Formalising performative interaction

Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics)

Volumn 3941 LNCS, Issue , 2006, Pages 15-25

  Dix, Alan ^a   Sheridan, Jennifer G ^a   Reeves, Stuart ^b   Benford, Steve ^b   O'Malley, Claire ^b  

^a LANCASTER UNIVERSITY   (United Kingdom)

^b UNIVERSITY OF NOTTINGHAM   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

ARTIFICIAL INTELLIGENCE; COMPUTER SCIENCE; MATHEMATICAL MODELS;

INSTALLATION PIECE DEUX OCULI; SOCIAL GROUPINGS; SOCIOLOGICAL ANALYSIS; STELARC'S PING BODY PERFORMANCE;

INTERFACES (COMPUTER);

EID: 33745854186     PISSN: 03029743     EISSN: 16113349     Source Type: Book Series    
DOI: 10.1007/11752707_2     Document Type: Conference Paper

References (10)

1. J Clarke. pros + thesis. In Adrian Heathfield, editor, Live: Art and Performance, pages 208-209. Tate, London, 2004.
2. Erving Goffman. The Presentation of the Self in Everyday Life. Doubleday, New York, 1959.
3. Erving Goffman. Frame Analysis: An Essay on the Organization of Experience. Harper & Row, 1974.
4. Christian Heath and Jon Hindmarsh. Analysing interaction: Video, ethnography and situated conduct. In T. May, editor, Qualitative Research in Practice, pages 99-121. Sage, 2002.
5. Stuart Reeves, Steve Benford, Claire O'Malley, and Mike Eraser. Designing the spectator experience. In Proceedings of SIGCHI Conference on Human Factors in Computing Systems (CHI), pages 741-750, April 2005.
6. D Saltz. The art of interaction: Interactivity, performativity and computers. Journal of Aesthetics and Art Criticism, 55(2): 117-127, 1997.
7. R Schechner. Performance Theory. Routledge, London, 1977.
8. Jennifer Sheridan, Alan Dix, Simon Lock, and Alice Bayliss. Understanding interaction in ubiquitous guerrilla performances in playful arenas. In Proceedings of British HCI Conference, September 2004.
9. Stelarc. The body. Switch Journal (online), 2004. Verified 4/3/05.
10. Stephen Wilson. Information Arts: Intersections of art, science and technology. The MIT Press, 2002.