THE SPLIT AND THE STRUCTURE: Twenty-Eight Essays

The Split and the Structure: Twenty-Eight Essays

Volumn , Issue , 2023, Pages 1-188

  Arnheim, Rudolf ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85179243323     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Book

References (138)

1. Jean-Jacques Rousseau, Du contrat social ou Principes du droit politique [1791]. Transl. The Social Contract (New York: Collier Macmillan, 1947).
2. Rudolf Arnheim, The Power of the Center, new version (Berkeley and Los Angeles: University of California Press, 1988).
3. Paul Valéry, Regard sur le monde actuel (Paris: Stock, 1931), 35.
4. Chuang Tzu, Basic Writings (New York: Columbia University Press, 1964).
5. Rudolf Arnheim, The Genesis of a Painting: Picasso's "Guernica" (Berkeley and Los Angeles: University of California Press, 1962).
6. Max Wertheimer, "On the Concept of Democracy," in Mary Henle, ed., Documents of Gestalt Psychology (Berkeley and Los Angeles: University of California Press, 1961), 46.
7. Rudolf Arnheim, "A Plea for Visual Thinking," in New Essays on the Psychology of Art (Berkeley and Los Angeles: University of California Press, 1986).
8. Joseph de Rivera, "Obituary," American Psychologist 50 (1995): 386.
9. Shan Gruisinger and Sidney J. Blatt, "Individuality and Relatedness," American Psychologist 49, no. 2 (1994): 104-11.
10. James J. Gibson, The Ecological Approach to Visual Perception (Boston: Houghton Mifflin, 1979), 127,138.
11. Kurt Lewin, A Dynamic Theory of Personality (New York: McGraw-Hill, 1935), 29.
12. Patricia Greenfield and Paul Kibbey, "Pictures Imperfect," New York Times, April 1,1993.
13. Charles Baudelaire, "Salon de 1859: Le Public moderne et la photographie” in Oeuvres complètes (Paris: Gallimard, 1961).
14. Henri Cartier-Bresson (New York: Aperture, 1976).
15. Peter Galassi, Henri Cartier-Bresson: The Early Work (New York: Museum of Modem Art, 1987).
16. Siegfried Kracauer, Theory of Film: The Redemption of Physical Reality (New York: Oxford University Press, 1960).
17. Siegfried Kracauer, History: The Last Things before the Last (New York: Oxford University Press, 1969).
18. Rudolf Arnheim, "Melancholy Unshaped," in Toward a Psychology of Art (Berkeley and Los Angeles: University of California Press, 1967).
19. Rudolf Arnheim, Film as Art (Berkeley and Los Angeles: University of California Press, 1957).
20. Alphonse de Lamartine, quoted in Beaumont Newhall, The History of Photography (New York: Museum of Modern Art, 1964), 61.
21. William J. Mitchell, The Reconfigured Eye (Cambridge: MIT Press, 1992)
22. Soetsu Yanagi, The Unknown Craftsman (New York: Kodansha, 1972).
23. Rudolf Arnheim, "From Function to Expression," in Toward a Psychology of Art (Berkeley and Los Angeles: University of California Press, 1967).
24. Tom Heath, Method in Architecture (New York: Wiley, 1984).
25. Gustav Theodor Fechner, Vorschule der Aesthetik, pt. 2, sec. 43 (Leipzig: Breitkopf and Härtel, 1925).
26. Adolf Loos, Trotzdem (Vienna: Prachner, 1931).
27. Kakuzo Okakura, The Book of Tea (Rutland: Tuttle, 1956).
28. Bernard Rudofsky, Architecture without Architecture (Garden City, N.Y.: Doubleday, 1964).
29. Rudolf Arnheim, Art and Visual Perception (Berkeley and Los Angeles: University of California Press, 1974), 92.
30. P. A. M. Dirac, "The Evolution of the Physicist's Picture of Nature," Scientific American, May 1963,47.
31. G. H. Hardy, A Mathematician's Apology (Cambridge: Cambridge University Press, 1967), 113.
32. Rudolf Arnheim, "Negative Space in Architecture," in To the Rescue of Art (Berkeley and Los Angeles: University of California Press, 1992).
33. Rudolf Arnheim, Visual Thinking (Berkeley and Los Angeles: University of California Press, 1969).
34. Gabriela Goldschmidt, "The Dialectics of Sketching," Creativity Research Journal 4 (1991).
35. Rudolf Arnheim, Art and Visual Perception (Berkeley and Los Angeles: University of California Press, 1974), 92.
36. Eduard F. Sekler and William Curtis, Le Corbusier at Work (Cambridge, Mass.: Harvard University Press, 1978).
37. Rudolf Arnheim, The Dynamics of Architectural Form (Berkeley and Los Angeles: University of California Press, 1977), chap. 7.
38. Mario Botta, Progetto per una Chiesa a Mogno (n.p., n.d.).
39. Erwin Panofsky, Galileo as a Critic of the Arts (The Hague: Nijhoff, 1954).
40. Rudolf Wittkower, Architectural Principles in the Age of Humanism (New York: Random House, 1962).
41. William S. Rubin, Modem Sacred Art and the Church of Assy (New York: Columbia University Press, 1961).
42. Josef Albers, Interaction of Color (New Haven: Yale University Press, 1963).
43. Erwin Panofsky, "The Neoplatonic Movement in Florence and North Italy," in Studies in Iconology (New York: Harper and Row, 1939).
44. Rudolf Arnheim, "Perceptual Abstraction and Art” in Toward a Psychology of Art (Berkeley and Los Angeles: University of California Press, 1969).
45. William Empson, Seven Types of Ambiguity (London: Chatto and Windus, 1949).
46. Rudolf Arnheim, "Abstract Language and the Metaphor," in Toward a Psychology of Art.
47. Meyer Schapiro, Words and Pictures (The Hague: Mouton, 1973).
48. Rudolf Arnheim, "The Other Gustav Theodor Fechner," in New Essays on the Psychology of Art (Berkeley and Los Angeles: University of California Press, 1986).
49. Friedrich Nietzsche, Die Philosophie im tragischen Zeitalter der Griechen (Leipzig: Kröner, 1874), 277.
50. William James, The Principles of Psychology (New York: Dover, 1950), 122.
51. Paul Valéry, L'Âme et la danse (Paris: Gallimard, 1924).
52. Wolfgang Schöne, Über das Licht in der Malerei (Berlin: Mann, 1954)/ 55.
53. Leon Battista Alberti, On Painting (New Haven: Yale University Press, 1966), 55.
54. Georg Wilhelm Friedrich Hegel, Vorlesungen über die Aesthetik (Berlin: Duncker und Humblot, 1837), 259.
55. Johann Wolfgang von Goethe, Theory of Color (Cambridge, Mass.: MIT Press, 1970), liii.
56. Eugen Herrigel, Zen in der Kunst des Bogenschiessens (Konstanz: Weller, 1948).
57. Paul Gauguin, Avant et après (Paris: Editions Crès, 1923), 97-99.
58. Giuseppe Palumbo, Giotto e i Giotteschi in Assisi (Rome: Canesi, 1969).
59. Granger Ryan and Helmut Ripperger, eds., The Golden Legend of Jacobus de Voragine (New York: Arno, 1969).
60. Rudolf Arnheim, The Power of the Center, new version (Berkeley and Los Angeles: University of California Press, 1988).
61. William S. Rubin, ed., "Primitivism" in Twentieth-Century Art (New York: Museum of Modern Art, 1984).
62. Charles Baudelaire, Oeuvres complètes (Paris: Pléiade, 1961).
63. Denise Levertov, Life in the Forest (New York: New Directions, 1975).
64. Michel Foucault, Les Mots et les choses (Paris: Gallimard, 1966)
65. Ernst Cassirer, Paul Oskar Kristeller, and John H. Randall, Jr., eds., The Renaissance Philosophy of Man (Chicago: University of Chicago Press, 1948), 39.
66. Heinrich von Kleist, Prinz Friedrich von Homburg, ed. Alexander von Bormartn (Munich: Goldmann Verlag, 1983).
67. Rudolf Arnheim, "Beyond the Double Truth," in To the Rescue of Art (Berkeley and Los Angeles: University of California Press, 1992).
68. Hans Kauffmann, Rembrandts Bildgestaltung (Stuttgart: Vohlhammer, 1922).
69. Rudolf Arnheim, The Power of the Center, new version (Berkeley and Los Angeles: University of California Press, 1988).
70. Rudolf Arnheim, Picasso's "Guernica": The Genesis of a Painting (Berkeley and Los Angeles: University of California Press, 1963).
71. Heirtrich Wolfflin, "Psychologische und formale Analyse der Architektur," in Kleine Schriften (Basel: Benno Schwabe, 1946).
72. Rudolf Arnheim, Film as Art (Berkeley and Los Angeles: University of California Press, 1957).
73. Rudolf Arnheim, Radio: An Art of Sound (New York: De Capo Press, 1971).
74. Rudolf Arnheim, Art and Visual Perception (Berkeley and Los Angeles: University of California Press, 1974).
75. Albert Michotte, La Perception de la causalité (Louvain: Institut Supérieur de Philosphie, 1946).
76. Howard Gardner, Frames of Mind (New York: Basic Books, 1983).
77. Rudolf Arnheim, "A Plea for Visual Thinking," in New Essays on the Psychology of Art (Berkeley and Los Angeles: University of California Press, 1986).
78. Rudolf Arnheim, Visual Thinking (Berkeley and Los Angeles: University of California Press, 1969), chap. 7.
79. Rudolf Arnheim, Art and Visual Perception (Berkeley and Los Angeles: University of California Press, 1974), chap. 4.
80. Claire Golomb, Young Children's Sculpture and Drawing (Cambridge, Mass.: Harvard University Press, 1974);
81. Rudolf Arnheim, "Inverted Perspective and the Axiom of Realism," in New Essays on the Psychology of Art (Berkeley and Los Angeles: University of California Press, 1986).
82. Rudolf Arnheim, "Perceptual Abstraction and Art," in Toward a Psychology of Art (Berkeley and Los Angeles: University of California Press, 1966).
83. Rudolf Arnheim, "The Double-Edged Mind: Intuition and the Intellect," in New Essays.
84. Rudolf Arnheim, "Art as an Attribute, Not a Noun," Arts in Society 9 (1972).
85. Claire Golomb, The Development of Artistically Gifled Children (Hillsdale, N.J.: Erlbaum, 1995);
86. Aldous Huxley, ed., They Still Draw Pictures (New York: Spanish Child Welfare Association of America, 1938).
87. Henry Schaefer-Simmern, The Unfolding of Artistic Activity (Berkeley and Los Angeles: University of California Press, 1948);
88. Rudolf Arnheim, Visual Thinking (Berkeley and Los Angeles: University of California Press, 1969).
89. Howard Gardner, Multiple Intelligences (New York: Basic Books, 1993);
90. Viktor Lowenfeld, Your Child and His Art (New York: Macmillan, 1954).
91. Sylvia Fein, Heidi's Horse (Pleasant Hill: Exelrod, 1976);
92. Hans Prinzhorn, Artistry of the Mentally III (New York: Springer, 1972).
93. Rudolf Arnheim, "Art, Poetry, and Retardation," Art Psychology 6 (1979): 205-11.
94. Max Kläger, Krampus: Die Bilderwelt des Willibald Lassenberger (Hohengehren: Schneider, 1992);
95. Lucien Levy-Bruhl, How Natives Think (Princeton: Princeton University Press, 1985), chap. 3.
96. Ernst Kris, Psychoanalytic Explorations in Art (New York: International Universities Press, 1957).
97. Rudolf Arnheim, "The Melody of Motion," in To the Rescue of Art (Berkeley and Los Angeles: University of California Press, 1992).
98. Irmgard Bartenieff and Dori Lewis, Body Movement (New York: Gordon and Breach, 1980), xiii.
99. David Katz, Animals and Men (London: Longmans, Green, 1937).
100. Pamela Ramsden, Top Team Planning (London: Cassell, 1973).
101. Ottmar Rutz, Vom Ausdruck des Menschen (Celle: Kampmann, 1925).
102. Ernst Kretschmer, Körperbau und Charakter (Berlin: Springer, 1921), 126.
103. Rudolf Arnheim, The Power of the Center, new version (Berkeley and Los Angeles: University of California Press, 1988), 126.
104. Rudolf Arnheim, "Caricature: The Rationale of Deformation," in To the Rescue of Art (Berkeley and Los Angeles: University of California Press, 1992).
105. Rudolf Arnheim, "Experimentell-psychologische Untersuchungen zum Ausdrucksproblem," Psychologische Forschung 11 (1928).
106. Henri Bergson, Le Rire: Essai sur la signification du comique (Paris: Presses Universitaires, 1947).
107. Carl Gustav Carus, Symbolik der menschlichen Gestalt (Celle: Kampmann, 1925).
108. E. H. Gombrich, Art and Illusion (New York: Pantheon, 1960).
109. Ernst Mach, The Analysis of Sensations (New York: Dover, 1959), 60.
110. Eduard von Hartmann, Philosophie des Unbewussten (Berlin: Carl Duncker's Verlag, 1869).
111. Sigmund Freud, jenseits des Lustprinzips (Vienna: Internationaler Psychoanalytischer Verlag, 1921), =
112. Werner Heisenberg, "Über den anschaulichen Inhalt der quantentheoretischen Kinematik," Zeitschrifte für Physik 43 (1927): 197.
113. Etienne Bonnot de Condillac, Traité des sensations (Paris, 1921).
114. Arthur Miller, Imagery in Scientific Thought (Boston: Birkhäuser, 1984).
115. Rudolf Arnheim, "Complementarity from the Outside," in To the Rescue of Art (Berkeley and Los Angeles: University of California Press, 1992), 188.
116. Rudolf Arnheim, "Abstract Language and the Metaphor," in Toward a Psychology of Art (Berkeley and Los Angeles: University of California Press, 1967), 266.
117. Ernst Mach, Die Analyse der Empfindungen (Darmstadt: Wissenschaftliche Buchgesellschaft, 1985), 304.
118. Erwin Schrödinger, Science and Humanism (Cambridge: Cambridge University Press, 1969), 25.
119. Wolfgang Köhler, The Task of Gestalt Psychology (Princeton: Princeton University Press, 1951), 59.
120. Rudolf Arnheim, "The Two Faces of Gestalt Psychology," in To the Rescue of Art (Berkeley and Los Angeles: University of California Press, 1992), 206.
121. Arthur Eddington, The Nature of the Physical World (Ann Arbor: University of Michigan Press, 1958), 105.
122. Max Planck, Eight Lectures on Theoretical Physics (New York: Columbia University Press, 1915), 41.
123. Wolfgang Köhler, The Place of Value in a World of Facts (New York: New American Library, 1966), chap. 8;
124. Max Planck, "Die Einheit des physischen Weltbildes," in Vorträge und Erinnerungen (Darmstadt: Wissenschaftliche Buchgesellschaft, 1969), 37.
125. Robert H. France, Bios, die Gesetze der Welt (Munich: Hanfstaengl, 1921), 142.
126. D'Arcy Thompson, On Growth and Form (Cambridge: Cambridge University Press, 1969), 11.
127. Rudolf Arnheim, Art and Visual Perception (Berkeley and Los Angeles: University of California Press, 1974), 437.
128. Gerald Holton, The Advancement of Science and Its Burdens (Cambridge: Cambridge University Press, 1986), 69.
129. John Briggs and F. David Peat, Turbulent Mirror (New York: Harper and Row, 1989), 21.
130. David Bohm and F. David Peat, Science, Order, and Creativity (New York: Bantam), quoted in Briggs and Peat, Turbulent Mirror, 29.
131. Rudolf Arnheim, Entropy and Art (Berkeley and Los Angeles: University of California Press, 1971), 30.
132. Rudolf Arnheim, The Power of the Center, new version (Berkeley and Los Angeles: University of California Press, 1988).
133. Rudolf Arnheim, "The Double-Edged Mind: Intuition and the Intellect," in New Essays on the Psychology of Art (Berkeley and Los Angeles: University of California Press, 1986).
134. Rudolf Arnheim, To the Rescue of Art (Berkeley and Los Angeles: University of California Press, 1992), 220.
135. Wilhelm Dilthey, Einführung in die Geisteswissenschaflen (Leipzig: Duncker and Humblot, 1883), 34.
136. Henri Bergson, Matière et mémoire (Paris: Presses Universitaires, 1946).
137. Ernst Mach, The Analysis of Sensations (New York: Dover, 1959), 321ft.
138. Max Wertheimer, Productive Thinking (New York: Harper Brothers, 1959), 181-92.