The Contemporary Cinephile: Film Collecting in the Post-Video Era

Hollywood Spectatorship: Changing Perceptions of Cinema Audiences

Volumn , Issue , 2019, Pages 132-151

  Klinger, Barbara ^a  

^a New York University School of Law   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85190932402     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (22)

1. Jean Baudrillard, The System of Objects, trans. James Benedict (London and New York: Verso, 1996), p. 85.
2. Christian Metz, The Imaginary Signifier: Psychoanalysis and the Cinema, trans. Celia Britton et al. (Bloomington IN: Indiana University Press, 1977), pp. 74-5, 79
3. Roland Barthes, 'Upon Leaving the Movie Theater', trans. Bertrand Augst and Susan White, in Theresa Hak Kyung Cha (ed.), Cinematographic Apparatus: Selected Writings (New York: Tanam Press, 1980), p. 2.
4. Valerie Walkerdine, 'Video Replays: Families, Films, and Fantasy', in Victor Burgin et al. (ed.), Formations of Fantasy (London: Routledge, 1989), pp. 167-99
5. Ann Gray, Video Playtime: The Gendering of a Leisure Technology (London: Routledge, 1992).
6. Timothy Corrigan, A Cinema Without Walls: Movies and Culture After Vietnam (New Brunswick, NJ: Rutgers University Press, 1991), p. 81.
7. Peter M. Nichols, 'Land of the Cineplex, Home of the Cassette', New York Times, 13 July 1997
8. Lawrence B. Johnson, 'While Digital Video Dithers, Laser Disk Just Gets Better', New York Times, 10 November 1996, p. 22.
9. Mel Neuhaus, 'Hammer Hits Home', Home Theater, 4 June 1997, pp. 106-12
10. The Laser Disc Newsletter, edited by Douglas Pratt and published out of East Rockaway, New York
11. Melvyn Stokes and Richard Maltby (eds), Identifying Hollywood's Audiences: Cultural Identity and the Movies (London: BFI, 1999), pp. 109-31.
12. Jeffrey Sconce, '"Trashing" the Academy: Taste, Excess, and the Emerging Politics of Cinematic Style', Screen, vol. 36 (winter 1995), pp. 371-93.
13. Nick Hornby, High Fidelity (New York: Riverhead Books, 1995).
14. Walter Benjamin, 'Unpacking My Library', in Illuminations, ed. Hannah Arendt, trans. Harry Zohn (New York: Schocken Books, 1969), pp. 60, 67.
15. Andrew Arato and Eike Gebhardt (eds), The Essential Frankfurt School Reader (New York: Urizen Books, 1978), pp. 225-53.
16. James Clifford, 'On Collecting Art and Culture', in Simon During (ed.), The Cultural Studies Reader (London: Routledge, 1993), pp. 52-3.
17. Roland Barthes, Camera Lucida: Reflections on Photography, trans. Richard Howard (New York: Hill and Wang, 1981), p. 16.
18. Henry Jenkins, Textual Poachers: Television Fans and Participatory Culture (New York: Routledge, 1992), p. 87.
19. Bernard Sharratt, 'The Politics of the Popular? From Melodrama to Television', in David Bradby, et al. (eds). Performance and Politics in Popular Drama (Cambridge: Cambridge University Press, 1980), p. 283.
20. Susan Stewart, On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection (Durham, NC: Duke University Press, 1993).
21. Werner Muensterberger, Collecting: An Unruly Passion (New York: Harcourt, Brace, and Company, 1994).
22. Jürgen Habermas, The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society, trans. Thomas Burger (Cambridge: MIT Press, 1991), pp. 159, 161.