Female flanerie and the symphony of the city

Women in the Metropolis: Gender and Modernity in Weimar Culture

Volumn , Issue , 2023, Pages 67-88

  Gleber, Anke ^a  

^a PRINCETON UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85171698632     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.2307/jj.5973073.6     Document Type: Chapter

References (27)

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2. Walter Benjamin., Franz Hessel. "Die Wiederkehr des Flaneurs, " Die literarische Welt, October 4, 1929.
3. Meaghan Morris, "How to Do Things with Shopping Centers, " Milwaukee Working Papers 1 (Fall 1988).
4. George Sand, Janet Wolff, "The Invisible Flâneuse: Women and the Literature of Modernity, " in The Problems of Modernity: Adorno and Benjamin, ed. Andrew Benjamin (London: Routledge, 1991), 148.
5. Griselda Pollock, Vision and Difference: Femininity, Feminism and Histories of Art (London: Routledge, 1988), 69.
6. Verena Stefan, Häutungen (Shedding) (Munich: Frauenoffensive, 1975).
7. Anne Friedberg, "Les Flaneurs du Mal(l): Cinema and the Postmodern Condition, " PMLA 106, no. 3 (May 1991): 421.
8. Gertrud Koch, "Von der weiblichen Sinnlichkeit und ihrer Lust und Unlust am Kino: Mutmassungen über vergangene Freuden und neue Hoffnungen, " in Uberwindung der Sprachlosigkeit, ed. Gabriele Dietze (Darmstadt: Luchterhand, 1979), 116-138.
9. Susan Buck-Morss, "The Flaneur, the Sandwichman and the Whore: The Politics of Loitering, " New German Critique, no. 39 (1986):119.
10. Adrienne Rich, "Compulsory Heterosexuality and Lesbian Existence, " in Powers of Desire: The Politics of Sexuality, ed. Ann Snitow, Christine Stansell, and Sharon Thompson (New York: Monthly Review Press, 1983), 177-205.
11. Gertrud Koch, "Why Women Go to Men's Films, " in Feminist Aesthetics, ed. Gisela Ecker, trans. Harriet Anderson (Boston: Beacon, 1985), 108 ff.
12. Naomi Wolf, The Beauty Myth: How Images of Beauty Are Used Against Women (New York: Doubleday, 1991).
13. Wendy Chapkis, Beauty Secrets: Women and the Politics of Appearance (Boston: South End, 1986).
14. Robin Tolmach-Lakoff and Raquel Scherr, Face Value: The Politics of Beauty (London: Routledge, 1984).
15. Nancy C. Baker, The Beauty Trap: Exploring Woman's Greatest Obsession (New York: Franklin Watts, 1984).
16. Barb Wisser, Shadow on a Tightrope: Writing by Women on Fat Oppression (Iowa City: Aunt Lute Book Company, 1983).
17. Kim Chenin, The Obsession: Reflections on the Tyranny of Slenderness (New York: Harper and Row, 1981).
18. Susie Orbach, Fat Is a Feminist Issue (Middlesex: Hamlyn, 1979).
19. Siegfried Kracauer, From Caligari to Hitler: A Psychological History of the German Film (Princeton: Princeton University Press, 1947), 186.
20. William Uricchio, "Ruttmann's Berlin and the City Film to 1930, " Ph.D. dissertation, New York University, 1982, 209.
21. Atina Grossmann, "The New Woman and the Rationalization of Sexuality in Weimar Germany, " in Snitow, Stansell, and Thompson, Powers of Desire, 153-171.
22. Luce Irigaray, "Women on the Market, " in This Sex Which Is Mot One, trans. Catherine Porter (Ithaca: Cornell University Press, 1985).
23. Jean-Paul Sartre, L'être et le Néant: Essai d'ontologie phénoménologique (Paris: Gallimard, 1957), 310.
24. Georg Simmel, "Die Grosstädte und das Geistesleben, " in Die Grosstadt: Vorträge und Aufsätze (Dresden: Jahrbuch der Gehe-Stiftung, 1903), 227-242.
25. Buck-Morss S, "The Flaneur, the Sandwichman and the Whore, " 125. Also see John Berger, Ways of Seeing (New York: Penguin, 1977).
26. Max Horkheimer and Theodor W. Adorno, Dialectic of Enlightenment, trans. John Cumming (New York: Herder and Herder, 1972), 139.
27. Heide Schlüpmann, Die Unheimlichkeit des Blicks: Das Drama des frühen deutschen Kinos (Frankfurt: Stroemfeld/Roter Stern, 1990), 13.