TRUMPET TECHNIQUE

Trumpet Technique

Volumn , Issue , 2023, Pages 1-188

  Campos, Frank Gabriel ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85190010261     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1093/oso/9780195166927.001.0001     Document Type: Book

References (218)

1. Alcantara, Pedro de. Indirect Procedures: A Musician’s Guide to the Alexander Technique. London: Oxford, 1997.
2. Anderson, Cat. The Cat Anderson Trumpet Method.Van Nuys, Calif.: Alfred, 1973.
3. Arban, Joseph Jean Baptiste Laurent. Complete Conservatory Method. Edited by Edwin Franko Goldman and Walter M. Smith. New York: C. Fischer, 1936.
4. Ash, D. W., and D. H. Holding. “Backward Versus Forward Chaining in the Acquisition of Keyboard Skill.” Human Factors 32 (1990): 139-46.
5. Ashy, M. H., D. K. Landin, and A. M. Lee. “Relationship of Practice Using Correct Technique to Achievement in a Motor Skill.” Journal of Teaching in Physical Education 7 (1988): 115-20.
6. Atkinson, John W. An Introduction to Motivation. Princeton, N.J.: Van Nostrand, 1965.
7. Autrey, Byron. Basic Guide to Trumpet Playing. Chicago: M. M. Cole, 1963.
8. Baldwin, David. “The Seven Secrets of Endurance.” International Trumpet Guild Journal (Dec. 1996): 58.
9. Bandura, Albert. Principles of Behavior Modification. New York: Holt, Reinhart and Winston, 1969.
10. Bandura, Albert. Social Foundations of Thought and Action: A Social Cognitive Theory. Englewood Cliffs, N.J.: Prentice Hall, 1986.
11. Barker, Sarah. The Alexander Technique: The Revolutionary Way to Use Your Body for Total Energy. New York: Bantam, 1981.
12. Barlow, Wilfred. The Alexander Technique. Rochester, Vt.: Healing Arts Press, 1990.
13. Benson, Herbert. The Mind/Body Effect. New York: Simon and Schuster, 1979.
14. Bernhardt, Roger, and David Martin. Self-Mastery through Self-Hypnosis. New York: Signet, 1977.
15. Bourre, Jean-Marie. Brainfood. Boston: Little, Brown, 1993.
16. Bragdon, Allen D., and David Gamon. Brains That Work a Little Differently: Recent Discoveries about Common Brain Diversities. New York: Barnes and Noble, 2000.
17. Brantigan, Thomas A., and Charles O. Brantigan. “Beta Blockade and Stage Fright, Looking Back.” International Trumpet Guild Journal (May 1984): 20-22.
18. Brody, Janet E. “For Artists and Musicians, Creativity Can Mean Illness and Injury.” New York Times, Oct. 17, 1989, C1, C12.
19. Brown, Christina. The Book of Yoga. Bath, U.K.: Parragon, 2002.
20. Brubeck, David William. “The Pedagogy of Arnold Jacobs.” TUBA Journal (Fall 1991): 55-58.
21. Bruckner, Susan. The Whole Musician: A Multi-Sensory Guide to Practice, Performance, and Pedagogy. Santa Cruz, Calif.: Effey Street Press, 1998.
22. Brummett, Verna, ed. Ithaca Conference '96: Music as Intelligence. Ithaca, N.Y.:Ithaca College, 1997.
23. Bruser, Madeline. The Art of Practicing: A Guide to Making Music From the Heart.New York: Bell Tower, 1999.
24. Burke, Edmund R. Optimal Muscle Recovery: Your Guide to Achieving Peak Physical Performance. New York: Avery, 1999.
25. Bush, Irving R. Artistic Trumpet Technique and Study. Hollywood: Highland Music, 1962.
26. Callet, Jerome. Superchops. New York: Jerome Callet, 1987.
27. Carter,William. “The Role of the Glottis in Brass Playing.” Instrumentalist (Dec. 1966). In Brass Anthology, 425-28. Northfield, Il.: Instrumentalist Company, 1987.
28. Chance, Paul. Learning and Behavior. 2nd ed. Belmont, Calif.: Wadsworth, 1988.
29. Chuen, Lam Kam. Tai Chi. New York: Fireside, 1994.
30. Chuen, Lam Kam. The Way of Energy. New York: Gaia, 1991.
31. Clarke, Herbert L. How I Became a Cornetist. Kenosha,Wisc.: Leblanc Educational Publications. Originally published: St. Louis, Mo.: Huber, c. 1934.
32. Clarke, Herbert L. Technical Studies for the Cornet. New York: Fischer, 1912.
33. Colwell, Richard, and Carol Richardson, eds. The New Handbook of Research on Music and Learning. New York: Oxford, 1992.
34. Conable, Barbara. How to Learn the Alexander Technique.With William Conable. Columbus, Ohio: Andover, 1995.
35. Constable, George, ed. The Trained Mind: Total Concentration. Alexandria, Va.:Time-Life, 1988.
36. Cooper, Andrew. Playing in the Zone. Boston: Shambala, 1998.
37. Cox, Richard H. Managing Your Head and Body So You Can Become a Good Musician.Springfield, Mo.: Cox and Cox, 1999.
38. Cratty, Bryant J. Teaching Motor Skills. Englewood Cliffs, N.J.: Prentice Hall, 1973.
39. Csikszentmihalyi, Mihaly. Flow. New York: HarperCollins, 1990.
40. Culf, Nicola. Musicians’ Injuries: A Guide to Their Understanding and Prevention.Guiford, England: Parapress, 1998.
41. Curtis, John D. The Mindset for Winning. La Crosse, Wisc.: Coulee, 1991.
42. Dale, Delbert. Trumpet Technique. New York: Oxford, 1965.
43. Darden, Ellington. Living Longer Stronger. New York: Perigree, 1995.
44. Diagram Group. The Brain: A User’s Manual. New York: Putnam, 1982.
45. Dibbell, David G. “Can Surgery Improve Trumpet Playing?" NACWPI Journal (Fall 1978): 24-25.
46. Dibbell, David G. “The Incompetent Palate: A Trumpeting Disaster.” International Trumpet Guild Journal (Oct. 1977): 37-38.
47. Dienstfrey, Harris. Where the Mind Meets the Body. New York: HarperCollins, 1991.
48. Dorfman, H. A., and Karl Kuehl. The Mental Game of Baseball. Southbend, Ind.:Diamond Communications, 1995.
49. Dudgeon, Ralph T. “Credit Where Credit Is Due: The Life and Brass Teaching of Donald S. Reinhardt.” International Trumpet Guild (June 2000): 27-39.
50. Dufty, William. Sugar Blues. Radnor, Pa.: Chilton, 1975.
51. Ericsson, K. A., R. T. Krampe, and C. Tesch-Römer. “The Role of Deliberate Practice in the Acquisition of Expert Performance.” Psychological Review 100 (1993): 363-406.
52. Evans, Marc. Endurance Athlete’s Edge. Champaign, Ill.: Human Kinetics, 1997.
53. Fadle, Heinz. Looking for the Natural Way: Thoughts on the Trombone and Brass Playing. Detmold, Germany: Edition Piccolo, 1996.
54. Farkas, Phillip. The Art of Brass Playing. Rochester, N.Y.: Wind Music, 1962.
55. Farkas, Phillip. The Art of Musicianship. Bloomington, Ind.: Musical Publications, 1976.
56. Faulkner, Maurice, and E. P. Sharpey-Schafer. “Circulatory Effects of Trumpet Playing.” British Medical Journal (1959). Reprinted in International Trumpet Guild Journal (Feb. 1982): 22-23.
57. Fowler, Charles, ed. The Crane Symposium: Toward an Understanding of the Leaning and Teaching of Music Performance. Pottsdam, N.Y.: Pottsdam College of SUNY, 1988.
58. Fox, Fred. Essentials of Brass Playing. Pittsburgh, Pa.: Volkwein, 1976.
59. Frederiksen, Brian. Arnold Jacobs: Song and Wind. Edited by John Taylor. Gurnee, Ill.: Windsong Press Limited, 1996.
60. Gallwey,W. Timothy. The Inner Game of Tennis. New York: Random House, 1974.
61. Gallwey,W. Timothy., and Robert Kriegel. Inner Skiing. New York: Random House, 1997.
62. Gardner, Howard. The Theory of Multiple Intelligences. New York: Basic Books, 1983.
63. Gardner, Howard. Multiple Intelligences: The Theory in Practice. New York: Basic Books, 1993.
64. Gardner, Ned. “Dental Bonding: An Aid for the Embouchure.” International Trumpet Guild Journal (Feb. 1986): 19-20.
65. Garfield, Charles A. Peak Performance: Mental Techniques of the World’s Greatest Athletes. With Hal Zina Benett. New York: Warner, 1984.
66. Gelb, Michael. Body Learning: An Introduction to the Alexander Technique. New York: Henry Holt, 1987.
67. Gellatly, Angus, ed. The Skillful Mind. Philadelphia, Pa.: Open University Press, 1986.
68. Ghitalla, Armando. “Armando Ghitalla on Trumpet.” Transcribed by Keith Clark. Instrumentalist (Nov. 1974): 72-75.
69. Ghitalla, Armando. “Armando Ghitalla on Trumpet, (Part II).” Transcribed by Keith Clark. Instrumentalist (Dec. 1974): 73-75.
70. Gibson, Daryl, J. A Textbook for Trumpet. Minneapolis, Minn.: T. S. Dennison, 1962.
71. Gill, Diane L. Psychological Dynamics of Sport and Exercise. 2nd ed. Greensboro:University of North Carolina, 2000.
72. Goode,Michael I. Stage Fright in Music Performance and Its Relationship to the Unconscious.Oak Park, Ill.: Trumpetworks Press, 2003.
73. Gordon, Claude. Brass Playing Is No Harder Than Deep Breathing. New York: C. Fischer, 1987.
74. Gray, Judith A. Dance Instruction. Champaign, Ill.: Human Kinetics, 1989.
75. Green, Elmer, and Alyce Green. Beyond Biofeedback. New York: Dell, 1977.
76. Grindea, Carola, ed. Tensions in the Performance of Music: A Symposium. London:Kahn and Averill, 1987.
77. Guarneri, Mario. Brass Basics and the BERP. Audio (CD) www.berp.com.
78. Hanin, Yuri L. “Interpersonal and Intragroup Anxiety in Sports.” In Anxiety in Sports: An Interactional Perspective, edited by Dieter Hackfort and Charles D. Spielberger, 19-28. New York: Hemisphere, 1989.
79. Hanson, Fay. Brass Playing: Mechanism and Technic. New York: C. Fischer, 1968.
80. Haynie, John James. How to Play High Notes, Low Notes, and All Those In Between.New York: Colin, 1988.
81. Haynie, John James. A Videofluorographic Presentation of the Physiological Phenomena Influencing Trumpet Performance. Denton, Texas: North Texas State University School of Music, [1968?].
82. Hergenhahn, B. R. An Introduction to Theories of Learning. Englewood Cliffs, N.J.:Prentice Hall, 1988.
83. Herrigel, Eugen. Zen in the Art of Archery. New York: Vintage, 1971.
84. Hewitt, James. Relaxation. Chicago: NTC, 1994.
85. Horn, Thelma, ed. Advances in Sport Psychology. 2nd ed. Champaign, Ill.: Human Kinetics, 2002.
86. Horvath, Janet. Playing (less) Hurt: An Injury Guide for Musicians. 2002. www. playinglesshurt.com.
87. Howard, James A. “Temporomandibular Joint Disorders, Facial Pain, and Dental Problems in Performing Artists.” In Textbook of Performing Art Medicine, edited by Robert T. Sataloff, Alice G. Brandfonbrener, and Richard J. Lederman, 111-69. New York: Raven, 1991.
88. Howard, Pierce J. The Owner’s Manual for the Brain. Charlotte, N.C.: Leornian Press, 1994.
89. Hunt, Norman. Guide to Brass Playing. Dubuque, Iowa: W. C. Brown, 1978.
90. Hyams, Joe. Zen in the Martial Arts. Los Angeles: Tarcher/Houghton Mifflin, 1979.
91. Hymes, Alan. “Respiration and the Chest: The Mechanics of Breathing.” In Science of Breath, by Swami Rama, Rudolph Ballentine, and Alan Hymes, 18-44. Honesdale, Pa.: Himalayan Institute, 1998.
92. Irons, Earl D. Twenty-Seven Groups of Exercises for Cornet and Trumpet. San Antonio, Texas: Southern Music, 1938.
93. Jackson, Susan A., and Mihaly Csikszentmihalyi. Flow in Sports. Champaign, Ill.:Human Kinetics, 1999.
94. Jacobs, Arnold. Taped lectures from the 1987 Summer Arnold Jacobs master class at Northwestern University. Unpublished, collection of Loren Parker.
95. Jacobsen, Edmund. Progressive Relaxation. Chicago: University of Chicago Press, 1930.
96. Jacobsen, Edmund. You Must Relax. New York: McGraw-Hill, 1976.
97. Jacoby, Don. Jake’s Method: The Trumpet Method of Don “Jake” Jacoby. Denton, Texas: Jacobotz, 1990.
98. Johnson, Harry W. “Skill = Speed x Accuracy x Form x Adaptability.” Perceptual Motor Skills 13 (1961): 163-70.
99. Johnson, Keith. The Art of Trumpet Playing. Ames: Iowa State University Press, 1981.
100. Johnson, Keith. Brass Performance and Pedagogy. Upper Saddle River, N.J.: Pearson Education, 2002.
101. Karter, Karon. The Complete Idiot’s Guide to the Pilates Method. Indianapolis, Ind.:Alpha, 2001.
102. Kelly, Kevin. “The Dynamics of Breathing: A Medical/Musical Analysis.” With Arnold Jacobs and David Cugell. In Brass Anthology, 1004-10. Northfield, Ill.: Instrumentalist Company, 1987.
103. Kerr, Robert. Psychomotor Learning. Philadelphia, Pa.: Saunders College Publishing, 1982.
104. Kirschenbaum, Dan. Mind Matters: Seven Steps to Smarter Sport Performance. Carmel, Ind.: Cooper, 1997.
105. Kochan, Andrew. “Treating the Pain of Playing Musical Instruments.” International Musician (Aug. 2003): 9.
106. Kohut, Daniel L. Musical Performance: Learning Theory and Pedagogy. Champaign, Ill.: Stipes, 1992.
107. Kriegel, Robert, and Marilyn Harris Kriegel. The C Zone: Peak Performance under Pressure. Garden City, N.Y.: Anchor/Doubleday, 1984.
108. Krüger, Irmtraud Tarr. Performance Power. Translated by Edward Tarr. Tempe, Ariz.: Summit Books, 1993.
109. Kubistant, Tom. Performing Your Best: A Guide to Psychological Skills for Achievers.Champaign, Ill.: Life Enhancement, 1986.
110. Kurz, Thomas. Science of Sport Training: How to Plan and Control Training for Peak Performance. Island Pond, Vt.: Stadion, 1991.
111. Laban, Rudolf von, and F. C. Lawrence. Effort. London: Macdonald and Evans, 1947.
112. Lederman, Richard J. “Neurological Problems of Performing Artists.” In Textbook of Performing Art Medicine, edited by Robert T. Sataloff, Alice G. Brandfonbrener, and Richard J. Lederman, 111-69. New York: Raven, 1991.
113. Lidor, Ronnie, and Michael Bar-Eli, eds. Sport Psychology: Linking Theory and Practice.Morgantown, W.Va.: Fitness Information Technology, 1999.
114. Lieberman,William B., and Robert C. Jones. “Dental Appliances as an Aid to Brass Playing.” In Brass Anthology, 584-85. Northfield, Ill.: Instrumentalist Company, 1987.
115. Liggett, Donald R. Sport Hypnosis. Champaign, Ill.: Human Kinetics, 2000.
116. Lind, Ekard. Exercises for Musicians. Translated by Keith Harris. Arlington, Va.:Plucked String, 1987.
117. Lipp, Charles. “Arnold Jacobs’ Master Class.” Transcribed notes from the 1990 Arnold Jacobs Master Class at Northwestern University. http://trumpet.dana. edu/pedagogy/jacobs.html.
118. Livingston, Michael K. Mental Discipline: The Pursuit of Peak Performance. Champaign, Ill.: Human Kinetics, 1989.
119. Loehr, James E. The New Toughness Training for Sports. New York: Plume, 1994.
120. MacBeth, Carlton. Original Louis Maggio System for Brass. Burbank, Calif.: Aven, 1985.
121. Maltz, Maxwell. Psycho-Cybernetics. Englewood Cliffs, N.J.: Prentice Hall, 1960.
122. Mann, Stanley. Triggers: A New Approach to Motivation. Upper Saddle River, N.J.:Prentice Hall, 1987.
123. Markham, Ursula. Visualization. Rockport, Mass.: 1993.
124. McFarlane, Stewart. The Complete Book of T’ai Chi. New York: DK, 1997.
125. McKenzie, Robin. Treat Your Own Neck. Lower Hutt, New Zealand: Spinal, 1998.
126. Méndez, Rafael. Prelude to Brass Playing. New York: C. Fischer, 1951.
127. Mikesky, Alan E. “Strength Training.” In Encyclopedia of Sports Science, edited by John Zumerchik, 471-87. New York: Simon and Schuster/Macmillan, 1997.
128. Miles, Tim R., and John Westcombe, eds. Music and Dyslexia: Opening New Doors.London: Whurr, 2001.
129. Milhollan, Frank, and Bill E. Forisha. From Skinner to Rogers: Contrasting Approaches to Education. Lincoln, Neb.: Professional Educators Publications, 1972.
130. Millman, Dan. How to Succeed in Sport and Life: Transforming Training into a Path of Discovery. New York: MJF, 1999.
131. Monaghan, Patricia, and Eleanor G. Viereck. Meditation: The Complete Guide. Novato, Calif.: New World Library, 1999.
132. Montgomery, Kate. Carpal Tunnel Syndrome: Prevention and Treatment. San Diego, Calif.: Sports Touch, 1993.
133. Morehead, Twanette. “Dentures, Braces, Overlays, and Brass.” In Brass Anthology, 952-54. Northfield, Ill.: Instrumentalist Company, 1987.
134. Mortenson, Gary. “The Extraction of Wisdom Teeth: Information on Procedures and Problems.” International Trumpet Guild Journal (Feb. 1990): 19-23.
135. Morton, Paul. “Ray Mase: Trumpet in Our Time.” International Trumpet Guild Journal (Jan. 2003): 33-37.
136. Mueller, Herbert. Learning to Teach Through Playing: A Brass Method. Reading, Mass.: Addison-Wesley, 1968.
137. Murphy, Michael, and Rhea A. White. In the Zone: Transcendent Experience in Sports. New York: Penguin, 1995.
138. Nelson, Boris, and Anne Alexander. “An Interview with Maurice André.” In Brass Anthology, 733-34. Northfield, Ill.: Instrumentalist Company, 1987.
139. Nelson, Florence, ed. “Megumi Kanda: Sliding Her Way into Music.” International Musician (Aug. 2003): 21.
140. Nicholls, J. G. The Competitive Ethos and Democratic Education. Cambridge, Mass.:Harvard University Press, 1989.
141. Nideffer, Robert M. The Inner Athlete: Mind Plus Muscle for Winning. New York:Crowell, 1976.
142. Noble, Clyde. The Psychology of Cornet and Trumpet Playing. Missoula, Mont.:Mountain Press, 1964.
143. Norman, Donald A. Learning and Memory. San Francisco: Freeman, 1982.
144. Norris, Richard. The Musician’s Survival Manual: A Guide to Preventing and Treating Injuries in Instrumentalists. St. Louis, Mo.: MMB, 1993.
145. Novak, Janice. Posture, Get It Straight! New York: Perigree, 1999.
146. O’Connor, Joseph, and Ian McDermott. NLP. London: Thorsons, 2001.
147. Olson, R. Dale. “Trumpet Pedal Register Unveiled.” In Brass Anthology, 360-61. Northfield, Ill.: Instrumentalist Company, 1987.
148. Orlick, Terry. In Pursuit of Excellence. Champaign, Ill.: Human Kinetics, 1980.
149. Paull, Barbara, and Christine Harrison. The Athletic Musician: Playing Without Pain. Lanham, Md.: Scarecrow, 1997.
150. Pfund, William A. The Trumpeter’s Pedagogical Guide, 1992. William A. Pfund, 35629 Weld County Road #41, Eaton, Colo. 80615.
151. Phelps, Joseph F. “Dystonia: A Trumpeter’s Story.” International Trumpet Guild (March 2002): 45-46.
152. Planas, Jaime. “Further Experience with Rupture of the Obicularis Oris in Trumpet Players.” International Trumpet Guild Journal (May 1996): 22-24.
153. Planas, Jaime. “Rupture of the Obicularis Oris in Trumpet Players (Satchmo’s Syndrome).” International Trumpet Guild Journal (Dec. 1982): 12-14.
154. Porter, Maurice M. The Embouchure. London: Boosey and Hawkes, 1967.
155. Proctor, Robert W., and Addie Dutta. Skill Acquisition and Human Performance.Thousand Oaks, Calif.: Sage, 1995.
156. Raiport, Grigori. Red Gold: Peak Performance Techniques of the Russian and East German Olympic Victors. New York: Putnam, 1988.
157. Ramacharaka, Yogi. The Science of Breath. Chicago: Yogi Publication Society, 1905.
158. Reinhardt, Donald S. The Augmented Encyclopedia of the Pivot System. New York:Colin, 1973.
159. Restak, Richard. The Brain. New York: Bantam, 1984.
160. Restak, Richard. Receptors. New York: Bantam, 1994.
161. Ristad, Eloise. A Soprano on Her Head: Right-Side-Up Reflections on Life and Other Performances. Moab, Utah: Real People, 1982.
162. Robbins, Anthony. Awaken the Giant Within. New York: Fireside, 1991.
163. Robbins, Anthony. Unlimited Power. New York: Fawcett Columbine, 1986.
164. Roehmann, Franz L., and Frank R.Wilson, eds. The Biology of Music Making: Proceedings of the 1984 Denver Conference. St. Louis, Mo.: MMB, 1988.
165. Sanborn, Chase. Brass Tactics. Toronto: Chase Sanborn, 1997.
166. Sataloff, Robert Thayer, Alice G. Brandfonbrener, and Richard J. Lederman, eds. Textbook of Performing Arts Medicine. New York: Raven, 1990.
167. Scherer, Lon. Practicing. Goshen, Ind.: Pinchpenny, 1988.
168. Schlossberg, Max. Daily Drills and Technical Studies for Trumpet. New York: M. Baron, 1938.
169. Schneiderman, Barbara. Confident Musical Performance: The Art of Preparing. St. Louis, Mo.: MMB, 1991.
170. Schuman, Joel S., Emma Craig Massicote, Shannon Connolly, Ellen Hertzmark, Bhaskar Mukherji, and Mandi Z. Kunen. “Increased Intraocular Pressure and Visual Field Defects in High Resistance Wind Instrument Players.” Opthamology 107, 1 (Jan. 2000): 127-33.
171. Schwartz, Martin F. Stutter No More. New York: Simon and Schuster, 1991.
172. Severson, Paul, and Mark McDunn. Brass Wind Artistry. Athens, Ohio: Accura Music, 1983.
173. Sherman, Roger. The Trumpeter’s Handbook. Athens, Ohio: Accura, 1979.
174. Simon, Harvey B., and Steven R. Levisohn. The Athlete Within. Boston: Little, Brown, 1987.
175. Simon, Tamar. “Practice Makes Perfect, But So Does Taking Breaks.” August 12, 1997. Discovery Channel Canada. www.exn.ca/Stories/1997/08/07/01.asp.
176. Simons, Jeff. “Concentration.” In Case Studies in Applied Sport Psychology, edited by Mark A. Thompson, Ralph A. Vernacchia, and William E. Moore, 89-104. Dubuque, Iowa: Kendall/Hunt, 1998.
177. Singer, Robert N., Heather A. Hausenblas, and Christopher M. Janelle, eds. Handbook of Sport Psychology. 2nd ed. New York: Wiley, 2001.
178. Sivananda Yoga Center. The Sivananda Companion to Yoga. New York: Simon and Schuster, 1983.
179. Sloboda, John A. Generative Processes in Music. New York: Clarendon, 1988.
180. Sloboda, John A. “What Is Skill?" In The Skillful Mind, edited by Angus Gellatly, 16-37. Philadelphia: Open University Press, 1986.
181. Snell, Howard. The Trumpet. Isle of Man, Britain: Rakeway, 1997.
182. Sommer, Bobbe. Psycho-Cybernetics 2000. With Mark Falstein. Englewood Cliffs, N.J.: Prentice-Hall, 1993.
183. Spaulding, Roger W. Double High C in 37 Weeks. 5th ed. Anaheim, Calif.: High Note Studios, 1995.
184. Spencer, Frederick J. Jazz and Death. Oxford: University of Mississippi Press, 2002.
185. Spilka, Bill. Chops. New York: Colin Publishing Company, 1990.
186. Stamp, James. Warm-Ups + Studies. Moudon, Switzerland: Éditions BIM, 1978.
187. Stevens, Chris. Alexander Technique. Rutland, Vt.: Tuttle, 1987.
188. Stewart, M. Dee. Arnold Jacobs: Legacy of a Master. Northfield, Ill.: Instrumentalist, 1987.
189. Stoner, Roger. “Hearing Impairment-My Journey.” International Trumpet Guild Journal (October 2001): 69, 71.
190. Suinn, Richard M. “Psychology in Sports: Methods and Applications.” Psychology Today (July 1976): 38-43.
191. Suzuki, Shin’ichi. Nurtured by Love. Translated by Waltraud Suzuki. New York:Exposition Press, 1969.
192. Swami Rama, Rudolph Ballentine, and Alan Hymes. Science of Breath. Honesdale, Pa.: Himalayan Institute, 1998.
193. Swanwick, Keith. Music, Mind, and Education. New York: Routledge, 1988.
194. Taylor, J. A., and D. F. Shaw. “The Effects of Outcome Imagery on Golf Putting Performance.” Journal of Sport Sciences 20 (2002): 607-13.
195. Thompson, James. The Buzzing Book. Moudon, Switzerland: Éditions BIM, 2001.
196. Thompson, Mark A., Ralph A. Vernacchia, and William E. Moore. Case Studies in Applied Sport Psychology. Dubuque, Iowa: Kendall/Hunt, 1998.
197. Thurmond, James M. Note Grouping. Camp Hill, Pa.: JMT Publications, 1982.
198. Tolle, Eckhart. The Power of Now. Novato, Calif.: New World Library, 1999.
199. Truax, Bert. Bert’s Basic Brass. (DVD) www.berttruax.com.
200. Tutko, Thomas, and Umberto Tosi. Sports Psyching: Playing Your Best Game All of the Time. New York: Tarcher, 1976.
201. Van Nagel, C., Edward J. Reese, Mary Ann Reese, and Robert Siudzinski. Mega Teaching and Learning. Portland, Ore.: Metamorphous Press, 1985.
202. Wann, Daniel L. Sport Psychology. Upper Saddle River, N.J.: Prentice Hall, 1997.
203. Weast, Robert D. Brass Performance. New York: McGinnis and Marx, 1961.
204. Weast, Robert D. Famous Trumpet Players. Johnston, Iowa: Brass World, 1998.
205. Weast, Robert D. “A Stroboscopic Analysis of Lip Function.” In Brass Anthology, 337-39. Northfield, Ill.: Instrumentalist Company, 1987.
206. Weeks, John, ed. “Transparent Man with a Horn.” North Texan 19, 5 (Oct. 1968):7-9.
207. Weisberg, Arthur. The Art of Wind Playing. New York: Schirmer, 1975.
208. Werner, Kenny. Effortless Mastery: Liberating the Master Musician Within. New Albany, Ind.: Jamey Aebersold Jazz, 1996.
209. Widdowson, Rosalind. The Joy of Yoga. Garden City, N.Y.: Doubleday, 1983.
210. Williams, Jean M., ed. Applied Sport Psychology: Personal Growth to Peak Performance.Mountain View, Calif.: Mayfield Publishing Company, 1998.
211. Williams, Jean M., and Dorothy Harris. “Relaxation and Energizing Techniques for Regulation of Arousal.” In Applied Sport Psychology, edited by Jean Williams, 225-30. Mountain View, Calif.: Mayfield Publishing Company, 1998.
212. Wilson, Frank R. “Mind, Muscle and Music: Physiological Clues to Better Teaching.” Teachercraft, Bulletin 4. Elkhart, Ind.: Selmer, 1981.
213. Winter, James H. The Brass Instruments: Performance and Instructional Techniques.Boston: Allyn and Bacon, 1964.
214. Yerkes, R. M., and J. D. Dodson. “The Relation of Strength of Stimulus to Rapid-ity of Habit-Formation.” Journal of Comparative Neurology and Psychology 18 (1908): 459-82.
215. Young, Gene. Embouchure Enlightment. Denver: Tromba, 1977.
216. Zaichkowsky, Leonard D., and Wesley E. Sime, editors. Stress Management for Sport.Reston, Va.: AAHPERD, 1982.
217. Zi, Nancy. The Art of Breathing. New York: Bantam, 1986.
218. Zilbergeld, Bernie, and Arnold A. Lazarus. Mind Power: Getting What You Want Through Mental Training. New York: Ivy, 1987.