The art of interaction: Interactivity, performativity, and computers

Journal of Aesthetics and Art Criticism

Volumn 55, Issue 2, 1997, Pages 117-127

  Saltz, David Z ^a  

^a UNIVERSITY OF GEORGIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33745818726     PISSN: 00218529     EISSN: 15406245     Source Type: Journal    
DOI: 10.2307/431258     Document Type: Review

References (16)

1. Christine Tamblyn, "Computer Art as Conceptual Art," Art Journal 49 (1990): 253-256
2. Timothy Binkley, "The Quickening of Galatea: Virtual Tools or Media," Art Journal 49 (1990): 238
3. "When is the Play the Thing?: Analytic Aesthetics and Dramatic Theory," Theatre Research International 20 (1995): 266-276
4. Roman Ingarden, The Literary Work of Art, trans. George Grabowicz (Northwestern University Press, 1973), p. 336
5. Theodor Nelson, "The Crafting of Media," in Software; Information Technology: Its New Meaning for Art, exhibition catalogue (New York: Jewish Museum, 1970), p. 17
6. George P. Landow, Hypertext: the Convergence of Contemporary Critical Theory and Technology (Johns Hopkins University Press, 1992)
7. Stuart Moulthrop, "You Say You Want a Revolution: Hypertext and the Laws of Media," in Essays in Postmodern Culture, eds. Eyal Amiran and John Unsworth (New York: Oxford University Press, 1993), p. 82
8. Kendall L. Walton, Mimesis as Make-Believe (Harvard University Press, 1990)
9. Nelson Goodman, Languages of Art (Indianapolis: Hackett, 1976)
10. Arnold Berleant, Art and Engagement (Temple University Press, 1991)
11. Allissa Diane Schoenfeld, "Toward an Art/Human Interface: Interactive Art in the Light of Postmodern Theory and as Vehicle for Social Change" (master's thesis, SUNY-Stony Brook, 1994), pp. 20-22
12. Howard Rheingold, Virtual Reality (New York: Simon and Schuster, 1991), p. 177
13. Arthur Danto, The Transfiguration of the Commonplace (Harvard University Press, 1981)
14. Philip Auslander, "Live Performance in a Mediatized Culture, Part Deux," Theatre Annual 47 (1994): 3
15. Richard Schechner, Environmental Theater (New York: Hawthorn Books, 1973), pp. 40-86
16. Joseph Roach, The Player's Passion: Studies in the Science of Acting (University of Delaware Press, 1985), especially chap. 5, "Second Nature: Mechanism and Organicism from Goethe to Lewes," pp. 160-194