Art and Artists of Twentieth-Century China

Art and Artists of Twentieth-Century China

Volumn , Issue , 2023, Pages 1-357

  Sullivan, Michael ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85188676868     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.2307/jj.8501161     Document Type: Book

References (362)

1. Ai Zhongxin · Xu Beihong γanjiu (Researches in Xu Beihong) Shanghai, 1981.
2. Bao Liшin Xu Beihong, Lin Fengmian shouci huimian kaoyi (Research on the first meeting of Xu Beihong and Lin Fengmian). Toγun (Duoyun) (1990.4): 112-15.
3. Beijing International Art Gallery. Xiandai youhua (Contemporary oil painting). Shenyang, 1987.
4. Beijing Painting Academy. Beijing Huaγuan zhongguohua xuanịi (Selected traditional paintings from the Beijing Painting Academy). Beijing, 1982.
5. Bi Keguan W· “Jindai meishu de xianqυ Li Shutong” (Li Shutong, a pioneer of Chinese modern art). Meishu ranjiu (1984.4): 68-75.
6. Bi Keguan and Huang Yuanlin Zhongguo manhua shi (History of Chinese cartoons). Beijing, 1986.
7. Chang Shuhong Bali Zhongguo huazhan yu Zhongguohua qiantu” (The Paris exhibition of Chinese painting and the prospects for Chinese painting). Yiſertg, no. 8 (August 1933): 9-15.
8. Chen Baoyi-. Youhuafa zhi ịichu (Foundations of oil painting technique). Shanghai, 1926.
9. Chen Changhua Zhongguo (Contemporary Chinese artists).Taipei, 1980.
10. Chen Fan, ed. Huang Binhong huayulu (The huayuỉu of Huang Binhong). Hong Kong, 1961.
11. Chen Ruilin Chen Baoyi he zaoqi de youhua yun-dong” (Chen Baoyi and the early oil painting movement in China). Meishu γanjiu (1986.2): 29-34. ՜
12. Chen Yanqiao Xun and the woodcut). Beijing, 1949.
13. Chen Yingde Haiwai kan Daỉu rishu (Looking at Chinese art from abroad).Taipei, 1987. Chinese Woodcutters Association. Zhongguo banhuaji (Contemporary Chinese wood engravings). Shanghai, 1948.
14. Dong Huaizhou. ed. Tian’anmen shichao chatu xuan (Selected poems of Tiananmen). Shanghai, 1979.
15. Feng Fasi ed. Xu Beihong huaji (Collected paintings by Xu Beihong). 6 vols. Beijing, 1988.
16. Feng Zikai · Zikai manʼnua quanji (Complete cartoons of Feng Zikai). 6 vols. Shanghai, 1945.
17. Fu Baoshi huaji (Collected paintings of Fu Baoshi). Nanjing, 1981.
18. Fu Baoshi Guan Shanrue dongbei xieshenghua xuan f¡ỊÍẼÏĴllЯ M֊|Я] (Collection of paintings done in the northeast by Fu Baoshi and Guan Shanyue). Liaoning, 1964.
19. Gao Minglu Zhongguo xiandai yishuzhan (China/Avant-Garde). Beijing, 1989.
20. Gong Chanxing. Wu Yourujianlun (Brief discussion ofWu Youru). Meishu γanjiu (1990.3): 30-38.
21. Guojisheng.- Dangdat Taiwan huihua wenxuan 1945- 1990 (Anthology of writings on contemporary painting in Taiwan). Taipei, 1991.
22. HuYichuan youhua fengjing xuan įij - (Selection of oil landscapes by HuYichuan). Beijing, 1983.
23. Huacheng Publishing House. Guangdong Huaγuan jikan Щf Ж S^ЖŦÜ (Collected works of the Guangdong Painting Academy). Hong Kong, 1982.
24. Huang Mengtian · “Huiyi ‘Xianggang de shounan’ huazhan”: (Recollections of the “Hong Kong in Agony” exhibition). Meishujia 47 (1984.12): 68-73.
25. Huang Mengtian. “Huiyi Xinpo” (Recollections of Huang Xinpo). Meishujia 43 (1985.4): 46-55; Meishujia 55 (1987.4): 72-79; Meishujia 56 (1987.6): 46-53; Meishujia 61 (1988.4): 48-56.
26. Huang Mengtian, ed. Huang Yongyu huaji (Collected works of Huang Yongyu). Hong Kong, 1980.
27. Huang Mengtian, ed. Ding Cong: Manhua, chatu, suxie (Ding Cong: Cartoons, illustrations, sketches). Hong Kong, 1983.
28. Jiang Danshu “Woguo wushinian lai yishu jiaoyu shi zhi yiye (A page in the history of art education in China in the past fifty years). Meishu yanjiu (1959.1): 30-31.
29. Jiang Fucong and Liang Shiqiu, (Collected works of Xu Zhimo) 6 vols. Taipei, 1969.
30. Jin Tongda ed. Zhongguo dangdaiguohuajia cidian (Dictionary of contemporary Chinese traditional painters). Hangzhou, 1990.
31. Jinling Shuhua She Fu Baoshi (Collected paintings of Fu Baoshi). Shanghai, 1981. Ke Wenhui Yishu ǻash¡ Liu Haisu zhuan (Biography of the master of art Liu Haisu). Jinan, 1986.
32. Lan Zhai."Waίguo manhua dui Zhongguo manhuajia de yingxiang” (The influence of foreign caricatures on Chinese caricaturists). Mdshujia 67 (1989.4): 44-49.
33. Lang Shaojun Lun Zhongguo xiandai meishu (On modern Chinese art). Nanjing, 1988
34. Li Hua Li Shusheng and Ma Ke Zhongguoxinxing banhua yundong wushinian 1931-1981 (On the fifty years’ development of the Chinese Woodcut Movement, 1931-1981). Liaoning, 1981.
35. Li Yuyuan Zhongguo yishushi (History of recent Chinese art). Shanghai, 1936
36. Li Runxin and others, eds. Zhongguo yishujia cidian (Biographical dictionary of Chinese artists). 5 vols. Changsha, 1981-85.
37. Liao Xiuping Banhua yishu (The art of printmaking). Taipei, 1974.
38. Lin Fengmian. Yishu yu xin shtngkuo yundong (Art and the New Life Movement)ả Nanjing, 1934.
39. Lin Fengmian Yishu conglun S (Collected writings on art) Nanjing, 1936
40. Lin Lü, ed. Pu Xinyu shuhua quanji (The complete paintings and calligraphy of Pu Xinyu). 4 vols. Taipei, 1978.
41. Liu Chengzhi."HuashuoTao Yuanqing de yishu” (Discussion of the art ofTao Yuanqing). Meishu (1979): 12-13.
42. Liu Haisu. Liu Haisu youhua xuanji (Selected oil paintings of Liu Haisu). Shanghai, 1981.
43. Liu Haisu.. Qilu tanyilu (Q՚lu discussions on art). Jinan, 1985.
44. Liu Mingyang Hongyiji (Record of the arts). Chengdu, 1946.
45. Liu Sixun Luosijin zhi yishu lun (Ruskin’s theory of art). Shanghai, 1927.
46. Liu Xilin Yihai chunqiu:Jiang Zhaohe zhuan (Annals of art: Biography of Jiang Zhaohe). Shanghai, 1981
47. LuYanshao shuhua cangpinji (Collection of Lu Yanshao’s painting and calligraphy).Vol. 1. Hong Kong, 1991.
48. Lu Danlin Zhongguo xiandai γishujia xiangzhuan (Sketch biographies of modern Chinese artists). Hong Kong, 1978.
49. Luo Qing shi hua (Poems and paintings by Luo Qing). Taipei, 1990.
50. Meishujia 33, no. 7 (1983). Special issue devoted to Lin Fengmian.
51. Ministry of Education. Meizhan tekan(Art exhibi- tion special issue). Includes prefaces by Cai Yuanpei and Jiang Menlinả Nanjing, 1929.
52. Ministry of Education Shanghai Meishu Zhuanke Xuexiao (Shanghai College of Fine Arts).Twenty-fifth anniversary volume. Shanghai, 1937.
53. Nanyi xuebao 1 (1983). Special issue on Liu Haisu.
54. National Central University. Guo¡i Zhongyang Daxue Yishu Xue-xi (National Central University Art Department news). Chongqing, 1944.
55. Pan Gongkai. Pan Tianshou huaji (Album of Pan Tianshou’s paintings). Hong Kong, 1990.
56. PanTianshou. Zhongguo huilшa shi (History of Chinese painting). Shanghai, 1936.
57. Pan Yuliang meishu zuopin xuanji (Selection of the art of Pan Yuliang). Nanjing, 1988.
58. Pang Xunqin zheyang zouguo!ai de (That is the way it happened). Beijing, 1988.
59. People’s Art Publishing House. Qi Baishtầ zuopinji (Collected works of Qi Baishi) 3 vols. Beijing, 1963.
60. People’s Art Publishing House. Situ Qiao huaji (Oil paintings of Situ Qiao). 2d ed. Beijing, 1980.
61. People’s Art Publishing House Wang Shikuo huaji (Oil paintings of Wang Shikuo) Beijing, 1982.
62. People’s Art Publishing House Shi Lu (Shi Lu: painting and calligraphy). Beijing, 1990.
63. Pok Art House. Zhongguo diqijie quanguo meishu zuopin zhan-Ian huojiang zuopin ji (Pгizewinning art works in the Seventh National Art Exhibition, 1989). Hong Kong, 1990.
64. Qin Xuanfu Women xuyao xiyanghua maF¶ (Do we need Western art?). In Xiandai Zhongguo meishu (Collected writings on contemporary Chinese art), ed. He Huaishuo vol. 4, 19-27. Taipei, 1991.
65. Shaanxi People’s Publishing House. Huxian nongminhua xuanji (Selection of peasant paintings from Huxian). Xi’an, 1974.
66. Shanghai Youhua D։aosuYuan (The Shanghai Oil Painting and Sculpture Research Institute). Shanghai, n.d.
67. Shanghai Zhongguo Huayuan zuopin (Works from the Shanghai Academy of Chinese Painting). Shanghai, 1981.
68. Shui Tianzhong. “Youhua chuanru Zhongguo ji qi zaoqi de fazhan” (The introduction of oil painting into China and its early development). Meishu yanjiu (1987.1): 57-61.
69. Shui Tianzhong. Cao Dali huaji (Collected works of Cao Dali). Beijing, 1990.
70. Song Zhongyuan, ed. Yishu yaolan (The cradle of the arts). Hangzhou, 1988.
71. Su Zhenming. Taiwan pusu yishu chutan (Preliminary survey ofTaiwan naive art).Taipei, 1990.
72. TaoYongbai. Zhongguo youhua 1700-1985 (Oil painting in China, 1700-1985). Nanjing, 1988.
73. TaoYongbai. “Zhongguo youhua lishi de sikao” (Thoughts on the history of Chinese oil painting). Meishu (1988.2): 41-44.
74. Teng Gu Zhongguo yishu Iuncong (Collected essays on Chinese art)ả Shanghai, 1937. Wang Domin Hutmg Binhong [. Shanghai, 1979.
75. Teng Gu. Zhongguo rneishu tongshi (Comprehensive history of Chinese art). 10 vols. Jinan, 1988.
76. Wang Geyi Wang Geyi · (Recollections of Wang Geyi). Shanghai, 1982.
77. Wang Gong and others “Zhongyang Meishu Xueyuan jianshi”(Short history of the Central Academy of Art). Me¡shu yanjiu (1988.4): 93-104, 72.
78. Wangjingxian and Ling zhuan (Biographies of one hundred contemporary traditional painters). Hong Kong, 1986.
79. Wen Lipeng ·“YishujiaWen Yiduo (The artist Wen Yiduo). Meishu yanjlu (1986.4): 39-55.
80. Wu Changshuo zuopinj HI (Collected works of Wu Changshuo). 2 vols. Shanghai, 1984.
81. Wu Guanzhong. “Wode ganxiang he xiwang (My thoughts and hopes). Meishu (1981.1): 8-9.
82. Wu Guanzhong Dongxun (Searching here and there) Chengdu, 1982.
83. Wu Guanzhong “Wode yishu shengya” (My artistic career). Me¡shujίa 30 (February 1983): 4-15
84. Wu Guanzhong. Fengzheng Ьuduan xian (Kites with unbroken strings). Chengdu, 1985
85. Wu Guanzhong. Wu Guanzhong huaji (Paintings of Wu Guanzhong)ả Beijing, 1987.
86. Wu Jiayou· WuYouru Խahao: (The art of Wu Youru). 3 vols. Shanghai, 1983.
87. Wu Yongliu· Youhua renti yishu Λazhan zuopmji (Works from the nude oils exhibition). Nanning, 1988.
88. Xiejiaxiao Zhang Daqian de shijie (The world of Zhang Daqian).Taipei, 1968
89. Alisan Fine Arts. Poetic imagery: New Paintings by Yang Yanping. Hong Kong, 1981.
90. Alisan Fine Arts Chao Chung-hsiang. Hong Kong, 1992.
91. Les Amis du Vie Arrondisement. Artistes chinois de Pans. Paris, 1983
92. Andrews, Julia F. “The Peasant’s Pen: Some Thoughts on Realism in Modern Chinese Art.” In the Arts (Ohio State University) (Autumn 1987): 6-9.
93. Andrews, Julia F “Traditional Painting in New China: Guohua and the Anti-Rightist Campaign.” Journal of Asian Studies 49, no. 3 (August 1990): 555-86.
94. Andrews, Julia F Painters and Politics in the People’s Republic of China,· Berkeley and Los Angeles, 1994.
95. Barmé, Geremie. “Arriere-Pensee on an Avant-Garde: The Stars in Retrospect.” In The Stars: 10 Years, ed. Chang Tsong-zung. Hong Kong, 1989.
96. Barmé, Geremie, and John Minford. Seeds of Fire: Chinese Voices of Conscience. Newcastle-upon-Tyne, 1989.
97. Xie Ufa, ed. Yishujia congkan (Artists’ collected series)ảVol. 2, Taiwan meishu yundong shi (The history of the Taiwan art movement). Taipei, [1988].
98. Xiling Seal Company. Cheng Shịſa shuhua (Calligraphy and painting of Cheng Shifa). 5 vols. Hangzhou, 1979-80.
99. Yan Lichuan and Zhang Mingyuan · Zhongguo jindai meishu baitu φ (One hundred works of recent Chinese art).Tianjin, 1981.
100. Yang Chengyin Shehuizhuyi xianshizhuyi shi shehui~ zhuyi shehui shenghuo defanying (Socialist realism is the reflection of the life of socialist society). Shanghai, 1954.
101. Zengjinshun, ed. Zhang Leping (Collected works of Zhang Leping). Shanghai, 1982.
102. Zeng Zhonglu Jinian Fangjunbi” (Recollections of Fangjunbi). Mǽhujia 57 (1987.8): 40-41.
103. Zhang Daoſan xiansheng huaxuan (Selected paintings of Mr. Zhang Daofan).Taipei, 1969.
104. Zhang Qiang ỈHuihua xinchao (The new tide of painting). Beijing, 1988.
105. Zhang Shaoxia and Li Xiaoshan Zhongguo xỉandai huihua shi (History of modern Chinese painting). Nanjing, 1986.
106. Zhejiang People’s Art Publishing House. Pan Tianshou huihuace (Paintings of Pan Tianshou). Hangzhou, 1979.
107. Zhejiang People’s Art Publishing House Zhejiang banhua wushinian (Fifty years of Zhejiang wood-engraving). Hangzhou, 1982.
108. Zheng Chao and Jin Shangyi Fengmian iun (Writings on Lin Fengmian). Hangzhou, 1990.
109. Zhongguo meishu bao (Fine arts in China). Published fortnightly from June 1985 to July 1989.
110. Zhu Boxiong and Chen Ruilin. Zhongguo xihua wushinian (Fifty years of Western art in China). Beijing, 1989.
111. Zhu Lin Fengmian Shanghai, 1988.
112. Bei Dao. Notes from the City of the Sun: Poems by Bei Dao. Revised edition. Translated with an introduction by Bonnie S. McDougall. Ithaca, N.Y- 1984.
113. Bennett, Adrian. The Introduction of Western Science and Technology into Nineteenth-Centuդ China. Harvard East Asian Monographs, no. 24. Cambridge, Mass., 1967.
114. Biographical Dictionary of Republican China. 5 vols. New York, 1967-76.
115. Blaine, Julien. Wild Lilies, Poisonous Weeds.0 Dissident Voices in People’s Chinaӛ London, 1982.
116. Bobot, Marie-Thérèse. Fan Tchun-pi: Artiste chinoise contempo~ raine. Paris, 1984.
117. Bodde, Deгk. Peking Diaդ New York, 1950.
118. Briessen, Fritz van. Shanghai Bilderzeitung 1884-1808. Zurich, 1977.
119. Buck, Pearl. China in Black and White. New York, 1944.
120. Cahill, James. “Flower, Bird and Figure Painting in China Today.” In Contemporary Chinese Painting, ed. Lucy Lim, 21-27. San Francisco, 1984.
121. Cahill, James “The Shanghai School in Later Chinese Painting.” In
122. Twentieth-Century Chinese Painting, ed. Mayching Kao, 54- 77. Hong Kong and Oxford, 1988.
123. Caplow, Deborah. “Some Thoughts on the Chinese Woodcut Movement.” Paper presented at symposium on modern Chinese art, University of Washington, Seattle, 1990.
124. Carl, Katherine. With the Empress Dowager of China. London, 1906.
125. Chang, Arnold. Painting in the People’s Republic of China: The Politics of Style. Boulder, Colo., 1980.
126. Cahill, James. “Tradition in the Modern Period.” In Twentieth-Century Chinese Painting, ed. Mayching Kao, 21-53. Hong Kong and Oxford, 1988.
127. Chang, Arnold, and Brad Davis. Tỉгe Mountain Retreat: Landscape in Modern Chinese Painting. Aspen, Colo., 1986.
128. Chang Tsong-zung. The World of Luis Chan. Singapore, 1987.
129. Chang Tsong-zung “Visionaries and Icon Painters: One Aspect of Hong Kong Contemporary Art.” Renditions 29/30 (1988): 275-92.
130. Chang Tsong-zung Jackson Yu: New Vision. Hong Kong, 1990.
131. Chang Tsong-zung, ed. Ju Ming: Sculpture. Hong Kong, 1986.
132. Chang Tsong-zung ed. Les Etoiỉes: 10 ans. Hong Kong, 1989.
133. Chang Tsong-zung, ed. The Stars: 10 Years. Hong Kong, 1989.
134. Ch’en I-fanẽ “The Modern Trend in Contemporary Chinese Art.” TЧen Hsia Monthly 4, no. 1 (January 1937).
135. Ch’en Kuei-miao. The Paintings of Lin Feng-mien. Text in Chinese and English. Taipei, 1989.
136. Chinese Artists Association. The Sixth National Art Exhibition. Beijing, 1984.
137. - Chinese Artists Association. Prize-Winning Art Works of the 7th Chinese National Art Exhibition, 1 989. Text in Chinese and English. Beijing, 1989.
138. Chinese Wood-Engravers Association. Woodcuts of Wartime China, 1937-1945. Text in Chinese and English. Shanghai, 1946.
139. Chuang Shen. “Art and Politics: Study of a Special Relationship in Contemporary Chinese Painting.” In Twentieth-Century ' Chinese Painting, ed. Mayching Kao, 178-94. Hong Kong and Oxford, 1988.
140. Chung, Jerrow C. H., ed. The Contemporary Chinese Artist Chin Sung: Paintings and Poems Primitive Black. Taipei, 1967.
141. Clark, John. “Taiwanese Painting and Europe: Direct and Indirect Relations.” In China and Europe in the Twentieth Centuգ ed. Yu-ming Shaw. Taipei, 1968.
142. Clark, John. “La Peinture à Taipei après 1945: le contexte politique et économique,” Etudes chinoises 7, no. 1 (Spring 1988): 29-63.
143. Clunas, Craig. “Chinese Art and Chinese Artists in France, 1924-25.” Arts Asiatiզues 44 (1989): 100-106.
144. Cohen, Joan. Painting the Chinese Dream: Chinese Art Thirty Years after the Revolution (Painting and Sculpture 1978-1981). Northampton, Mass., 1982.
145. Clark, John.. The New Chinese Painting, 1949-1976. New York, 1987.
146. Clark, John.. Yunnan School: A Renaissance in Chinese Painting. Minneapolis, 1988.
147. Çroizier, Ralph. “Chinese Art in the Jiang Ch’ing Era.” Journal of Asian Studies 38 (February 1979): 303-11.
148. Çroizier, Ralph “The Thorny Flowers of 1979: Politica! Cartoons and Liberalisation in China.” In China front Mao to Deng: The Politics and Economics of Socialist Development. Armonk, N.Y., 1983.
149. Çroizier, Ralph. Art and Revolution in Modern China: The Lingnan (Cantonese) School of Painting, 1906-1951. Berkeley and Los Angeles, 1988.
150. Çroizier, Ralph “Qu Yuan and the Artists: Ancient Symbols and Modern Politics in the Post-Mao Era.” Tbe Australian Journal of Chinese Affairs 24 (July 1990): 25-50.
151. Çroizier, Ralph “Art and Society in Modern China-A Review Article.” Journal of Asian Studies 49, no. 3 (August 1990): 587-602.
152. Darwent, C. E. Shanghai: A Handbook for Travellers and Residents. 2d ed. Shanghai, 1920.
153. Destenay, P. “Zhang Guangyu, caricaturiste et imagier.” Cahiers de linguistique, dorientalisme et de slavistiզue 1, no. 1/2 (1973): 85-106.
154. Doran, Valerie C. China’s New Art, Post-1989, with a Retrospective from 1979-1989. Introduction by Chang Tsong-zung. Hong Kong, 1993.
155. Duiker, William J. Tsʼni Yüan-p’ei: Educator of Modem China. Philadelphia, 1977.
156. Ellsworth, Robert Hatfield. Later Chinese Painting and Calligraphy: 1800-1950. 3 vols. New York, 1987.
157. Erickson, Britta. “Process and Meaning in the Art of Xu Bing.” In Time Itưtalỉations of Xu Bing. Madison, Wise., 1991.
158. Fan Jingzhong. “Artistic Exploration and Problems in Art: Impression of the Zhejiang Institute of Fine Arts Young Teachers’ Exhibition.” Chinese Literature (Summer 1986): 162-76.
159. Fang Zhaoling. Fang Zhaoling: Portfolio. Hong Kong, 1983.
160. Farrer, Anne. Wu Guanzhongš. A Twentieth-Century Chinese Painter. London, 1992.
161. Fathers, Michael, Andrew Higgins, and Robert Cottrell, eds. Tiananmen: The Rape of Peking. London, 1989.
162. Feng Qiyong. “On Reverend Zhu Qi-zhan’s Picturesẳ” In A Chronicle of Zhu Qizhan’s Life. Shanghai, 1985.
163. Fine Art Magazine (January 1992). Special issue, edited by Sheng Tian Zheng.
164. Fogel, Joshua A. “Japanese Literary Travellers in Prewar China.” Harvard Journal of Asiatic Studies 49, no. 2 (December 1989): 575-602.
165. Fong Wen. Images of the Mind: Selections from the Edward L. Euiott Famiy and John Be Elliott Collection of Chinese Calligraphy and Painting at the Art Museum, Prìnceton University. Princeton, 1984. Foreign Languages Press. Rent Collection Courtyard: Sculptures of Oppression and Revolt. Beijing, 1968.
166. Fong Wen Wrath of the Serfs: A Group of Life-Size Clay Sculptures. Beijing, 1976a
167. Fu, Shen C. Y·, and Jan Stuart. Challenging the Past: The Paintings of Chang Dai-chien. Washington, 1991. Contains a useful bibliography on the master.
168. Fung Ping Shan Museum, University of Hong Kong. Art’84. Hong Kong, 1984.
169. Galikowski, Maria. Art and Politics in China, 1949-1986. Ph.D. diss., University of Leeds, 1990.
170. Gesellschaft fìir Verständigung und Freundschaft mit China. Holzschnitt im Neuen China. Berlin, 1976.
171. Goldman, Merle. Literary Dissent in Communist China. Cambridge, Mass., 1967.
172. Goldman, Merle. China’s Intellectuals: Advise and Dissent. Cambridge, Mass., 1981.
173. Goldman, Merle ed. China’s Intellectuals and the State: In Search of a New Relationship. Cambridge, Mass., 1987.
174. Goodman, David. Beijing Street Voices: The Poetry and Politics of China’s Demoơacy Movement. London, 1981.
175. Gunn, Edward. Unwelcome Muse: Chinese Literature in Shanghai and Peking, 1937-45. New York, 1980.
176. Hall, Robert, and Edwin Miller. Contemporary Chinese Paintings. Lo Shan Tang. London, 1988.
177. Hall, Robert, and Edwin Miller. Contemporary Chinese Paintings II: An Exploration. Lo Shan Tang. Hong Kong and London, 1989.
178. Han Suyin. “Painters in China Today.” Eastern Horizon 6 (1977): 15-20.
179. Harbsmeier, Christoph. The Cartoonist Feng Zikai: Social Realism with a Buddhist Face. Oslo, 1984.
180. Harkness House. Contemporary Oil Painting from the People’s Republic of China. New York, 1987.
181. Hay, Jonathan. “Ambivalent Icons: Works by Five Chinese Artists Based in the United States.” Orientations 23, no. 7 (July 1992): 37-43.
182. Headland, Isaac Taylor. Court Life in China: The Capital, Its Officials and People. New York, 1909.
183. Hironobu, Kohara. “The Reform Movement in Chinese Painting of the Early 20th Century.” In Proceedings of the International Conference on Sinology, ed. Academia Sinica, 449-64. Taipei, 1981.
184. Ho Yung. “Illustrations of Serial Picture Books.” Chinese Literature (1964.12): 105-11.
185. Holm, David. Art and Ideology in the Yenan Period, 1937-1945 ■ D.Phil. diss., Oxford University, 1979.
186. Hong Kong Arts Centre. A Retrospective Exhibition of the Works of Ting Yen-yung. Hong Kong, [1979?].
187. Hong Kong Arts Centre Shui Mo: The New Spirit of Chinese Tradition. Hong Kong, 1985.
188. Hong Kong Arts Centre. Laser and Lifescape Sculpture by Yuyu Yang. Hong Kong, 1986.
189. Hong Kong Institute for the Promotion of Chinese Culture. Szeto Keung. Hong Kong, 1981.
190. Hong Kong Institute for the Promotion of Chinese Culture Y. J. Cho. Hong Kong, 1988.
191. Hong Kong Museum of Art. The Art of Kao Chien-fu. Hong Kong, 1978.
192. Hong Kong Museum of Art Contemporary Singapore Painting. Hong Kong, 1980.
193. Hong Kong Museum of Art. The Art of Gao Qifeng. Hong Kong, 1981.
194. Hong Kong Museum of Art The Chinese Response: Paintings by Leading Overseas Artists. Hong Kong, 1982.
195. Hong Kong Museum of Art The Art of Xu Beihong. Hong Kong, 1988.
196. Hong Kong Museum of Art Ink Paintings by Hong Kong Artists. Hong Kong, 1988.
197. Hong Kong Museum of Art Artists and Art: Contemporary Chinese Paintings. Hong Kong, 1989.
198. Hou Hanru. “China: New Self-Awareness and International Dialogue-Modern Art of the 1980s in the People’s Republic.” Art Monthly Australia 40 (May 1991): 3-5.
199. Hsü, Kai-yíi. Wen I-to. Boston, 1980.
200. Hu Qiaomu. “On the Ideological Remoulding of Writers and Artists.” Chinese Literature 1 (Spring 1953): 5 ff.
201. Hu Shi. The Chinese Renaissance. The Haskell Lectures. Chicago, 1933.
202. Hua Junwu. Chinese Satire and Humour: Selected Cartoons of Hua Junwu, 1ç55-iậ82ŧ Trans. W. J. F. Jenner. Beijing, 1984.
203. Hua Junwu, ed. Contemporary Chinese Painting. Beijing, 1983. Huang Kuang-nan. China-Paris: Seven Chinese Painters Who Studied in France, 1918-1960. Text in English and Chinese. Taipei, 1988.
204. Hua Junwu ed. China: Modernity and Art. Taipei, 1991.
205. Huang Miaozi. “Landscapes by Newer Painters.” China Reconstructs (May 1982): 52-55.
206. Huang Miaozi. “From Carpenter to Painter: Recalling Qi Baishi.” Orientations 20 (April 1989): 85-87.
207. Huang Yuaռlin. “Cartoonist Zhang Leping.” Chinese Literature (Summer 1984):
208. Jacobsen, Robert D. Mountain Thoughts: Landscape Paintings by Wucius Wong. Minneapolis, 1987.
209. Jenner, W J. F. “1979: A New Start for Literature in China?” China Quarterly 86 (June 1981): 274-303.
210. Jiang Weipu, ed. Chinese Comics. China Exhibition Agency, n.d. Ju Ming. The Living World. Taipei, 1989.
211. Juin, Hubert. Chu Teh-Chun. Paris, 1979.
212. Kao, Mayching (Kao Mei-ch’ing). China’s Response to the West in Art, 1898-1937. Ph.D. diss., Stanford University, 1972.
213. Kao, Mayching. “The Spread of Western Art in China, 1919-1929.” In China: Development and Challenge, ed. Lee Ngoc and Leung Chi-keung, 73-114. Hong Kong, 1981.
214. Kao, Mayching. Kwong Yeu Ting. Hong Kong, 1982.
215. Kao, Mayching “The Beginning of the Western-style Painting Movement in Relationship to Reforms of Education in Early Twentieth-Century China.” New Asia Academic Bulletin 4 (1983): 373-40
216. Kao, Mayching ed. Twentieth-Century Chinese Painting. Hong Kong and Oxford, 1988.
217. Kehoe, Moura. “Realism from China: A Search for the Universal Image in 19th Century European and Russian Art.” In Realism from China. New York, 1986.
218. King, Alice. New Directions in Contemporary Chinese Tapestry. Hong Kong, 1988.
219. King, Alice ed. Chao Chung-hsiang. Hong Kong, 1992.
220. Kinkley, Jeffrey C. After Mao: Chinese Literature and Society, 1979-81. Cambridge, Mass., 1985.
221. Kuo, Jason C. S. (Guo Jisheng). “Mutilated Language: Politics and the Art of Gu Wenda.” Paper presented at N.E.H. Summer Seminar, University of Chicago, 1988; revised 1989.
222. Kuo, Jason C. Innovation with Tradition: The Painting of Huang Pin-hung. With contributions by Richard Edwards and Tao Ho. Hong Kong, 1989. Lai, T. C. Ch’i Pai Shih. Seattle, 1973.
223. Kuo, Jason C Three Contemporary Chinese Painters: Chang Dai-chien, Ting Yen-yung, Ch’eng Shih-fa. Seattle, 1975.
224. Laing, Ellen. “Chinese Peasant Painting, 1958-76: Amateur and Professional.” Art International 27, no. 1 (January-March 1984): 2-12.
225. Laing, Ellen. An Index to Reproductions of Paintings by Twentieth-Century Chinese Artists. Portland, 1984.
226. Laing, Ellen. The Winking Owl: Art in the People’s Republic of China. Berkeley and Los Angeles, 1988.
227. Lang Shaojun. “An Evaluation of Innovation in Chinese Painting.” Trans. Simon Johnstone. Chinese Literature (Summer 1986): 173-88. Abridged from article in Wenyi yanjiu 2 (1985).
228. Lau, Michael, ed. Chinese Painting by Irene Chouể Hong Kong, 1986.
229. Lee, Leo Ou-fan. The Romantic Generation of Modern Chinese Writers. Cambridge, Mass., 1973.
230. Lee, Leo Ou-fan, ed. Lu Xun and His Legacy. Berkeley and Los Angeles, 1985.
231. Leymarie, Jean. Zao Wou-ki. Research by Françoise Marquet. Paris, 198ổ.
232. Li, Chu-tsing. Rocks, Trees, Cỉouds and Water: The Art of Hung Hsien. Lawrence, Kansas, 1978.
233. Li, Chu-tsing.. Trends in Modern Chinese Painting. The C. A. Drenowatz Collection, vol. 3. Ascona, Switzerland, 1979.
234. Li, Chu-tsing. “Traditional Painting Development during the Early Twentieth Century.” In Twentieth-Century Chinese Painting, ed. Mayching Kao, 78-108. Hong Kong and Oxford, 1988.
235. Liao Jingwen. Xu Beihong: Life of a Master Painter. Trans. Zhang Peiji. Beijing, 1987.
236. Liao Jingwen and Xu Fangfang. “Life of Xu Beihong.” Oriental Art, Ո.sế, 28, noế I (Spring 1982).
237. Lim, Lucy, ed. Contemporary Chinese Painting: An Exhibition from the People’s Republic of China. San Francisco, 1984.
238. Lim, Lucy, ed. Wu Guanzhong: A Contemporary Chinese Artist. San Francisco, 1989.
239. Link, Perry, ed. Stubborn Weeds: Popular and Controversial Chinese Literature after the Cultural Revolution. Bloomington, 1983.
240. Liu Haisu. Chinesische Malerei der Gegenu>art. Berlin, 1934.
241. Liu Huanzhang. Sculpture by Liu Huanzhang. Beijing, 1984.
242. Liu Xilin. “Artist Jiang Zhaohe’s Wartime Epic ‘Refugees.’” Chinese Literature (Winter 1984): 151-52.
243. Lu Xun. Selected Works of Lu Xun. Edited by Yang Hsien-yi (Xianyo) and Gladys Yang. Vol. 4. Beijing, 1960.
244. McDougall, Bonnie S. Mao Zedong’s “Talks at the Yan’an Conference on Literature and Art”: A Translation of the 1943 Text with Commentary. University of Michigan Papers on Chinese Studies, no. 39. Ann Arbor, 1980.
245. MacFarquhar, Roderick. The Hundred Flowers Campaign and the Chinese Intellectuals. New York, 1960.
246. MacFarquhar, Roderick The Origins of the Cultural Revolution. 2 vols. New York, 1987.
247. Mao Zedong. On Literature and Art. Beijing, 1967.
248. Meisner, Maurice. Mao’s China: A History of the People’s Republic. New York, 1977.
249. Mindich, Jeffrey. “More Tales of China’s Late, Great Master Artist.” Free China Review (April 1985): 38-40.
250. Minick, Scott, and Jiao Ping. Chinese Graphic Design in the Twentieth Century. London, 1990.
251. Ministry of Education. A Special Collection of the Second National Exhibition of Chinese Art. Vol. 2, Modern Chinese Painting and Calligraphy. Nanjing, 1937.
252. Moss, Hugh. Some Recent Developments in Twentieth Century Chinese Painting: A Personal View. Hong Kong, 1982.
253. Murray, Michael. “The Power of Images.” Introduction to Avant-Garde Chinese Art: Beijing/New York (exhibition catalogue). New York, 1986.
254. Musée Cernuschi. Exposition de peintures chinoises contemporaines. Paris, 1946.
255. Murray, Michael Fan Tchun-pi. Artiste chinoise contemporaine. Paris, 1984.
256. Murray, Michael Collection des peintures et calligraphies chinoises contemporaines. Paris, 1985.
257. Nacenta, Raymond. The Painters and Artistic Climate of Paris since 1ạ10. New York, 1981.
258. National Museum of History, Taipei. Five Chinese Painters. Taipei, 1970.
259. National Taiwan Arts Center. Graphic Art by the Contemporary Chinese Artist Chen Ting-shih. Taipei, 1967.
260. “New Peasant Painting.” Peking Review 23 (September 1958): 18.
261. Ni Chiang-huai and others. Early Twentieth-Century Watercolours of ỉshikawa Kin’ichirō. Taipei, 1986.
262. Pan Ling. In Search of Old Shanghai. Hong Kong, 1982.
263. Parsons, Bruce. Gu Wenda: The Dangerous Chessboard Leaves the Ground. Toronto, 1987.
264. Pierquin-Tien, Odile. Peintres et sculpteurs chinois a Paris, 1ạ47-1ạ87. Paris, 1987.
265. Pollard, David. “The Controversy over Modernism, 1979-84.” China Quarterly 85 (December 1985): 641-56.
266. Pommeranz-Leidtke, Gerhard. Chinesische Kunstschaffen: Gegen-wart und Tradition. Berlin, 1954.
267. Qian Songyan. “Creating New Paintings in the Traditional Style.” Chinese Literature (1972.11):
268. Riley, Richard. Modern Chinese Prints from the Central Academy of Fine Art, Peking. Exhibition of the Lancashire Polytechnic. Preston, England, 1986.
269. Rothenstein, William Men and Memories. 2 vols. London, 1931
270. Roy, Claude. Zao Wou-ki. Paris, 1988.
271. Roy, David. Kuo Mo-jo: The Early Years. Cambridge, Mass., 1971.
272. Ryckmans, Pierre. Modern Chinese Painters in the Traditional Style. Melbourne, 1974.
273. Schram, Stuart. Ideology and Policy in China since the Third Plenum, 1ọ78-84. London, 1984.
274. Schwarz, Vera. The Chinese Enlightenment. Berkeley and Los Angeles, 1986.
275. Scott, A. C. Literature and Art in Twentieth-Century China. London, 1963.
276. Shanghai University Press. AH about Shanghai and Environs. 1934/5. Reprint, London, 1983.
277. Shui Tianzhong. “Oil: From Realism to Symbolism.” China Daily (December 22, 1987): 4-5.
278. Silbergeld, Jerome. Mind Landscapes: The Paintings of C. C. Wang. Seattle, 1987.
279. Silbergeld, Jerome, with Gong Jisui. Contradictions: Artistic Life, the Socialist State, and the Chinese Painter Li Huasheng. Seattle, 1993
280. Solidarité Chine. Tian Anmen 4 Juin-4 Décembre: Je n’oubiie pas. Paris. 1989.
281. Soong, James Han-hsi. A Visual Experience in Nineteenth-Century China: Jen Po-nien (1840-18ọ5) and the Shanghai School of Painting. Ph.D. diss., Stanford University, 1977.
282. Spence, Jonathan D. The Gate of Heavenly Peace: The Chinese and Their Revolution. New York, 1981.
283. Strassberg, Richard E., ed. “I Don’t Want to Play Chess with Cézanne” and Other Works: Selections from the Chinese “New Wave” and uAvant-Garde” Art of the Eighties. Pasadena, 1991.
284. Strassberg, Richard, and Waldemar A. Nielsen. Beyond the Open Door: Contemporary Paintings from the People’s Republic of China. Pasadena, 1987.
285. Su Fu, Martha. “Chinese Painting in Taiwan.” In Twentieth-Century Chinese Painting, ed. Mayching Kao, 196-209. Hong Kong and Oxford, 1988.
286. Sullivan, Michael. “The Traditional Trend in Contemporary Chinese Art.” Oriental Art 1, no 3 (Winter 1949): 3-8.
287. Sullivan, Michael Chinese Art in the Twentieth Century. Berkeley and Los Angeles, 1959.
288. Sullivan, Michael: Chang Ta-ch’ien. Stanford, 1967.
289. Sullivan, Michael. Trends in Twentieth-Century Chinese Painting. Stanford, 1969.
290. Sullivan, Michael “Oriental Art and Twentieth-Century Chinese Painting in the West.” Studio International (October 1973).
291. Sullivan, Michael The Masterworks of Chang Dai-chien. Foreword to portfolio of six lithographs. San Francisco, 1974.
292. Sullivan, Michael. “Art in China Today: Social Ethics as an Aesthetic.” Art News 73 (September 1974): 55-57.
293. Sullivan, Michael “Orthodoxy and Individualism in Twentieth-Century Chinese Art.” In Artists and Traditions, ed. Christian F. Murck, 201-5. Princeton, 1976.
294. Sullivan, Michael “New Directions in Chinese Art.” Art International 2$, no. 1/2 (1982): 40-58.
295. Sullivan, Michael “Chinese Painting Today: Traditional in Style, Modern in Feeling.” In Contemporary Chinese Painting: An Exhibition fiotn the People’s Republic of China, ed. Lucy Lim, 10-33. San Francisco, 1983.
296. Sullivan, Michael “Art and the Social Framework.” Times Literary Supplement (June 24, 1983).
297. Sullivan, Michael “The Chinese Art of ‘Water-Printing,’ Shui-yin. Art International 27, no. 4 (September-November 1984): 26-33.
298. Sullivan, Michael. “A Fresh Look at XX Century Chinese Painting.” Journal of the Royal Society of Arts (June 1985).
299. Sullivan, Michael “The Calligraphic Works of Yang Yanping.” Apollo (May 1986): 346-49.
300. Sullivan, Michael “Recollections of Art and Artists in Wartime Chengdu.” Register of the Spencer Museum of Art (Lawrence, Kansas) 6, no. 3 (1986): 7-19.
301. Sullivan, Michael “Chu Teh-chun.” Introduction to Chu Teh-chun (exhibition catalogue). Taipei, 1987.
302. Sullivan, Michael The Art of Yü Ch’eng-yao. Introduction to exhibition catalogue. Hong Kong, 1987.
303. Sullivan, Michael “The Meihua Collection.” Introduction to Contemporary Chinese Oil Painting from the People’s Republic of China (exhibition catalogue). New York, 1987.
304. Sullivan, Michael “Art and Reality in Twentieth-Century Chinese Painting.” In Twentieth-Century Chinese Painting, ed. Mayching Kao, 1-20. Hong Kong and Oxford, 1988.
305. Sullivan, Michael The Meeting of Eastern and Western Art. 2d ed. Berkeley and Los Angeles, 1989.
306. Sullivan, Michael “Bliss Was It in That Dawn to Be Alive!” Introduction to The Starsį. 1 0 Years, ed. Chang Tsong-zung. Hong Kong, 1989.
307. Sullivan, Michael “A Small Token of Friendship.” Oriental Art, n.s., 35, no. 2 (Summer 1989): 76-85.
308. Sullivan, Michael “Li Huasheng.” Introduction to Li Huasheng (exhibition catalogue). Hong Kong, 1990.
309. Sullivan, Michael “The Art of Ju Ming.” Introduction to Ju Ming: Taiji Sculpture (exhibition catalogue). London, 1991.
310. Sullivan, Michael “Realism and the Art of the Revolution.” Britain- China 47 (Autumn 1991): 3-6.
311. Sullivan, Michael “Chinese Art in the Twentieth Century.” In Wu Guanzhong: A Twentieth-Century Chinese Painter, ed. Anne Farrer. London, 1992.
312. Sun, Shirley Hsiao-ling. Lu Hsün and the Chinese Woodcut Movement, 1ç29-iặ36. Ph.D. diss., Stanford University, i974·
313. Sun, Shirley Hsiao-ling. Modern Chinese Woodcuts. San Francisco, 1979.
314. Taipei Fine Arts Museum. An Exhibition of Contemporary Chinese Sculpture in the Republic of China. Taipei, 1985.
315. Sun, Shirley Hsiao-ling. The Art of Li Shih-ch’iao. Taipei, 1988.
316. Sun, Shirley Hsiao-ling. A Retrospective Exhibition of Liu ChΊ-hsiang. Taipei, 1988.
317. Takashima Shuji and J. Thomas Rimer with Gerald D. Bolas. Paris in Japan: The Japanese Encounter with European Art. Tokyo, 1987.
318. Tam, Lawrence C. S. 1770-80: Hong Kong Art. Hong Kong, 1981.
319. Tam, Lawrence C. S “The Lingnan School of Painting.” In Twentieth-Century Chinese Painting, ed. Mayching Kao, 109-29. Hong Kong and Oxford, 1988.
320. Tang Tsou. The Cultural Revolution and Post-Mao Reforms. Chicago, 1986.
321. Till, Barry. The Art of Xu Beihong, 1985-1953. Victoria, B.C, 1987.
322. Tsao Hsing֊yüan. “The Birth of the Goddess of Democracy.” California Monthly (September 1989): 16-17.
323. Tseng Yu-ho (Zeng Youhe). “Chinese Painting Overseas: A Personal Account of Chinese Painters outside Chinese Society.” In Twentieth-Century Chinese Painting, ed. Mayching Kao, 224-43. Hong Kong and Oxford, 1988.
324. Tseng Yuho and Howard Link. The Art of Tseng Yuho. Honolulu, 1987.
325. Unterreider, Else. Glück ein Ganzes Mondjahr Lang (Happiness the whole year long). Klagenfurt, Austria, 1984.
326. Valkenier, Elizabeth. Russian Art, the State and Society.ậ The Peredvizhniki and their Tradition. Ann Arbor, 1977.
327. van Gulik, Robert. Chinese Pictorial Art as Viewed by the Connoisseur. Rome, 1958.
328. Wan Qingli. “The Formation of Li Keran’s Painting Style.”
329. Han Mo no. 25 (1992): 4-20. “Biography of Li Keran.” Han Mo no. 26 (1992): 12-27. “Li Keran’s Position in 20th Century Chinese Painting History” and “Li Keran’s Thoughts on Art and Painting Theory.” Han Mo 110. 43 (1993).
330. Wang, Y. C. Chinese Intellectuals and the West, 1872-ỉọ4ç. Chapel Hill, N.C., 19Ó6.
331. Warner, John. Chinese Papercuts. Hong Kong, 1978.
332. Watt, J. C. Y. Wong Po Yehẫ Hong Kong, n.d.
333. Weidner, Marsha, ed. Views from Jade Terrace: Chinese Women Artists, 1300-ỉậi2. Indianapolis, 1988.
334. Wen Yuanning “Art Chronicle.” T’ien Hsia Monthly 3, no. 1 (May-August 1936): 161-67.
335. Wharton, Dolores. Contemporary Artists of Malaysia. Petaling Jaya, Malaysia, I97iế
336. Widor, Claude. Documents sur le mouvement dếmocratique chinois 1ç78-80. 2 vols. Paris and Hong Kong, 1984.
337. Wong, Wucius. “Chinese Painting in Hong Kong.” In Twentieth-Century Chinese Painting, ed. Mayching Kao, 210-23. Hong Kong and Oxford, 1988.
338. Wong, Wucius, and others, eds. Lui Shou-kwan 1ç1ọ-1д75. Hong Kong, 1979.
339. Woo, Catherine Yi-yu Cho. Chinese Aesthetics and Ch’i Pai-shih. Hong Kong, 1986.
340. Wu, Lawrence. “Kang Youwei and the Westernisation of Modern Chinese Art.” Orientations (March 1990): 46-53.
341. Wu, Nelson “The Ideogram in the Modern Chinese Dilemma.” Art News 56, noằ 6 (November 1957): 34-37.
342. Wu Hung. “Tiananmen Square: A Political History of Monuments.” Representations 35 (Summer 1991): 84-117.
343. Wu Tung. Painting in China since the Opium Wars. Boston, 1980.
344. Yang Shu-hwang. XU Bei-hong, IJU Hai֊su, LỈN Feng-mian:
345. Les peintres ỉes plus importants de ľécoỉe de Shanghai et ľinfluence de Vartfrançais. Doctoral thesis, University of Paris, 1985-86.
346. Yu, Diana. “The Printer Emulates the Painter: The Unique Chinese Water-and-Ink Woodblock Print.” Renditions 6 (Spring 197б): 95-101.
347. Yu Feng “In Memory: Chilean Painter Jose Venturelli.” China Reconstructs (March 1989): 29-31.
348. Yuan Yunsheng, ed. Annual of the Chinese United Overseas Artists Association. New York, 1987.
349. Zao Wou-ki and Françoise Marquet. Autoportrait. Paris, 1988.
350. Zhang Anzhi. “The Painter Ch’ien Sung-yen,” Chinese Literature (1964.9): 103-11.
351. Zhang Songren (Johnson Chang), ed. China/Avant-Garde (Zhongguo meishu yishuzhan). In English and Chinese. Beijing, 1989.
352. Zhou Enlai. “Report to the Congress of Literary and Art Workers” (July 1949)· In Selected Works of Zhou Enlai. Vol. 1. Beijing, 1980.
353. Zhu Guaռgqian (Chu Kwang-tsien). “The Problem of ‘Formal Beauty’ in Recent Discussions in China.” Eastern Horizon 3, no. 5 (May 1964): 12-16.
354. Zürcher, Bernard. Wang Keping. Paris, 1988.
355. Bei Dao. Notes from the City of the Sun: Poems by Bei Dao. Revised edition. Translated with an introduction by Bonnie S. McDougall. Ithaca, N.Y., 1984.
356. Bennett, Adrian. The Introduction of Western Science and Technology into Nineteenth-Century China. Harvard East Asian Monographs, no. 24. Cambridge, Mass., 1967.
357. Biographical Dictionary of Republican China. 5 vols. New York, 1967-76.
358. Blaine, Julien. Wild Lilies, Poisonous Weeds: Dissident Voices in People's China. London, 1982.
359. Bobot, Marie-Thérèse. Fan Tchun-pi: Artiste chinoise contemporaine. Paris, 1984.
360. Bodde, Derk. Peking Diary. New York, 1950.
361. Briessen, Fritz van. Shanghai Bilderzeitung 1884-1898. Zurich, 1977.
362. Buck, Pearl. China in Black and White. New York, 1944.