From National Cinema to Cinema and the National: Chinese-language Cinema and Hou Hsiao-hsien’s ‘TaiwanTrilogy’

Theorising National Cinema

Volumn , Issue , 2019, Pages 148-157

  Berry, Chris ^a  

^a UNIVERSITY OF LONDON   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85186302992     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (23)

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2. Anderson, B. (1983), Imagined Communities: Reflections on the Origin and Spread of Nationalism, London: Verso.
3. Berry, C. (1992), ‘Heterogeneity as Identity: Hybridity and Transnationality in Hong Kong and Taiwanese Cinema’, Metro 91: 48-51.
4. Berry, C. (1992/3), ‘These Nations Which Are Not One: History, Identity and Postcoloniality in Recent Hong Kong and Taiwan Cinema’, Span 34 (5): 37-49.
5. Berry, C. (1993), ‘A Nation T(w/o)o: Chinese Cinema(s) and Nationhood(s)', East-West Film Journal 7 (1): 24-51, republished in Dissanayake, W. (ed.) (1994), Colonialism and Nationalism in Asian Cinema, Bloomington: Indiana University Press: 42-64.
6. Berry, C. (2000), ‘If China Can Say No, Can China Make Movies? Or, Do Movies Make China? Rethinking National Cinema and National Agency’, in Chow, R. (ed.), Modern Chinese Literary and Cultural Studies in the Age of Theory: Reimagining a Field, Durham: Duke University Press: 159-80.
7. Berry, C. and Farquhar, M. (2001), ‘From National Cinemas to Cinema and the National: Rethinking the National in Transnational Chinese Cinemas’, Journal of Modern Literature in Chinese 4 (2):109-22.
8. Berry, C.and Farquhar, Mary (2006), China On Screen: Cinema and the National, New York: Columbia University Press.
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19. Lu, S. and Yeh, Y. (forthcoming), Chinese-Language Film: Historiography, Poetics, Politics, Honolulu: University of Hawaii Press.
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