On late style: Music and literature against the grain

On Late Style: Music and Literature Against the Grain

Volumn , Issue , 2017, Pages 1-141

  Said, Edward W ^a  

^a NONE

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EID: 85187759468     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Book

References (56)

1. Samuel Beckett, Proust (London: Calder, 1965), 17.
2. Gerard Manley Hopkins, Poems (Oxford: Oxford University Press, 1970), 108.
3. Power, Politics, and Culture: Interviews with Edward W. Said, ed. Gauri Viswanathan (New York: Pantheon, 2001), 458.
4. "An Interview with Edward Said, " in The Edward Said Reader, ed. Moustafa Bayoumi and Andrew Rubin (New York: Vintage, 2000), 427. Further references are cited in the text as "ESR, " followed by a page number.
5. Edward W. Said, Musical Elaborations (New York: Columbia University Press, 1991), xx, xxi, 93. Further references are cited in the text as "ME, " followed by a page number.
6. Theodor W. Adorno, "Alienated Masterpiece: The Missa Solemnis, " in Essays on Music, ed. Richard Leppert (Berkeley, Los Angeles, and London: University of California Press, 2002), 580.
7. Stathis Gourgouris, "The Late Style of Edward Said, " Alif: Journal of Comparative Poetics (Cairo) 25 (July 2005): 168.
8. Edward W. Said, After the Last Sky (London: Faber and Faber, 1986), 53.
9. Edward W. Said, Humanism and Democratic Criticism (New York: Columbia University Press, 2004), 144.
10. "Late Style in Beethoven" has been published more recently in Theodor W. Adorno, Essays on Music, ed. Richard Leppert, with new translations by Susan H. Gillespie (Berkeley, Los Angeles, and London: University of California Press, 2002). Further references are cited in the text as "EM, " followed by a page number.
11. Thomas Mann, Doctor Faustus, trans. H. T. Lowe-Porter (New York: Vintage, 1971), 52.
12. Rose Rosengard Subotnik, "Adorno's Diagnosis of Beethoven's Late Style: Early Symptom of a Fatal Condition, " Journal of the American Musicological Society 29, no. 2 (1976): 270.
13. Theodor W. Adorno, Philosophy of New Music, trans. Anne G. Mitchell and Wesley V. Blomster (New York and London: Continuum, 2004), 19. Further references are cited in the text as "PNM, " followed by a page number.
14. Theodor W. Adorno, Minima Moralia, trans. E. F. N. Jephcott (London: Verso, 1974), 17. Further references are cited in the text as "MM, " followed by a page number.
15. Theodor W. Adorno, Critical Models: Inventions and Catchwords, trans. Henry W. Pickford (New York: Columbia University Press, 1998); translation slightly modified.
16. The Glenn Gould Reader, ed. Tim Page (New York: Knopf, 1984), 86.
17. Theodor W. Adorno, "Richard Strauss, " in Musikalische Schriften (Frankfurt: Suhrkamp Verlag, 1978), 3: 578, 579. Further references are cited in the text as "RS, " followed by a page number.
18. Michael Steinberg in Richard Strauss and his World, ed. Bryan Gilliam (Princeton, N.J.: Princeton University Press, 1992), 183.
19. Jane F. Fulcher, The Nation's Image: French Grand Opera as Politics and Politicized Art (Cambridge and New York: Cambridge University Press, 1987), 1.
20. Donald Mitchell, The Language of Modern Music (London: Faber, 1966), 101-2.
21. Norman Del Mar, Richard Strauss: A Critical Commentary on His Life and Works (Ithaca, N.Y.: Cornell University Press, 1986), 3:466.
22. Charles Rosen, The Classical Style: Haydn, Mozart, Beethoven (New York: W. W. Norton, 1972), 314.
23. Andrew Steptoe, The Mozart-Da Ponte operas: The Cultural and Musical Background to "Le Nozze di Figaro, " "Don Giovanni, " and "Così fan tutte" (Oxford: Clarendon Press, 1988), 208. Further references are cited in the text as "MDO, " followed by a page number.
24. Michael Foucault, The Order of Things, no translator credited (New York: Pantheon, 1971), 209-10.
25. Emily Anderson, Letters of Mozart and His Family (London: Macmillan, 1938), 3:1, 351.
26. Donald Mitchell, Cradles of the New: Writings on Music, 1951-1991, sel. Christopher Palmer, ed. Mervyn Cooke (London: Faber and Faber, 1995), 132.
27. "Une Rencontre avec Jean Genet, " Revue d'études palestiniennes 21 (Autumn 1986): 3-25.
28. Jean Genet, Le captif amoureux (Paris: Gallimard, 1986), 122; The Prisoner of Love, trans. Barbara Bray (Hanover, N.H.: Wesleyan University Press, 1992), 88. Further references are cited in the text as "LCA, " followed by a page number.
29. Jean Genet, Les paravents (Décines: Barbezat, 1961), 130; The Screens, trans. Bernard Frechtman (London: Faber, 1963), 153.
30. Theodor W. Adorno, "Alienated Masterpiece, " in Essays on Music, 575.
31. Theodor W. Adorno, "The Essay as Form, " in Notes to Literature, trans. Shierry Weber Nicholsen (New York: Columbia University Press, 1991), 1:22-23.
32. David Gilmour, The Last Leopard: A Life of Giuseppe di Lampedusa (London, New York: Quartet Books, 1988), 127.
33. Laurence Schifano, Luchino Visconti: The Flames of Passion, trans. William S. Byron (London: Collins, 1990), 434.
34. Gilmour, Last Leopard, 121-22.
35. Schifano, Visconti, 75.
36. Geoffrey Nowell-Smith, Luchino Visconti (Garden City, N.Y.: Doubleday, 1968), 110-11.
37. Giuseppe Tomasi di Lampedusa, The Leopard, trans. Archibald Colquhoun (London: Collins and Harvill, 1960), 31. Further references are cited in the text as "TL, " followed by a page number.
38. Pauline Kael, State of the Art (New York: Dutton, 1985), 52.
39. Nowell-Smith, Visconti, 116-17.
40. Theodor W. Adorno, Sound Figures, trans. Robert Livingstone (Stanford, Calif.: Stanford University Press, 1999), 47.
41. Theodor W. Adorno, "Bach Defended Against His Devotees, " in Prisms, trans. Samuel and Shierry Weber (Cambridge, Mass.: MIT Press), 139. Further references are cited in the text as "BDA, " followed by a page number.
42. Laurence Dreyfus, Bach and the Patterns of Invention (Cambridge, Mass.: Harvard University Press, 1996), 27.
43. Thomas Hardy, Jude the Obscure (London and New York: Penguin, 1998), 342-43.
44. Hermann Broch, "Introduction, " in Rachel Bespaloff, On the Iliad, trans. Mary McCarthy (New York: Pantheon, 1947), 10.
45. Friedrich Nietzsche, The Birth of Tragedy, trans. Shaun Whiteside (New York and London: Penguin, 1993), 54-55.
46. W. B. Yeats, "The Magi, " in Collected Poems (New York: Scribner, 1996), 126.
47. Euripides, Iphigenia in Aulis, trans. Charles R. Walker, in Euripides (New York: Modern Library, n.d.), 3:194.
48. C. P. Cavafy, "The City, " in Collected Poems, trans. Edmund Keeley and Philip Sherrard (Princeton, N.J.: Princeton University Press, 1992), 28. Further references are cited in the text as "CP, " followed by a page number.
49. E. M. Forster, "The Poetry of C. P. Cavafy, " in Pharos and Pharillon (New York: Knopf, 1962), 91.
50. Thomas Mann, Death in Venice, in Death in Venice and Seven Other Stories, trans. H. T. Lowe-Porter (New York: Vintage, 1954), 7.
51. Rosamund Strode, "A Death in Venice Chronicle, " in Benjamin Britten: Death in Venice, ed. Donald Mitchell (Cambridge, Mass.: Cambridge University Press, 1987), 26.
52. Dorrit Cohn, "The Second Author of Der Tod in Venedig, " in Critical Essays on Thomas Mann, ed. Inta M. Ezergailis (Boston: G. K. Hall & Co., 1988), 126.
53. Myfanwy Piper, "The Libretto, " in Benjamin Britten, 50.
54. Mann, Death in Venice, 8.
55. Tony Tanner, Venice Desired (Oxford, U.K.: Blackwell, 1992), 5. Further references are cited in the text as "VD, " followed by a page number.
56. Adorno, Essays in Music, 567.