Autonomy, Signature and Creativity

Dagstuhl Seminar Proceedings

Volumn 9291, Issue , 2009, Pages

  Brown, Paul ^a  

^a UNIVERSITY OF SUSSEX   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85174005465     PISSN: 18624405     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (20)

1. Ehrenzweig, Anton, The Hidden Order in Art. A Study in the Psychology of Artistic Imagination, (Berkeley: University of California Press, 1967)
2. Lippard, Lucy R., Six Years: The Dematerialization of the Art Object from 1966 to 1972 ... (University of California Press, 1973, 1997)
3. At the time of writing the co-authors, together with Margaret Boden and a number of art historians, are developing a research project that will use formal and computational methods to examine the concept of artistic signature.
4. Whitelaw, Mitchell, ‘The Abstract Organism: Towards a Prehistory for A-Life Art’, Leonardo 34.4, pp. 345-348 (Cambridge, MA: MIT Press, 2001)
5. Ashby, W. Ross, Introduction to Cybernetics (London: Chapman & Hall, 1956)
6. Wiener, Norbert, Cybernetics: Or the Control and Communication in the Animal and the Machine (Cambridge, MA: MIT Press. 1948)
7. Spencer Brown, George, Laws of Form (London: Allen & Unwin, 1969)
8. Kauffman, Louis H. and Francisco J. Varela, Form Dynamics, Journal of Social Biological Structures, Vol. 3, pp. 171-206, 1980
9. Schöffer, Nicolas, quoted from: http://www.olats.org/schoffer/cyspe.htm – (referenced 15/08/06)
10. Zivanovic, Alex, maintains a comprehensive website on Ihnatowicz’ work – see http://www.senster.com (referenced 16/08/2006)
11. Zivanovic, Alex, ‘The Technologies of Edward Ihnatowicz’, in Charlie Gere, Paul Brown, Nick Lambert & Catherine Mason (eds.), White Heat Cold Logic: British Computer Art 1960 – 1980 (Cambridge, MA: MIT Press, Leonardo Imprint, to appear)
12. Brown, Paul, private conversation with Edward Ihnatowicz (mid 1970’s)
13. Cohen, Harold, ‘Reconfiguring’, in Charlie Gere, Paul Brown, Nick Lambert & Catherine Mason (eds.), White Heat Cold Logic: British Computer Art 1960 – 1980 (Cambridge, MA: MIT Press, Leonardo Imprint, to appear)
14. Reichardt, Jasia, ‘In the Beginning’, in Charlie Gere, Paul Brown, Nick Lambert & Catherine Mason (eds.), White Heat Cold Logic: British Computer Art 1960 – 1980 (Cambridge, MA: MIT Press, Leonardo Imprint, to appear)
15. FORTRAN or FORmula TRANslation was an early “high level” language devised for mathematical and scientific applications and it was the first programming language I learned
16. Mason, Catherine, A Computer in the Art Room: the origins of British computer arts 1950-80, (JJG Norfolk, 2008)
17. Beddard, Honor and Douglas Dodds, V&A Pattern: Digital Pioneers, (V&A Publishing, London, 2009)
18. http://www.paul-brown.com > gallery > timebased – Java Runtime Environment is required
19. Cox, Donna, ‘Renaissance Teams and Scientific Visualization: A Convergence of Art and Science’, Collaboration in Computer Graphics Education: Proceedings SIGGRAPH 88 Educator's Workshop (August 1-5, 1988, pp. 81 – 104)
20. Husbands, Phil and Paul Brown, ‘Not Intelligent by Design’ in Digital Research in the Arts and Humanities: Art Practice, Ashgate, to appear.