Shaping minds musically

BT Technology Journal

Volumn 22, Issue 4, 2004, Pages 171-179

  Machover, Tod ^a  

^a Media Lab's Hyperinstruments/Opera ^*

Author keywords

[No Author keywords available]

Indexed keywords

AUDITION; EDUCATION; ELECTRONIC MUSICAL INSTRUMENTS; HEALTH CARE; NEUROLOGY; ORGANS (MUSICAL INSTRUMENTS); REAL TIME SYSTEMS;

ACTIVE MUSIC; PEDAGOGY; REAL TIME SIGNAL PROCESSING;

COMPUTER MUSIC;

EID: 8644248379     PISSN: 13583948     EISSN: None     Source Type: Journal    
DOI: 10.1023/B:BTTJ.0000047596.75297.ee     Document Type: Article

References (19)

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3. Machover T: 'Brain Opera', Ricordi Editions, Paris and Milan. (http://brainop.media.mit.edu) (1996/7).
4. Weinberg G, and Gan S: 'The squeezables: toward an expressive and interdependent multi-player musical instrument', Computer Music Journal, MIT Press, 25, No 2, pp 37-45 (2001).
5. Weinberg G, Aimi R and Jennings K: 'The beatbug network - a rhythmic system for interdependent group collaboration', Conference on New Instruments for Musical Expression (NIME), Dublin (2002).
6. Solis H: 'The experience of teaching and collaborating with a young composer in the creation of an electro-acoustic piece', III International Electro-Acoustic Music Meeting, Brasilia (2003).
7. Farbood M, Pasztor E and Jennings K: 'Hyperscore: a graphical sketchpad for novice composers', IEEE Computer Graphics and Applications, pp 50-54 (January/February 2004).
8. Rora C: 'Interaktion, Moderation und andere Kinderspiele', Zeitschrift fOr Neue Musik (April 2002).
9. Machover T: 'Hyperinstruments: a progress report', MIT Media Lab White Paper (1992).
10. Jehan T, Machover T and Fabio M: 'Sparkler: An Audio-Driven Interactive Live Computer Performance for Symphony Orchestra', Proceedings of the International Computer Music Conference (2002).
11. Young D: 'The Hyperbow: a precision violin interface', International Computer Music Conference, Göteborg (2002).
12. Orth M: 'Sculpted computational objects, with smart and active computing materials', Thesis for the Degree of Doctor of Philosophy, Massachusetts Institute of Technology, Cambridge, MA (2001).
13. Klee P: 'Paul Klee on Modern Art', Faber and Faber, London (1966).
14. Toy Symphony - http://www.media.mit.edu/hyperins/ts-hyperscore.
15. Tomaino C: 'How music can reach the silenced brain', Cerebrum: The Dana Forum on Brain Science, 4, No 1, pp 23-24 (2002).
16. Overy K: 'Dyslexia and Music: From Timing Deficits to Musical Intervention', in Avanzini G et al (Eds): 'The Neurosciences and Music', Volume 999 of the Annals of the New York Academy of Sciences (2003).
17. Healy J and Picard R W: 'The Affective DJ: Music Selection with the New Affective Wearable', MIT Media Lab White Paper - http:/ /www-white. media. mit.edu/tech-reports/TR-478/node4. html
18. Pascual-Leone A: 'The Brain that Makes Music is Changed by it', in Peretz I and Zatorre R J (Eds): 'The Cognitive Neuroscience of Music', Oxford University Press, Oxford and New York (2003).
19. Schellenberg E G: 'Does Exposure to Music Have Beneficial Side Effects?', in Peretz I and Zatorre R J (Eds): 'The Cognitive Neuroscience of Music', Oxford University Press, Oxford and New York (2003).