Topic in music: An empirical study of memorability, openness, and emotion in Mozart's String Quintet in C major and Beethoven's String Quartet in a minor

Music Perception

Volumn 16, Issue 1, 1998, Pages 119-134

  Krumhansl, Carol L ^a  

^a Department of Obstetrics Gynecology   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0000623196     PISSN: 07307829     EISSN: None     Source Type: Journal    
DOI: 10.2307/40285781     Document Type: Article

References (12)

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3. Bent, I. (1987). Analysis. New York: W. W. Norton.
4. Chafe, W. (1994). Discourse, consciousness, and time. Chicago: University of Chicago Press.
5. Gjerdingen, R. O. (1988). A classic turn of phrase. Philadelphia: University of Pennsylvania Press.
6. Krumhansl, C. L. (1996). A perceptual analysis of Mozart's Piano Sonata K. 282: Segmentation, tension, and musical ideas. Music Perception, 13, 401-432.
7. Krumhansl, C. L. (1997). Can dance reflect the structural and expressive qualities of music? A perceptual experiment on Balanchine's choreography of Mozart's Divertimento No. 15. Musicae Scientiae, 1, 63-85.
8. Krumhansl, C. L. (1998). An exploratory study of musical emotions and psychophysiology. Canadian Journal of Psychology, 51, 36-52.
9. Lasher, M. D. (1981). The cognitive representation of an event involving human motion. Cognitive Psychology, 13, 391-406.
10. Nattiez, J.-J. (1990). Music and discourse: Toward a semiology of music. Princeton, NJ: Princeton University Press.
11. Ratner, L. G. (1980). Class music: Expression, form and style. New York: Schirmer.
12. Tarasti, E. (1979). Myth and music: A semiotic approach to the aesthetics of myth in music, especially that of Wagner, Sibelius and Stravinsky. The Hague: Mouton.