Critical Approaches to the Study of Visual Culture: An Introduction to the Handbook

The Handbook of Visual Culture

Volumn , Issue , 2017, Pages 1-56

  Sandywell, Barry ^a   Heywood, Ian ^b  

^a Department of Sociology ^*  (United Kingdom)

^b LANCASTER UNIVERSITY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85204171846     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Editorial

References (261)

1. Alpers, S. 1983. The Art of Describing: Dutch Art in the Seventeenth Century. Chicago: University of Chicago Press.
2. Amin, A. and N. Thrift. 2002. Cities: Re-imagining the Urban. Oxford: Polity Press.
3. Augé, M. 1995. Non-Places: Introduction to an Anthropology of Supermodernity, trans. J. Howe. Chicago: University of Chicago Press.
4. Bakhtin, M. M. 1968. Rabelais and His World, trans. Helene Iswolsky. Cambridge, MA: MIT Press.
5. Balme, C. B. 2008. The Cambridge Introduction to Theatre Studies. Cambridge: Cambridge University Press.
6. Barker, C. 2000. Cultural Studies: Theory and Practice. London and Thousand Oaks: Sage.
7. Barnard, M. 1998. Art, Design and Visual Culture. Basingstoke: Macmillan.
8. Barnard, M. 2001. Approaches to Understanding Visual Culture. Basingstoke: Palgrave.
9. Barthes, R. 1972. Mythologies, trans. Anne Lavers. London: Jonathan Cape.
10. Barthes, R. 1975. The Pleasure of the Text, trans. R. Miller. New York: Hill and Wang; London: Jonathan Cape.
11. Barthes, R. 1977. Image-Music-Text, trans. Stephen Heath. London: Fontana.
12. Barthes, R. 2000. Camera Lucida: Reflections on Photography, trans. Richard Howard. London: Vintage.
13. Bauman, Z. 2000. Liquid Modernity. Cambridge: Polity Press.
14. Bauman, Z. 2007. Consuming Life. Cambridge: Polity Press.
15. Baxandall, M. 1988. Painting and Experience in Fifteenth Century Italy, 2nd edn. Oxford: Oxford University Press.
16. Beiser, F. 2005. Hegel. London: Routledge.
17. Belting, H. 1994. Likeness and Presence: A History of the Image before the Era of Art, trans. Edmund Jephcott. Chicago: University of Chicago Press.
18. Benedikt, M., ed. 1991. Cyberspace: First Steps. Cambridge, MA: MIT Press.
19. Benjamin, W. (1936) 1992. ‘The Work of Art in the Age of Mechanical Reproduction’, in W. Benjamin, Iluminations. London: Fontana Press, 211-44.
20. Benjamin, W. 1969. ‘On Some Motifs in Baudelaire’, in Illuminations: Essays and Reflections, trans. Harry Zohn. New York: Schocken Books; also in Illuminations. 1992. London: Fontana Press.
21. Benjamin, W. 1999a. Charles Baudelaire: A Lyric Poet in the Era of High Capitalism, trans. H. Zohn. London and New York: Verso.
22. Benjamin, W. 1999b. The Arcades Project, trans. H. Eiland and K. McLaughlin. Cambridge, MA and London: The Belknap Press of Harvard University Press.
23. Benjamin, W. 1999c. ‘Little History of Photography’, in Walter Benjamin, Selected Writings, vol. 2, 1927-1934, ed. Michael W. Jennings, Howard Eiland and Gary Smith, trans. Rodney Livingstone and others. Cambridge, MA: Harvard University Press, 507-30.
24. Benjamin, W. 2008. ‘The Work of Art in the Age of Its Technological Reproducibility’, in Walter Benjamin, The Work of Art in the Age of Its Technological Reproducibility and Other Writings on Media. Cambridge, MA: Harvard University Press, 19-55.
25. Berger, J. 1972. Ways of Seeing. London and Harmondsworth: BBC/Penguin Books.
26. Berger, K. 2000. A Theory of Art. Oxford: Oxford University Press.
27. Bernal, M. 1987. The Fabrication of Ancient Greece 1785-1985, vol.1 of Black Athena: The Afroasiatic Roots of Classical Civilization. London: Vintage Books.
28. Bernal, M. 2001. Black Athena Writes Back. Durham, NC and London: Duke University Press.
29. Beynon, J. and D. Dunkerley, eds. 2001. Globalization: The Reader. London: Routledge.
30. Blanchot, M. 1982. The Space of Literature, trans. A. Smock. Lincoln: University of Nebraska Press.
31. Bloom, L., ed. 1999. With Other Eyes: Looking at Race and Gender in Visual Culture. Minneapolis: University of Minnesota Press.
32. Blum, A. 1974. Theorizing. London: Heinemann.
33. Bolter, J. D. and R. Grusin, eds. 2002. Remediation: Understanding New Media. London and Cambridge, MA: MIT Press.
34. Brennan, T. and M. Jay, eds. 1996. Vision in Context: Historical and Contemporary Perspectives on Sight. London: Routledge.
35. Bryson, N. 2004. Looking at the Overlooked: Four Essays on Still Life Painting. London: Reaktion Books.
36. Buck-Morss, S. 1989. The Dialectics of Seeing: Walter Benjamin and the Arcades Project. Cambridge, MA: MIT Press.
37. Cartwright, L. 1995. Screening the Body: Tracing Medicine’s Visual Culture. Minneapolis: University of Minnesota Press.
38. Cavell, S. 1971. The World Viewed: Reflections on the Ontology of the Cinema. Cambridge, MA: Harvard University Press.
39. Chaudhuri, S. 2006. Feminist Film Theorists: Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed. London and New York: Routledge.
40. Classen, C. 1993. Worlds of Sense: Exploring the Senses in History and across Cultures. London and New York: Routledge.
41. Connor, S. 1989. Postmodern Culture: An Introduction to Theories of the Contemporary. Oxford: Blackwell.
42. Connor, S., ed. 2004. The Cambridge Companion to Postmodernism. Cambridge: Cambridge University Press.
43. Cooke, L. and P. Wollen, eds. 1995. Visual Display: Culture beyond Appearances. Seattle: Bay Press.
44. Crary, J. 1990. Techniques of the Observer: On Vision and Modernity in the Nineteenth-Century. Cambridge, MA: MIT Press.
45. Cresswell, T. 2004. Place: A Short Introduction. London: Blackwell.
46. Cytowic, R. E. 2002. Synesthesia: A Union of the Senses, 2nd edn. Cambridge, MA: MIT Press.
47. Cytowic, R. E. 2003. The Man Who Tasted Shapes. Cambridge, MA: MIT Press.
48. de Certeau, M. 1988. The Practice of Everyday Life. Berkeley: University of California Press.
49. de Certeau, M. 1998. Culture in the Plural, trans. T. Conley. Minneapolis: University of Minnesota Press.
50. de Landa, M. 1992. War in the Age of Intelligent Machines. New York: Zone Books.
51. de Landa, M. 1997. A Thousand Years of Nonlinear History. New York: Zone Books/Swerve Editions.
52. de Landa, M. 2002. Intensive Science and Virtual Philosophy. London and New York: Continuum.
53. de Rynck, P. 2009. Understanding Paintings: Bible Stories and Classical Myths in Art. London: Thames and Hudson.
54. Danto, A. 1981. The Transfiguration of the Commonplace. Cambridge, MA: Harvard University Press.
55. Davis, R. H. 1999. Lives of Indian Images. Princeton, NJ: Princeton University Press.
56. Debord, G. 1977. The Society of the Spectacle. Detroit: Black and Red Press.
57. Deleuze, G. 2007. Two Regimes of Madness. Texts and Interviews 1975-1995, trans. A. Hodges and M. Taormina, ed. D. Lapoujade. New York: Semiotext(e).
58. Dickie, G. 1974. Art and the Aesthetic: An Institutional Analysis. Ithaca, NY: Cornell University Press.
59. During, S. 2005. Cultural Studies: A Critical Introduction. London: Routledge.
60. Duttlinger, C. 2006. ‘Traumatic Photographs: Remembrance and the Technical Media in W. G. Sebald’s Austerlitz’, in J. J. Long and Anne Whitehead (eds), W.G. Sebald-A Critical Companion. Edinburgh: Edinburgh University Press, 155-71.
61. Eagleton, T. 2000. The Idea of Culture. Oxford: Blackwell.
62. Eagleton, T. 2003. After Theory. London: Allen Lane.
63. Easthope, A. and K. McGowan. 1997. A Critical and Cultural Theory Reader. Buckingham: Open University Press.
64. Elkins, J. 2003. Visual Studies: A Skeptical Introduction. London and New York.
65. Elkins, J., ed. 2006. Art History versus Aesthetics. London and New York: Routledge.
66. Featherstone, M., ed. 1990. Global Culture: Nationalism, Globalization and Modernity. London: Sage.
67. Feenberg, A. 1991. Critical Theory of Technology. New York: Oxford University Press.
68. Flusser, V. 1999. Shape of Things: A Philosophy of Design. London: Reaktion Books.
69. Flusser, V. 2000. Towards a Philosophy of Photography. London: Reaktion Books.
70. Flusser, V. 2004. Writings, trans. Erik Eisel. Minneapolis: University of Minnesota Press.
71. Foster, H. 1985. Recodings: Art, Spectacle, Cultural Politics. Port Townsend, WA: Bay Press.
72. Foster, H., ed. 1987. Vision and Visuality. Seattle: Bay Press.
73. Foucault, M. 1971. The Order of Things: An Archaeology of the Human Sciences. New York: Vintage Press.
74. Foucault, M. 1973. The Birth of the Clinic: An Archaeology of Medical Perception, trans. Alan Sheridan-Smith. London: Pantheon.
75. Foucault, M. 1977. Discipline and Punish: The Birth of the Prison. Harmondsworth: Penguin.
76. Foucault, M. 1978. The History of Sexuality, Volume 1: An Introduction, trans. R. Hurley. Harmondsworth: Penguin.
77. Fuller, P. 1980. Seeing Berger: A Revaluation of Ways of Seeing. London: Writers and Readers Publishing Cooperative.
78. Gadamer, H.-G. 1975. Truth and Method, trans. J. Weinsheimer and D. G. Marshall. London: Sheed and Ward.
79. Gadamer, H.-G. 2004. Truth and Method, rev. trans. J. Weinsheimer and D. G. Marshall. London: Continuum.
80. Garfinkel, H. 1968. Studies in Ethnomethodology. Englewood Cliffs, NJ: Prentice-Hall.
81. Gauntlett, D. 2007. Creative Explorations: New Approaches to Identities and Audiences. Abingdon: Routledge.
82. Geertz, C. 1973. The Interpretation of Cultures. New York: Basic Books.
83. Geertz, C. 1983. Local Knowledge. New York: Basic Books.
84. Giddens, A. 2002. Runaway World: How Globalisation Is Reshaping Our Lives. London: Profile.
85. Gilroy, P. 1987. There Ain’t No Black in the Union Jack. London: Hutchinson.
86. Gitelman, L. 2006. Always Already New: Media, History and the Data of Culture. Cambridge, MA: MIT Press.
87. Goffman, E. 1979. Gender Advertisements. New York: Harper and Row.
88. Gombrich, E. H. 1982. The Image and the Eye. Oxford: Phaidon Press.
89. Gray, A. and J. McGuigan, eds. 1993. Studying Culture: An Introductory Reader. London: Edward Arnold.
90. Gregory, D. 1994. Geographical Imaginations. Oxford: Blackwell.
91. Gregory, R. L. 1998. Eye and Brain: The Psychology of Seeing, 5th ed. Oxford and Tokyo: Oxford University Press.
92. Grossberg, L., C. Nelson and P. Treichler, eds. 1992. Cultural Studies. London and New York: Routledge.
93. Gunster, S. 2004. Capitalizing on Culture: Critical Theory for Cultural Studies. Toronto: University of Toronto Press.
94. Gutting, G. 1989. Michel Foucault’s Archaeology of Scientific Reason. Cambridge: Cambridge University Press.
95. Hagberg, G. L., ed. 2008. Art and Ethical Criticism. Oxford: Blackwell.
96. Haldon, J. and L. Brubaker. 2010. Byzantium in the Iconoclast Era, c. 680-850. Cambridge: Cambridge University Press.
97. Hall, G. and C. Birchall, eds. 2006. New Cultural Studies: Adventures in Theory. Athens: University of Georgia Press; Edinburgh: University of Edinburgh Press.
98. Hall, J. R., B. Stimson and L. Tamiris Becker, eds. 2005. Visual Worlds. London: Routledge.
99. Halsall, F., J. Jansen and T. O’Connor, eds. 2009. Rediscovering Aesthetics: Transdisciplinary Voices from Art History, Philosophy and Art Practice. Stanford, CA: Stanford University Press.
100. Haraway, D. 1991. ‘A Cyborg Manifesto: Science, Technology and Socialist-Feminism in the Late Twentieth Century’, in Simians, Cyborgs and Women: The Reinvention of Nature. New York: Routledge and London: Free Association Books, 149-81.
101. Hardt, M. and A. Negri. 2000. Empire. Cambridge, MA: Harvard University Press.
102. Harris, J. 2001. The New Art History: A Critical Introduction. London and New York: Routledge.
103. Harris, J. 2006. Art History: The Key Concepts. London and New York: Routledge.
104. Hartley, J. 2003. A Short History of Cultural Studies. London: Sage.
105. Hemingway, A., ed. 2006. Marxism and the History of Art: From William Morris to the New Left. London: Pluto Press.
106. Heywood, I. 1997. Social Theories of Art. London: Macmillan.
107. Heywood, I. and B. Sandywell, eds. 1999. Interpreting Visual Culture: Explorations in the Hermeneutics of the Visual. London: Routledge.
108. Howes, D., ed. 2006. Empire of the Senses. The Sensual Culture Reader. Oxford and New York: Berg.
109. Inglis, D. and M. Herrero, eds. 2009. Art and Aesthetics: Critical Concepts in the Social Sciences, 4 vols. London: Routledge.
110. Jacobsen, M. H., ed. 2009. Encountering the Everyday: An Introduction to the Sociologies of the Unnoticed. London: Palgrave Macmillan.
111. Janicaud, D. 1994. Powers of the Rational: Science, Technology, and the Future of Thought, trans. P. Birmingham and E. Birmingham. Bloomington: Indiana University Press.
112. Jay, M. 1992. ‘Scopic Regimes of Modernity’, in Scott Lash and Jonathan Friedman (eds), Modernity and Identity. Oxford: Basil Blackwell, 178-95.
113. Jay, M. 1993. Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. Berkeley: University of California Press.
114. Jay, M. 2004. Songs of Experience: European and American Variations on a Universal Theme. Berkeley: University of California Press.
115. Jenks, C., ed. 1995. Visual Culture. London: Routledge.
116. Johnson, S. A. 1999. Interface Culture: How New Technology Transforms the Way We Create and Communicate. New York: Basic Books.
117. Johnstone, S., ed. 2008. The Everyday (Documents of Contemporary Art). Cambridge, MA: MIT Press.
118. Jonas, H. 1966. ‘The Nobility of Sight: A Study in the Phenomenology of the Senses’, in Hans Jonas, Phenomenon of Life: Toward a Philosophical Biology. New York: Harper and Row, 135-56.
119. Jones, A., ed. 2003. The Feminism and Visual Culture Reader. London and New York: Routledge.
120. Jordan, G. and C. Weedon, eds. 1995. Cultural Politics: Class, Gender, Race and the Postmodern World. Oxford: Blackwell.
121. Joseph, J. 2006. Marxism and Social Theory. Basingstoke: Palgrave Macmillan.
122. Kern, S. 1993. The Culture of Time and Space 1880-1918. Cambridge, MA: Harvard University Press.
123. Kittler, F. A. 2009. Optical Media: Berlin Lectures 1999, trans. Anthony Enns. Cambridge: Polity Press.
124. Lefebvre, H. 1991. The Production of Space, trans. D. Nicholson Smith. Oxford: Blackwell.
125. Levin, D. M. 1988. The Opening of Vision: Nihilism and the Postmodern Situation. London and New York: Routledge.
126. Levin, D. M., ed. 1993. Modernity and the Hegemony of Vision. Berkeley: University of California Press.
127. Levin, D. M., ed. 1997. Sites of Vision: The Discursive Construction of Sight in the History of Philosophy. Cambridge, MA: MIT Press.
128. Levin, D. M. 1999. The Philosopher’s Gaze: Modernity in the Shadows of Enlightenment. Berkeley: University of California Press.
129. Levy, P. 1997. Collective Intelligence: Mankind’s Emerging World in Cyberspace, trans. R. Bononno. New York: Plenum.
130. Levy, P. 1998. Becoming Virtual: Reality in the Digital Age, trans. R. Bononno. New York: Plenum.
131. Lister, M., ed. 1995. The Photographic Image in Digital Culture. London and New York: Routledge.
132. Lloyd, D. and P. Thomas, 1998. Culture and the State. London and New York: Routledge.
133. Longhurst, B., G. Smith, G. Bagnall, G. Crawford, M. Ogborn, E. Baldwin, and S. McCracken. 2008. Introducing Cultural Studies, 2nd edn. Harlow, Essex: Pearson Education.
134. Lowe, D. M. 1982. History of Bourgeois Perception. Chicago: University of Chicago Press/Brighton: Harvester Press.
135. Lury, C. 1998. Prosthetic Culture: Photography, Memory and Identity. London: Routledge.
136. Maillet, A. 2004. The Claude Glass: Use and Meaning of the Black Mirror in Western Art, trans. J. Fort. New York: Zone Books.
137. Malpas, J. E. 1999. Place and Experience: A Philosophical Topography. Cambridge: Cambridge University Press.
138. Mandelstam, O. 2003. The Moscow and Voronezh Notebooks. Poems 1930-1937, trans. Richard and Elizabeth McKane. Tarset, Northumberland: Bloodaxe Books.
139. Manguel, A. 2008. The Library at Night. New Haven and London: Yale University Press.
140. Manovich, L. 1993. Tekstura: Russian Essays on Visual Culture. Chicago: University of Chicago Press.
141. Manovich, L. 2001. The Language of New Media. Cambridge, MA: MIT Press.
142. Manovich, L. 2003. ‘New Media from Borges to HTML’, in N. Wardrip-Fruin and N. Montfort (eds), The New Media Reader. Cambridge, MA: MIT Press, 13-25.
143. Massey, D. 1984. Spatial Divisions of Labour. Basingstoke: Macmillan.
144. Massey, D. 1994. Space, Place and Gender. Cambridge: Polity Press.
145. Massey, D. 2005. For Space. London: Sage.
146. McCulloch, W. S. 1989. Embodiments of Mind. Cambridge, MA: MIT Press.
147. McGowan, K. 2007. Key Issues in Critical and Cultural Theory. Maidenhead, Berkshire: Open University Press/McGraw-Hill Education.
148. McLuhan, M. 1967. The Media Is the Message. Harmondsworth: Penguin.
149. McLuhan, M. 1989. The Global Village: Transformations in World and Media in the 21st Century. New York: Oxford University Press.
150. McLuhan, M. 1994. Understanding Media: The Extensions of Man. Cambridge, MA: MIT Press.
151. McNeill, W. 1999. The Glance of the Eye: Heidegger, Aristotle, and the Ends of Theory. Albany, NY: State University of New York Press.
152. McRobbie, A. 1991. Feminism and Youth Culture: From Jackie to Just Seventeen. London: Macmillan.
153. McRobbie, A. 2005. The Uses of Cultural Studies. London: Sage.
154. Merleau-Ponty, M. 1945. Phénoménologie de la perception. Paris: Gallimard.
155. Merleau-Ponty, M. 1962. Phenomenology of Perception, trans. Colin Smith. London: Routledge and Kegan Paul.
156. Merleau-Ponty, M. 1964. The Primacy of Perception, trans. W. Cobb. Evanston, IL: Northwestern University Press, 1964.
157. Merleau-Ponty, M. 1968. The Visible and the Invisible. trans. Alphonso Lingis. Evanston, IL: Northwestern University Press.
158. Merleau-Ponty, M. 2008. The World of Perception, trans. Oliver Davis. London and New York: Routledge.
159. Mirzoeff, N. 1998. ‘What Is Visual Culture?', in N. Mirzoeff (ed.), The Visual Culture Reader. London and New York: Routledge, 3-13.
160. Mirzoeff, N., ed. 1998. The Visual Culture Reader. London and New York: Routledge.
161. Mirzoeff, N. 1999. An Introduction to Visual Culture. London and New York: Routledge.
162. Mitchell, W.J.T. 1987. Iconology: Image, Text, Ideology. Chicago: University of Chicago Press.
163. Mitchell, W.J.T. 1994a. Picture Theory. Chicago: University of Chicago Press.
164. Mitchell, W.J.T. 1994b. The Reconfigured Eye: Visual Truth in the Post-Photographic Era. Cambridge, MA: MIT Press.
165. Mitchell, W.J.T. 1995. The City of Bits: Space, Place, and the Infobahn. Cambridge, MA: MIT Press.
166. Mitchell, W.J.T. 2002. ‘Showing Seeing: A Critique of Visual Culture’, Journal of Visual Culture, 1/2: 165-81.
167. Moxley, K. 2008. ‘Visual Studies and the Iconic Turn’, Journal of Visual Culture, 7/2: 131-46.
168. Mulvey, L. 1975. ‘Visual Pleasure and Narrative Cinema’, Screen, 16/3: 6-18.
169. Mulvey, L. 1989. Visual and Other Pleasures. Bloomington: Indiana University Press.
170. Munns, J. and G. Rajan, eds. 1995. A Cultural Studies Reader: History, Theory, Practice. London and New York: Longman.
171. Murphie, A. and J. Potts. 2003. Culture and Technology. London: Palgrave Macmillan.
172. Nancy, J.-L. 2007. The Creation of the World or Globalization, trans. F. Raffoul and D. Pettigrew. Albany, NY: State University of New York Press.
173. Neidich, W. 2003. Blow-up: Photography, Cinema and the Brain. New York: D.A.P./UCR/California Museum of Photography.
174. Nichols, B. 1995. Blurred Boundaries: Questions of Meaning in Contemporary Culture. Bloomington: Indiana University Press.
175. Noë, A. 2004. Action in Perception. Cambridge, MA: MIT Press.
176. Noë, A. and J. K. O’Regan. 2002. ‘On the Brain-Basis of Visual Consciousness: A Sensorimotor Account’, in Alva Noë and Evan Thompson (eds), Vision and Mind: Selected Readings in the Philosophy of Perception. Cambridge, MA: MIT Press, 567-98.
177. Noë, A. and E. Thompson, eds. 2002. Vision and Mind: Selected Readings in the Philosophy of Perception. Cambridge, MA: MIT Press.
178. Onians, J. 2007. Neuroarthistory: From Aristotle and Pliny to Baxandall and Zeki. New Haven and London: Yale University Press.
179. Pippin, R. 1991. Modernism as a Philosophical Problem. Oxford: Blackwell.
180. Pippin, R. 1997. Idealism as Modernism. Cambridge: Cambridge University Press.
181. Pippin, R. 2005. The Persistence of Subjectivity: On the Kantian Aftermath. Cambridge: Cambridge University Press
182. Plant, S. 1997. Zeroes and Ones: Digital Women and the New Technoculture. New York: Doubleday.
183. Pollock, G. 1988. Vision and Difference: Feminism, Femininity and the Histories of Art. London and New York: Routledge.
184. Pooke G. and D. Newall. 2008. Art History: The Basics. London and New York: Routledge.
185. Poster, M. 1990. The Mode of Information: Postmodenism and Social Contexts. Cambridge: Polity Press.
186. Poster, M. 1995. The Second Media Age. Cambridge: Polity Press.
187. Poster, M. 2001. What’s Wrong with the Internet?. Minneapolis: University of Minnesota Press.
188. Poster, M. 2002. ‘Visual Studies as Media Studies’, Journal of Visual Culture, 1/1: 67-70.
189. Preziosi, D., ed. 1998. The Art of Art History: A Critical Anthology. Oxford and New York: Oxford University Press.
190. ‘Questionnaire on Visual Culture’. 1996. October, 77 (Summer): 25-70.
191. Rancière, J. 2006. The Politics of Aesthetics: The Distribution of the Sensible, trans. G. Rockhill. London: Continuum.
192. Rancière, J. 2007. The Future of the Image. London: Verso.
193. Readings, B. 1996. The University in Ruins. Cambridge, MA: Harvard University Press.
194. Rees, A. L. and F. Borzello, eds. 1986. The New Art History. London: Camden Press.
195. Relph, E. 1976. Place and Placelessness. London: Pion.
196. Rheingold, H. 2002. Smart Mobs: The Next Social Revolution. New York: Basic Books.
197. Ricoeur, P. 1994. Oneself as Another, trans. K. Blamey. Chicago: University of Chicago Press.
198. Robins, K. 1996. Into the Image: Culture and Politics in the Field of Vision. London: Routledge.
199. Rogoff, I. 1998. ‘Studying Visual Culture’, in Nicholas Mirzoeff (ed.), The Visual Culture Reader. London and New York: Routledge, 14-26.
200. Rorty, R. 1979. Philosophy and the Mirror of Nature. Princeton, NJ: Princeton University Press.
201. Rose, G. 1993. Feminism and Geography. Cambridge: Polity Press.
202. Rose, G. 2001. Visual Methodologies: An Introduction to the Interpretation of Visual Materials. London: Sage.
203. Said, E. 1985. Orientalism. London: Random House; Harmondsworth: Penguin.
204. Saito, Y. 2007. Everyday Aesthetics. Oxford: Oxford University Press.
205. Sandywell, B. 1996. Logological Investigations, 3 vols. London; Routledge.
206. Sandywell, B. 2000. ‘Memories of Nature in Bakhtin and Benjamin’, in C. Brandist and G. Tihanov (eds), Materializing Bakhtin: The Bakhtin Circle and Social Theory. London and New York: Macmillan and St. Martin’s Press, 94-118.
207. Sandywell, B. 2009. ‘On the Globalization of Crime: The Internet and the New Criminality’, in Yvonne Jewkes and Majid Yar (eds), Handbook of Internet Crime. Uffculme, Devon: Willan Publishing, 38-66.
208. Sandywell, B. 2011. Dictionary of Visual Discourse: A Dialectical Lexicon of Terms. Farnham, Surrey: Ashgate.
209. Sandywell, B., D. Silverman, M. Roche, P. Filmer, and M. Phillipson. 1975. Problems of Reflexivity and Dialectics in Sociological Inquiry: Language Theorizing Difference. London: Routledge and Kegan Paul.
210. Schivelbusch, W. 1986. The Railway Journey: The Industrialization of Time and Space in the Nineteenth Century. Berkeley: University of California Press.
211. Scott, J., ed. 2010. Artists-in-Labs: Networking in the Margins. Vienna: Springer.
212. Shapiro, G. 2003. Archaeologies of Vision: Foucault and Nietzsche on Seeing and Saying. London and Chicago: University of Chicago Press.
213. Shaw, D. 2008. Film and Philosophy: Taking Movies Seriously. London and New York: Wallflower.
214. Sheringham, M. 2006. Everyday Life: Theories and Practices from Surrealism to the Present. Oxford: Oxford University Press.
215. Shohat, E. and R. Stam. 1998. ‘Narrativizing Visual Culture: Towards a Polycentric Aesthetics’, in Nicholas Mirzoeff (ed.), The Visual Culture Reader. London and New York: Routledge, 27-49.
216. Sibley, D. 1995. Geographies of Exclusion: Societies of Difference in the West. London: Routledge.
217. Silver, D. and A. Massanari. 2006. Critical Cyberculture Studies. New York and London: New York University Press.
218. Smith, D. 1987. The Everyday World as Problematic: A Feminist Sociology. Boston: Northeastern University Press.
219. Soja, E. J. 1989. Postmodern Geographies: The Reassertion of Space in Critical Social Theory. London: Verso.
220. Soja, E. J. 1996. Thirdspace: Journeys to Los Angeles and Other Real-and-Imagined Places. Oxford: Blackwell.
221. Solso, R. L. 2005. The Psychology of Art and the Evolution of the Conscious Brain. Cambridge, MA: MIT/Bradford Books.
222. Sontag, S. 2002. On Photography. Harmondsworth: Penguin (Penguin Classics).
223. Spivak, G. C. 1987. In Other Worlds: Essays in Cultural Politics. New York: Methuen.
224. Spivak, G. C. 1988. ‘Can the Subaltern Speak?', in C. Nelson and L. Grossberg (eds), Marxism and the Interpretation of Culture. London: Macmillan, 271-313.
225. Spivak, G. C. 1990. The Post-Colonial Critic: Interviews, Strategies, Dialogues. London: Routledge.
226. Squire, M. 2009. Image and Text in Graeco-Roman Antiquity. Cambridge: Cambridge University Press.
227. Stafford, B. M. 1996. Good Looking: Essays on the Virtue of Images. Cambridge, MA: MIT Press.
228. Stafford, B. M. 2007. Echo Objects: The Cognitive Work of Images. Chicago: University of Chicago Press.
229. Stephens, M. 1998. The Rise of the Image, the Fall of the Word. Oxford: Oxford University Press.
230. Storey, J. 2001. Cultural Theory and Popular Culture, 3rd ed. Edinburgh: Edinburgh University Press.
231. Striff, E., ed. 2003. Performance Studies. Basingstoke: Palgrave Macmillan.
232. Sturken, M. and L. Cartwright. 2001. Practices of Looking: An Introduction to Visual Culture. Oxford: Oxford University Press.
233. Taylor, P. A. and Jan L. Harris, eds. 2008. Critical Theories of Mass Media: Then and Now. Maidenhead, Berkshire: Open University Press/McGraw-Hill.
234. Terranova, T. 2004. Network Culture: Politics for the Information Age. London: Pluto Press.
235. Thrift, N. 1996. Spatial Formations. London: Sage.
236. Thrift, N. 2005. Knowing Capitalism. London: Sage.
237. Thrift, N. 2007. Non-Representational Theory: Space/Politics/Affect. London and New York: Routledge.
238. Tilley, C. 1994. The Phenomenology of Landscape: Places, Paths and Monuments. Oxford: Berg.
239. Trachtenberg, A., ed. 1980. Classic Essays on Photography. New Haven, CT: Leet’s Islands Books.
240. Trifonas, P. P. and M. A. Peters, eds. 2005. Deconstructing Derrida: Tasks for the New Humanities. Basingstoke: Palgrave Macmillan.
241. Turkle, S. 1984. The Second Self: Computers and the Human Spirit. New York: Simon & Schuster.
242. Turkle, S. 1995. Life on the Screen: Identity in the Age of the Internet. New York: Simon & Schuster.
243. Turner, G. 1996. British Cultural Studies: An Introduction, 2nd edn. London: Routledge.
244. Ulmer, G. 1989. Teletheory: Grammatology in the Age of Video. New York: Rouledge.
245. Virilio, P. 1983. Pure War. New York: Semiotext(e).
246. Virilio, P. 1986. Speed and Politics, trans. M. Polizzotti. New York: Semiotext(e).
247. Virilio, P. 1989. War and Cinema: The Logistics of Perception, trans. P. Camillier. London: Verso.
248. Virilio, P. 1991a. The Aesthetics of Disappearance, trans. P. Beitchman. New York: Semiotext(e).
249. Virilio, P. 1991b. Lost Dimension, trans. D. Moshenberg. New York: Semiotext(e).
250. Virilio, P. 1993. L’art du moteur. Paris: Galilée.
251. Virilio, P. 1994. The Vision Machine. Bloomington: Indiana University Press.
252. Virilio, P. 1997. Open Sky, trans. J. Rose. London: Verso.
253. Walker, J. A. and S. Chaplin. 1997. Visual Culture: An Introduction. Manchester and New York: Manchester University Press.
254. Wells, E., ed. 2004. Photography: A Critical Introduction. London and New York: Routledge.
255. West, C. 1990. ‘The New Cultural Politics of Difference’, in Russell Ferguson, et al. (eds), Out There: Marginalization and Contemporary Cultures. Cambridge, MA: MIT Press, 19-36.
256. Wilder, K. 2009. Photography and Science. London: Reaktion Books.
257. Williamson, J. 1978. Decoding Advertisements: Ideology and Meaning in Advertising. London: Marion Boyars.
258. Wilson, S. 2002. Information Arts: Intersections of Art, Science, and Technology. Cambridge, MA: MIT Press.
259. Wollheim, R. 1987. Painting as an Art. Cambridge, MA: Harvard University Press.
260. Zielinski, S. 2008. Deep Time of the Media: Towards an Archaeology of Hearing and Seeing by Technical Means. Cambridge, MA: MIT Press.
261. Zimmerman, M. 1990. Heidegger’s Confrontation with Modernity: Technology, Politics, Art. Bloomington: Indiana University Press.