Expressiveness and digital musical instrument design

Journal of New Music Research

Volumn 34, Issue 1, 2005, Pages 125-136

  Arfib, Daniel ^a   Couturier, Jean Michel ^a   Kessous, Loïc ^a  

^a LABORATOIRE DE MÉCANIQUE ET D ACOUSTIQUE   (France)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33745739423     PISSN: 09298215     EISSN: 17445027     Source Type: Journal    
DOI: 10.1080/09298210500124273     Document Type: Review

References (21)

1. Arfib, D. & Dudon, J. (2002). A digital emulator of the photosonic instrument. In: Proceedings of the 2002 Conference on New Instruments for Musical Expression (NIME-02), Dublin. Available online at: http://hct.ece.ubc. ca/nime/2002/proceedings/index.htm.
2. Arfib, D., Couturier, J.-M. & Kessous, L. (2002a). Gestural stategies for specific filtering processes. In: Proceedings of DAF × 02 Conference, Hamburg. Available online at: www.unibw-hamburg.de/EWEB/ANT/daf2002/papers. html.
3. Arfib, D., Couturier, J.-M., Kessous, L. & Verfaille, V. (2002b). Strategies of mapping between gesture data and synthesis parameters using perceptual spaces. Organised Sound, 7(2), 127-144.
4. Arom, S., Léothaud, G. & Voisin, F. (1997). Experimental ethnomusicology: An interactive approach to the study of musical scales. In: I. Deliège & J. Sloboda (Eds.), Perception and cognition of music. Hove: Psychology Press.
5. Boulanger, R., Smaragdis, P. & Ffitch, J. (2000). Scanned Synthesis: An introduction and demonstration of a new synthesis and signal processing technique. In: Proceedings of the 2000 International Computer Music Conference, Berlin. San Francisco, CA: ICMA.
6. Cadoz, C. & Wanderley, M. (2000). Gesture-music. In: M. Wanderley & M. Battier (Eds.), Trends in gestural control of music (CD-ROM). Paris: IRCAM.
7. Camurri, C., De Poli, G., Leman, M. & Volpe, G. (2001). A multi-layered conceptual framework for expressive gesture applications. In: Workshop on Current Research Directions in Computer Music, Barcelona. Available online at: www.infomus.dist.unige.it/Publications.html.
8. Couturier, J.M. (2002). A scanned synthesis virtual instrument. In: Proceedings of the 2002 Conference on New Instruments for Musical Expression (NIME-02), Dublin. Available online at: http://hct.ece.ubc.ca/nime/2002/ proceedings/index.htm.
9. Couturier, J.M. & Arfib, D. (2003). Pointing fingers: Using multiple direct interactions with visual objects to perform music. In: Proceedings of the 2003 Conference on New Interfaces for Musical Expression (NIME-03), Montreal. Available online at: www.music.mcgill.ca/musictech/nime/onlineproceedings/ Papers/.
10. Hunt, A., Wanderley, M. & Paradis, M. (2003). The importance of parameter mapping in electronic instrument design. Journal of New Music Research, 32(4), 429-440.
11. Jordà, S. (1998). A graphical and net-oriented approach to interactive sonic composition and real-time synthesis for low cost computer systems. In: Digital Audio Effects Workshop Proceedings (DAF × 98), Barcelona. Available online at: www.iua.upf.es/daf98/papers/.
12. Kessous, L. (2004a). The Scangloves: A video-music instrument based on Scanned Synthesis. In: Proceedings of the Symposium on Gesture Interfaces for Multimedia Systems. University of Leeds.
13. Kessous, L. (2004b). Gestural control of singing voice: a musical instrument. In: Proceedings of the 2004 Conference on Sound and Music Computing. Paris: IRCAM.
14. Levin, G. (2000). Painterly interfaces for audiovisual performance. Master thesis, Massachusetts Institute of Technology. Retrieved 10 January 2005, from: http://acg.media.mit.edu/people/golan/thesis/.
15. Menzies, D. (2003). Composing instrument control dynamics. Organised Sound, 7(3), 255-266.
16. Moore, F.R. (1988). The dysfunction of MIDI. Computer Music Journal, 12(1), 19-28.
17. Pressing, J. (1984). Cognitive processes in improvisation. In: W.R. Crozier & A.J. Chapman (Eds.), Cognitive processes in the perception of art (pp. 345-363). Amsterdam: North Holland/Elsevier.
18. Ungvary T. & Vertegaal, R. (2000). Cognition and physicality in musical cyber instruments. In: M. Wanderley & M. Battier (Eds.), Trends in gestural control of music. Paris: IRCAM.
19. Verplank, B., Mathews, M. & Shaw, R. (2000). Scanned Synthesis. In: Proceedings of the 2000 International Computer Music Conference, Berlin. San Francisco, CA: ICMA.
20. Wanderley, M. (2002). Editorial. Organised Sound, 7(2), 83-84.
21. Zwicker, E. & Fastl, H. (1999). Just-noticeable changes in frequency. In: M.R. Schroeder (Ed.), Psychoacoustics: Facts and models (pp. 182-186). New York: Springer-Verlag.