Dharma dancing: Ballroom dancing and the relational order

Qualitative Inquiry

Volumn 10, Issue 6, 2004, Pages 836-868

  Picart, Caroline Joan S ^a   Gergen, Kenneth ^b  

^a FLORIDA STATE UNIVERSITY   (United States)

^b SWARTHMORE COLLEGE   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33645693888     PISSN: 10778004     EISSN: 15527565     Source Type: Journal    
DOI: 10.1177/1077800403252842     Document Type: Article

References (14)

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10. McCall, M. M. (2000). Performance ethnography: Abrief history and some advice. In N. K. Denzin & Y. S. Lincoln (Eds.), Handbook of qualitative research (2nd ed., pp. 421-433). Thousand Oaks, CA: Sage.
11. Picart, C. J. S. (2002a). Dancing through different worlds: Virtual emotions and the gendered body in ballroom dance. Qualitative Inquiry, 8, 348-361.
12. Picart, C. J. S. (2002b). Living the hyphenated edge: Autoethnography, hybridity and aesthetics. In C. Ellis & A. Bochner (Eds.), Ethnographically speaking: Autoethnography, literature, aesthetics (pp. 258-273). Lanham, MD: Rowman and Littlefield.
13. Richardson, L. (2000). Writing: A method of inquiry. In N. K. Denzin & Y. S. Lincoln (Eds.), Handbook of qualitative research (2nd ed., pp. 923-948). Thousand Oaks, CA: Sage.
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