Composing the Citizen: Music as Public Utility in Third Republic France

Composing the Citizen: Music as Public Utility in Third Republic France

Volumn , Issue , 2009, Pages 1-789

  Pasler, Jann ^a  

^a NONE

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EID: 85206517043     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Book

References (40)

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2. Derek Vaillant, Sounds of Reform: Progressivism and Music in Chicago, 1873-1935 (Chapel Hill: University of North Carolina Press, 2003).
3. th ed. (Paris: Hachette, 1881)
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8. Jerrold Seigel, Bohemian Paris (New York: Penguin Books, 1986), 11.
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10. James Bau Graves's study, Cultural Democracy: The Arts, Community, and the Public Purpose (Urbana: University of Illinois Press, 2005).
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15. Elizabeth Williams, Sojourning, Shopping, and Studying in Paris (Chicago: A. C. McClurg, 1907).
16. J. G. Prod'homme and Theodore Baker, "A Musical Map of Paris, " Musical Quarterly 18, 4 (October 1932): 608-27.
17. Jacques Réda, Les Ruines de Paris (Paris: Gallimard, 1977)
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23. James S. Duncan, The City as Text: The Politics of Landscape Interpretation in the Kandyan Kingdom (Cambridge: Cambridge University Press, 1990).
24. Jann Pasler, "Postmodernism, Narrativity, and the Art of Memory, " in id., Writing through Music: Essays on Music, Culture, and Politics (New York: Oxford University Press, 2008), 72-73.
25. Félix Pécaut, Le Temps, 20 November 1871, in Etudes au jour le jour sur l'éducation nationale, 1871-1879 (1879), 2nd ed. (Paris: Hachette, 1881), 43-45
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27. James A. Leith, "French Republican Pedagogy in the Year II, " Canadian Journal of History 3, 1 (March 1968): 60.
28. Gabriel Houquier, Rapport et projet de décret formant un plan général d'instruction publique (Paris: Imprimerie nationale, 1793), 9-10.
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31. Michael Burns, Rural Society and French Politics (Princeton, N.J.: Princeton University Press, 1984)
32. Alan Gillmor, Erik Satie (New York: Norton, 1988), 20-21.
33. Robert Orledge, in his Satie the Composer (Cambridge: Cambridge University Press, 1990)
34. André Hoérée, "Préface, " in Claude Debussy Images (oubliées): Three Pieces for Piano (Bryn Mawr, Pa.: Theodore Presser, 1977).
35. Georgia Cowart, The Triumph of Pleasure: Louis XIV and the Festive Arts (Chicago: University of Chicago Press, 2008).
36. Jann Pasler, "Paris: Conflicting Notions of Progress, " in The Late Romantic Era, ed. Jim Samson (London: Macmillan, 1991), 389-416.
37. Joël-Marie Fauquet, "Le Folklore breton dans Le Roi d'Ys, un antidote contre Wagner?" L'Avant-Scène opéra Le Roi d'Ys 65 (July 1984): 20.
38. Priscilla Clark, Literary France (Berkeley: University of California Press, 1987), 145-149, 156.
39. Daudet, "Devant la douleur, " in Souvenirs et polémiques, ed. Bernard Oudin (Paris: Laffont, 1992), 228-30.
40. Jann Pasler, "Material Culture and Postmodern Positivism: Rethinking the 'Popular' in Late Nineteenth-Century French Music, " in id., Writing through Music (New York: Oxford University Press, 2008), 442-48.