The big picture: Comparing practices in art libraries

Journal of Library Administration

Volumn 39, Issue 1, 2003, Pages 77-89

  Collins, Kim ^a  

^a EMORY UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33746643371     PISSN: 01930826     EISSN: 15403564     Source Type: Journal    
DOI: 10.1300/J111v39n01_05     Document Type: Article

References (10)

1. Richard Brillant, “Out of Site, Out of Mind,” Art Bulletin 74: 4 (December 1992) p. 551.
2. Ivan Gaskell, “Writing (and) Art History: Against Writing,” Art Bulletin 78:3 (September 96) p. 403.
3. James Cuno, “Whose Money? Whose Power?, Whose Art History?” Art Bul-letin 79:1 (March 1997).
4. Excellence and Equity: Education and the Public Dimension of Museums, a Report from the American Association of Museums, Washington D.C., 1992, p. 6.
5. Paul Greenhalgh, “The Art Library-A Moving Target, Art Libraries Journal 20/2 (1995) p. 17.
6. Marylaine Block, “The Secret of Library Marketing: Make Yourself Indis-pensable,” American Libraries 32 (September 2001) p. 48-50.
7. Martin S. Murray, Academic Library Budgets (Greenwich, CT: JAI Press, 1993) p. 118.
8. Douglas G. Birdsall, “The Micropolitics of Budgeting in Universities: Lessons for Library Administrators,” Journal of Academic Librarianship 21 (November 1995) p. 432.
9. Sheila D. Creth, “An Academic Librarian’s Response,” Library Administration and Management 6(Summer 1992) p. 133-140.
10. “ACRL Statement on Professional Development: Approved by the ACRL Board of Directors on July 8, 2000” C&L News 61 (November 2000) p. 934.