Virtual Hollywood and the Genealogy of its Hyper-Spectator

Hollywood Spectatorship: Changing Perceptions of Cinema Audiences

Volumn , Issue , 2019, Pages 152-163

  Cohen, Alain J J ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

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[No Author keywords available]

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EID: 33745342111     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (17)

1. A. Bergala (ed.), J.-L. Godard par J.-L. Godard (Paris: Editions de l'Etoile/Cahiers du cinema, 1985).
2. Richard Maltby, Hollywood Cinema: An Introduction (Oxford: Blackwell Publishers, 1995), pp. 20, 36, 45, 190-1, 204, 219, 240, 265, 354, 368, 492.
3. J.-L. Baudry, ‘Le dispositif’, Communications, no. 23 (1975), pp. 56-72.
4. Alain J.-J. Cohen, 'La Méduse du Caravage/La Jetée de Chris Marker. Chiasmes pour Louis Marin', Documents de Travail (Urbino: Centro Internazionale di Semiotica, Nos. 244-5, 1995), pp. 1-19.
5. Warren Buckland, 'The Delay of the Cinema Age', in W. Nöth (ed.), Semiotics of the Media. State of the Art (Berlin/New York: Mouton de Gruyter, 1997)
6. J. L. Fell (ed.), Film before Griffith (Berkeley/Los Angeles: University of California Press, 1983).
7. Hubert Damisch, L’origine de la perspective (Paris: Flammarion, 1987)
8. Alain J.-J. Cohen, 'Piero della Francesca's Flagellation. The painter as film-maker', II Cannocchiale. Rivista di studi filosofica, 'The Cognitive Vallue of Art', no. 2 (2000) pp. 11-32.
9. Miriam Hansen, Babel and Babylon: Spectatorship in American Silent Film (Cambridge, MA: Harvard University Press, 1991), p. 29.
10. Tom Gunning, 'The Cinema of Attraction[s]', Wide Angle, vol. 8, nos. 3-4 (1986), pp. 63-70.
11. Alain J.-J. Cohen, 'Stochastics of Sex and Death in Basic (Filmic) Instinct', Semiotica. Special Issue: Christian Metz, 112, nos. 1-2 (1996), pp. 109-22.
12. Alain J.-J.Cohen, 'Godard/Lang/Godard - The Film-Within-the-Film', The American Journal of Semiotics, vol. 9, no. 4 (1992), pp. 115-30.
13. Michael Temple, 'It Will Be Worth It', Sight and Sound, vol. 8, no. 1 (January 1998), p. 22.
14. Emma Wilson, French Cinema since 1950: Personal Histories (London: Duckworth, 1999), p. 138.
15. Jean-Luc Godard, Histoire(s) du cinema, 4 vols (Paris: Gallimard, 1998).
16. Alain J.-J. Cohen, 'Ipermemoria e iconofilia. Montag tra Freud e le scienzecognitive', Montag Book Series, vol. 2, La naturadella visione (Rome: Edizioni Farenheit 451, 1997), pp. 173-85.
17. Alain J.-J. Cohen, Psycho. Programmes filmiques de lapsychose. Documents de travail (Urbino: Centro Internazionale di Semiotica, 1989), pp. 1-16.