CGI training for the entertainment film industry

IEEE Computer Graphics and Applications

Volumn 18, Issue 1, 1998, Pages 30-37

  Morie, Jacquelyn Ford ^a,b,c,d,e  

^a Blue Sky/VIFX ^*  (United States)

^b UNIVERSITY OF CENTRAL FLORIDA   (United States)

^c Ringling School of Art and Design   (United States)

^d UNIVERSITY OF FLORIDA   (United States)

^e Blue Sky/VIFX   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

ANIMATION; COMPUTER PROGRAMMING; MOTION PICTURES; SOFTWARE ENGINEERING; TECHNOLOGICAL FORECASTING; THREE DIMENSIONAL COMPUTER GRAPHICS;

COMPUTER GENERATED IMAGERY (CGI);

EDUCATION;

EID: 0031673763     PISSN: 02721716     EISSN: None     Source Type: Journal    
DOI: 10.1109/38.637268     Document Type: Article

References (7)

1. R. Rivlin, The Algorithmic Image: Graphic Visions of the Computer Age, Microsoft Press, Redmond, Wash., 1986, p. 78.
2. Future Visions: New Technologies of the Screen, P. Hayward and T. Wollen, eds., British Film Institute, London, 1993, p. 37.
3. "The Reality of Computer Graphics in the Motion Picture Industry," Siggraph 88 Panels Proc., ACM Press, New York, 1988, p. 6.
4. James Cameron, "Technology and Magic," Cinefex, No. 51, pp. 5-7.
5. Computer Graphics: Special Issue on Careers in Computer Graphics, Vol. 23, No. 1, Feb. 1989.
6. B. Armour, "A Different Kind of Artist," Computer Graphics, Vol. 31, No. 1, Feb. 1997, pp. 23-25.
7. G.P. Garvey, "Retrofitting Fine Art and Design Education in the Age of Computer Technology," Computer Graphics (Proc. Siggraph 97), Vol. 31, No. 3, Aug. 1997, pp. 29-32.