Window Shopping: Cinema and the Postmodern

Window Shopping: Cinema and the Postmodern

Volumn , Issue , 2023, Pages 1-287

  Friedberg, Anne ^a  

^a UNIVERSITY OF SOUTHERN CALIFORNIA   (United States)

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EID: 85171521398     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Book

References (182)

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64. Émile Zola, The Ladies Paradise (Au Bonheur des Dames) (Berkeley and Los Angeles: University of California Press, 1991), 8.
65. See Ian Watt, The Rise of the Novel (Berkeley: University of California Press, 1957).
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69. Linda Williams, "A Jury of Their Peers: Marlene Gorris's A Question of Silence," in Postmodernism and Its Discontents, edited by E. Ann Kaplan (London: Verso, 1988), 107-115.
70. Jean Epstein, "Grossisement," translated by Stuart Liebman as "Magnification," October 3 (Spring 1977): 15.
71. Jean Epstein, "A Conversation with Jean Epstein," L'ami du Peuple, May 11, 1928, translated by Bob Lamberton, Anthology Film Archives.
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73. Gertrud Koch, "Béla Balázs: The Physiognomy of Things," New German Critiquera (Winter 1987): 167-177.
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75. Theodor W. Adorno, "A Portrait of Walter Benjamin," translated from the German by Samuel and Sherry Weber, in Prisms (Cambridge, Mass.: MIT Press, 1986), 240.
76. Karl Marx, Grundrisse der Kritik der politischen Oekonomie (Berlin: Dietz Verlag, 1953), 599-600.
77. Thorstein Veblen, The Theory of the Leisure Class, in The Portable Veblen, edited by Max Lerner (New York: Penguin Books, 1976), 125.
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80. Judith Williamson, Consuming Passions: The Dynamics of Popular Culture (London: Marion Boyers, 1987).
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82. Dorothy Davis, A History of Shopping (London: Routledge and Kegan Paul, 1966), 291.
83. Maxine Feiffer, Tourism in History: From Imperial Rome to the Present (New York: Stein and Day, 1985), 170.
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102. Klaus Strohmeyer, Warenhäuser: Geschichte, Blüte und Untergang im Warenmeer (Berlin: Verlag Klaus Wagenbach, 1980).
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104. Robert A. M. Stern, Pride of Place: Building the American Dream (Boston: Houghton Mifflin), 1986, 230-231.
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106. Gary Kyriazi, Great American Amusement Parks: A Pictorial History (Seacaucus, N.J.: Castle Books, 1976).
107. John F. Kasson, Amusing the Millions: Coney Island at the Turn of the Century (New York: Hill and Wang, 1978).
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109. Terry Ramsaye, Million and One Nights (New York: Simon and Schuster, 1926), 152-161.
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112. Myron W. Krueger, Artificial Reality II (Reading, Mass.: Addison-Wesley Publishing, 1990).
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124. Charles Moore, Peter Becker, and Regula Campbell, The City Observed: Los Angeles (New York: Vintage Books, 1984), 232.
125. Hugo Munsterberg, The Film: A Psychological Study, 1916, reprint (New York: Dover Publications, 1970), 95.
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127. Henri Bergson, Matter and Memory, translated by N. M. Paul and W. S. Palmer (New York: Zone Books, 1991), 135.
128. See Gilles Deleuze, Le Bergsonisme (Paris: Presses Universitaires de France, 1966).
129. Henri Bergson, Creative Evolution, translated by Arthur Mitchell (New York: Modern Library, 1944), 332-334.
130. Edward Dimendberg, "The Grand Deleuzian Fog: A Review of Cinema I: The Movement-Imagery Gilles Deleuze," Canadian-American Slavic Studies 22 (1988): 199-209.
131. Douglas A. Boyd, Joseph D. Straubhaar, and John A. Lent, Videocassette Recorders in the Third World (New York: Longman, 1989).
132. Sean Cubiti, Timeshift: On Video Culture (New York: Methuen, 1990).
133. David Bordwell, Janet Staiger, and Kristin Thompson, The Classical Hollywood Cinema (New York: Columbia University Press, 1985), xiv.
134. Raymond Williams, Television: Technology and Cultural Form (New York: Schocken Books, 1975).
135. Stephen Heath and Gillian Skirrow, "Television: A World in Action," Screen 18, no. 2 (Summer 1977).
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137. William Boddy, Fifties Television: The Industry and Its Critics (Champaign: University of Illinois Press, 1990).
138. Avital Ronnell, The Telephone Book: Technology, Schizophrenia, Electric Speech (Lincoln: University of Nebraska Press, 1990).
139. John Perry Barlow, "Being in Nothingness: Virtual Reality and the Pioneers of Cyberspace," Mondo 2000, no. 2 (Summer 1990): 34-44.
140. Trish Hall, " 'Virtual Reality' Takes Its Place in the Real World," New York Times, July 8, 1990.
141. Daniel Boorstin, The Image: A Guide to Pseudo-Events in America (New York: Harper Colophon Books, 1961).
142. Joshua Meyrowitz, No Sense of Place: The Impact of Electronic Media on Social Behavior (New York: Oxford University Press, 1987).
143. Edward Bellamy, Looking Backward (Boston and New York: Houghton Mifflin, 1926), 102.
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145. Annette Michelson, "Where Is Your Rupture: Mass Culture and Gesamtkunstwerk," October 56 (Summer 1991): 43-63.
146. Jochen Schulte-Sasse, "Modernity and Modernism, Postmodernity and Postmodernism: Framing the Issue, "Cultural Critique no. 5 (Winter 1986-1987): 5-22.
147. Irving Howe, "Mass Society and Postmodern Fiction," Partisan Review, 26, no. 3 (Summer 1959).
148. Ihab Hassan, "POSTmodernISM: A Paracritical Bibliography," New Literary History 3, no. 1 (Fall 1971).
149. Charles Jencks, "The Rise of Postmodern Architecture," Architecture Association Quarterly, no. 4 (1975).
150. Sally Banes, Terpsichore in Sneakers: Postmodern Dance (New York: Houghton Mifflin, 1980).
151. Edward Soja, Postmodern Geographies: The Reassertion of Space in Critical Social Theory (London: Verso, 1989), 234-235.
152. David Curtis, Experimental Cinema (New York: Dell Publishers, 1971).
153. David Curtis, The New American Cinema: A Critical Anthology, edited by Gregory Battcock (New York: E. P. Dutton, 1967).
154. Sheldon Renan, An Introduction to the American Underground Film (New York: E. P. Dutton, 1967).
155. Parker Tyler, Underground Film: A Critical History (New York: Grove Press, 1969).
156. Peter Bürger, Theory of the Avant-Garde, translated by Michael Shaw (Minneapolis: University of Minnesota Press, 1984).
157. Andreas Huyssen, After The Great Divide (Bloomington: Indiana University Press, 1988).
158. Diana Crane, The Transformation of the Avant-Garde: The New York Art World 1940-1981 (Chicago: University of Chicago Press, 1987).
159. David Bordwell, "French Impressionist Cinema: Film Culture, Film Theory, Film Style," Ph.D. diss., University of Iowa, 1974.
160. Peter Wollen, "The Two Avant-Gardes," Studio International 190, no. 978 (November-December 1975): 77-85.
161. J. Hoberman, "Avant to Live: Fear and Trembling at the Whitney Biennial," Village Voice, June 16, 1987.
162. Caryn James, "For Avant-Garde Films, A Struggle to Stay Avant," New York Times, June 29, 1989.
163. Linda Hutcheon, "An Epilogue: Postmodern Parody: History, Subjectivity and Ideology," Quarterly Review of Film and Video, 12, nos. 1-2 (1990): 125.
164. Frank McConnell, Storytelling and Mythmaking (New York: Oxford University Press, 1979), details the continuities and differences between literary and filmic modes of storytelling.
165. Jacques Derrida, "Freud and the Scene of Writing," in Writing and Difference, translated by Alan Bass (Chicago: University of Chicago Press, 1978), 196-231.
166. Sandy Flitterman-Lewis, To Desire Differently: Feminism and the French Cinema (Urbana: University of Illinois Press, 1990).
167. Annette Michelson, "Film and the Radical Aspiration," in The Film Culture Reader, edited by P. Adams Sitney (New York: Praeger, 1970), 406.
168. Otto Friedrich, City of Nets: A Portrait of Hollywood in the 1940s (New York: Harper and Row, 1986), 2.
169. Claudia Springer, "The Pleasure of the Interface," Screen 32, no. 3 (Autumn 1991): 303-323.
170. Frederic Jameson, "Nostalgia for the Present," South Atlantic Quarterly 88, no. 2 (Spring 1989): 526.
171. Kaja Silverman, "Fragments of a Fashionable Discourse," in Studies in Entertainment, edited by Tania Modleski (Bloomington: Indiana University Press, 1986), 139-152.
172. Max Horkheimer and Theodor W. Adorno, Dialectic of Enlightenment, translated by John Cumming (New York: Continuum, 1972).
173. Mark Poster, Modes of Information: Poststructuralism and Social Context (Chicago: University of Chicago Press, 1990).
174. Creed, "From Here to Modernity: Feminism and Postmodernism," Screen 28, no. 2 (Spring 1987).
175. Abigail Solomon-Godeau, "Living with Contradictions: Critical Practices in the Age of Supply-Side Aesthetics," Screen 28, no. 3 (Summer 1987).
176. Alice Jardine, Gynesis: Configurations of Woman and Modernity (Ithaca: Cornell University Press, 1985).
177. Jane Flax, Thinking Fragments: Psychoanalysis, Feminism, and Postmodernism in the Contemporary West (Berkeley: University of California Press, 1990) contend with feminism's role in postmodernism and postmodernity.
178. J. Laplanche and J. B. Pontalis, The Language of Psychoanalysis, translated by Donald Nicholson-Smith (New York: Norton, 1974), 121-123.
179. Elaine Showalter, "Critical Cross-Dressing: Male Feminists and The Woman of the Year," in Men in Feminism, edited by Alice Jardine and Paul Smith (New York: Methuen, 1987), 116-133.
180. Victor Burgin, The End of Art Theory: Criticism and Postmodemity (Atlantic Highlands, N.J.: Humanities Press International, 1986), 204.
181. Elaine Showalter, "Critical Cross-Dressing: Male Feminists and The Woman of the Year," in Men in Feminism, edited by Alice Jardine and Paul Smith (New York: Methuen, 1987), 116-133.
182. Teresa de Lauretis, "Feminist Studies/ Critical Studies: Issues, Terms, Contexts," in Feminist Studies/Critical Studies edited by Teresa de Lauretis (Bloomington: Indiana University Press, 1986), 7.