music Perception

Volumn 18, Issue 3, 2001, Pages 297-324

  Koniari, Dimitra ^a   Predazzer, Sandrine ^b   Mélen, Marc ^b  

^a UNIVERSITY OF MACEDONIA   (Greece)

^b UNIVERSITY OF LIÈGE   (Belgium)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33750657080     PISSN: 07307829     EISSN: None     Source Type: Journal    
DOI: 10.1525/mp.2001.18.3.297     Document Type: Article

References (12)

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3. Deliège, I. (1989). A perceptual approach to contemporary musical forms. In S. McAdams & I. Deliège (Eds.), Music and cognitive sciences [Special issue]. Contemporary Music Review, 4, 213-230.
4. Deliège, I. (1991). La perception de l'opposition invariant/variant: Etude expérimentale à partir de l'oeuvre de Steve Reich Four Organs pour quatre orgues électriques et maracas. Psychologica Belgica, 31, 239-263.
5. Deliège, I. (1995). The two steps of the categorization process in music listening: An approach of the cue extraction mechanism as a modular system. In R. Steinberg (Ed.), Music and the mind machine. The psychophysiology and psychopathology of the sense of music (pp. 63-75). Berlin: Springer Verlag.
6. Deliège, I. (1996). Cue-abstraction as a component of categorization processes in music listening. Psychology of Music, 24, 131-156.
7. Deliège, I. (1998). Wagner "Alter Weise": Une approche perceptive. Musicae Scientiae, Special Issue, 63-90.
8. Deliège, I. (2001a). Introduction: Similarity perception ↔ categorization ↔ cue abstraction. Music Perception, 18, 233-243.
9. Deliège, I. (2001b). Prototype effect in music listening: An empirical approach to the notion of imprint. Music Perception, 18, 371-407.
10. Deliège, I., Delges, P., Oter, J.-C., & Sullon, J.-M. (1998). Appendix: Le ScaleGame, un outil MIDI multi-fonctionnel. Musicae Scientiae [Special Issue], 117-121.
11. Deliège, I., & Dupont, M. (1994). Extraction d'indices et catégorisation dans l'écoute de la musique chez l'enfant. In I. Deliège (Ed.), Proceedings of the Third International Conference on Music Perception and Cognition/Actes de la Troisième Conference Internationale sur les Sciences Cognitives de la Musique (pp. 287-288). Brussels: ESCOM Publications.
12. Deliège, I., & El Ahmadi, A. (1990). Mechanisms of cue extraction in musical groupings: A study of perception of Sequenza VI for viola solo by Luciano Berio. Psychology of Music, 18, 18-44.