Dancing Through Different Worlds: An Autoethnography of the Interactive Body and Virtual Emotions in Ballroom Dance

Qualitative Inquiry

Volumn 8, Issue 3, 2002, Pages 348-361

 

^a Kay)   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84993736185     PISSN: 10778004     EISSN: None     Source Type: Journal    
DOI: 10.1177/10778004008003009     Document Type: Article

References (10)

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2. Farnell, B. M. (1994). Ethno-graphics and the moving body. Man. New Series, 29, 929-974.
3. Fraleigh, S. H. (1996) Dance and the lived body: A descriptive aesthetics. Pittsburgh, PA: University of Pittsburgh Press.
4. Gurevitch, Z. (1999). The tongue’s break dance: Theory, poetry, and the critical body. Sociological Quarterly, 40, 525-542.
5. Hanna, J. L. (1979). Movements toward understanding humans through the anthropological study of dance. Current Anthropology, 20, 313-339.
6. Langer, S. (1983). Virtual powers. In R. Copeland &! M. Cohen (Eds.), What is dance? (pp. 28-36). Oxford, UK: Oxford University Press.
7. McDonagh, D. (1973). Martha Graham. New York: Popular Library.
8. Ness, S. A. (1992). Body, movement and culture: Kinesthetic and visual symbolism in a Philippine community. Philadelphia: University of Pennsylvania Press.
9. Peters, S. (1994). From eroticism to transcendence: Ballroom dance and the female body. In L. Goldstein (Ed.), The female body: Figures, styles, speculations (pp. 145-158). Ann Arbor: University of Michigan Press.
10. Stoller, P. (1989). The taste of ethnographic things: The senses in anthropology. Philadelphia: University of Pennsylvania Press.