The whole journey: Shakespeare's power of development

The Whole Journey: Shakespeare's Power of Development

Volumn , Issue , 2023, Pages 1-354

  Barber, C L ^a   Wheeler, Richard P ^a  

^a NONE

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References (124)

1. Shakespeare Survey 22 (1969): 59-67.
2. Representing Shakespeare: New Psychoanalytic Essays, ed. Murray M. Schwartz and Coppèlla Kahn (Baltimore: Johns Hopkins University Press, 1980), pp. 188-202.
3. "Shakespearian Comedy in The Comedy of Errors, " College English 25 (1964): 493-97·
4. An Essay on the Sonnets, " Elizabethan Poetry: Modern Essays in Criticism, ed. Paul J. Alpers (New York: Oxford University Press, 1967), pp. 299-320.
5. "'Perfection of the Work': The Use of the Drama for Shakespeare, " Sarah Lawrence Alumnae Magazine 31 (Fall 1965): 13-16.
6. Shakespeare's Festive Comedy: A Study of Dramatic Form and Us Relation to Social Custom (Princeton: Princeton University Press, 1959), p. 15.
7. Jorge Luis Borges, Labyrinths: Selected Stories and Other Writings, ed. Donald A. Yates and James E. Irby (New York: New Directions, 1964), p. 248.
8. Transcript of a lecture, "Piety and Outrage in Kyd's Spanish Tragedy and in Hamlet, " given as part of a Humanities Colloquium series at SUNY/Buffalo, Spring 1969.
9. "The Argument of Comedy, " in English Institute Essays 1948, ed. D. Α. Robertson, Jr. (New York: Columbia University Press, 1949), pp. 58-73.
10. Richard P. Wheeler, Shakespeare's Development and the Problem Comedies: Turn and Counter-Turn (Berkeley and Los Angeles: University of California Press, 1981), pp 154-79
11. Patrick Cruttwell, The Shakespearean Moment and Its Place in the Poetry of the Seventeenth Century (London: Chatto and Windus, 1954).
12. T. S. Eliot, "Shakespeare and the Stoicism of Seneca, " Selected Essays, p. 117.
13. Francis Fergusson's chapter on Measure for Measure in The Human Image in Dramatic Literature (New York: Doubleday Anchor, 1957), pp. 126-43.
14. "Shakespeare through Contemporary Psychoanalysis, " in Representing Shakespeare: New Psychoanalytic Essays, ed. Murray M. Schwartz and Coppèlla Kahn (Baltimore: Johns Hopkins University Press, 1980), pp. 21-32.
15. Sermons or Homilies Appointed to be Read in Churches in the Time of Queen Elizabeth, 4th ed. (Oxford: Clarendon Press, 1816), vol. 2, no. 8, pp. 294, 295; no. 2, p. 219.
16. The first passage is cited by Philip Hughes, The Reformation in England, vol. 3 (London: Hollis and Carter, 1954), p. 104.
17. Joyce's Stephen Dedalus understands "what links [father and son) in nature, " in Ulysses (New York: Modern Library, 1934), p. 205.
18. Standard Edition, vol. 13, pp. 153-55.
19. René Girard, Violence and the Sacred, trans. Patrick Gregory (Baltimore: Johns Hopkins University Press, 1977).
20. Dugmore, The Mass and the English Reformers, and Dom Gregory Dix, The Shape of the Liturgy (London: Dacre Press, 1945), pp. 613-734.
21. "The Unconscious, " Standard Edition, vol. 14, pp. 196-204.
22. Keith Thomas, Religion and the Decline of Magic (London: Weidenfeld and Nicolson, 1971), pp. 493-501.
23. Samuel Schoenbaum, Shakespeare's Lives (Oxford: Clarendon Press, 1970).
24. T. S. Eliot, Selected Essays, new ed. (Harcourt, Brace and World, 1950), pp. 3-11.
25. Samuel Schoenbaum, William Shakespeare: A Documentary Life (Oxford: Clarendon Press, 1975).
26. Frances A. Yates, Astrea: The Imperial Theme in the Sixteenth Century (London: Routledge and Kegan Paul, 1975), pp. 29-87.
27. J. H. Padel, "That the thought of hearts can mend': An Introduction to Shakespeare's Sonnets for Psychotherapists and Others, " Times Literary Supplement, December 19, 1975, pp. 1519-21.
28. "The Rise of the Nuclear Family in Early Modem England: The Patriarchal Stage, " in The Family in History, ed. S. E. Rosenberg (Philadelphia: University of Pennsylvania Press, 1975), pp. 13-57
29. Heinz Konut, The Analysis of lhe Self (New York: International Universities Press, 1971), p. 45.
30. Kenneth Burke's illuminating commentary on this scene in Counter-Statement, 2nd ed. (Los Altos, California: Hermes Publications, 1953), pp. 29-30.
31. James Joyce, Ulysses (New York: Modern Library, 1934), p. 189.
32. Leo Salingar, Shakespeare and the Traditions of Comedy (Cambridge: Cambridge University Press, 1974), p. 267.
33. William Empson, Some Versions of Pastoral (London: Chatto and Windus, 1935), p. 100.
34. Stephen Orgel, The Illusion of Power: Political Theater in the English Renaissance (Berkeley and Los Angeles: University of California Press, 1975), p. 45.
35. Anne Barton, Introduction to The Comedy of Errors, The Riverside Shakespeare, p. 81.
36. Norman Holland, Psychoanalysis and Shakespeare (New York: McGraw-Hill, 1966), pp. 134-35, 285-86, 338.
37. Samuel Schoenbaum, Shakespeare: A Documentary Life (Oxford: Clarendon Press, 1975), p. 38.
38. Otto Fenichel, The Psychoanalytic Theory of Neurosis (New York: Norton, 1945), p. 291.
39. Barbara Freedman, "Errors in Comedy: A Psychoanalytic Theory of Farce, " in Shakespearean Comedy, ed. Maurice Charney (New York: New York Literary Forum, 1980), pp. 233-43.
40. Edward Hall, The Union of the Two Noble and Illustre Famelies of Lancastre and Yorke, Sources, vol. 3, p. 16.
41. Coppèlla Kahns account of Talbot as "the tetralogy's great exemplar of chivalric masculinity based on devotion to the father, " in Man's Estate: Masculine Identity in Shakespeare (Berkeley and Los Angeles: University of California Press, 1981), p. 52.
42. Sigurd Burckhardt, Shakespearean Meanings (Princeton: Princeton University Press, 1968), p. 70.
43. Karl Abraham, "A Short Study of the Development of the Libido, Viewed in the Light of the Mental Disorders" (1924), in Selected Papers on Psychoanalysis (London: Hogarth, 1948), pp. 418-50
44. Sigmund Freud, Three Essays on the Theory of Sexuality (1905), in Standard Edition, vol. 7, pp. 197-98
45. Erik Erikson, Childhood and Society, 2nd ed. rev. (New York: Norton, 1963), pp. 72-80, 247-51.
46. "The Use of an Object and Relating through Identification, " in D. W. Winnicott, Playing and Reality (New York: Basic Books, 1971), pp. 86-94.
47. Richard P. Wheeler, Shakespeare's Development and the Problem Comedies: Turn and Counter-Turn (Berkeley and Los Angeles: University of California Press, 1981), pp. 200-13.
48. E. M. W. Tillyard, Shakespeare's History Plays (London: Chatto and Windus, 1944), p. 204.
49. A. P. Rossiter, Angel with Horns and Other Shakespeare Lectures, ed. Graham Storey (New York: Theatre Arts Books, 1961), pp. 20-21.
50. Jan Kott, Shakespeare Our Contemporary, trans. Boleslaw Taborski (Garden City, New York: Anchor Books, 1966), pp. 3-55.
51. Richard P. Wheeler, "History, Character and Conscience in Richard III, " Comparative Drama 5 (Winter 1971-72): 301-21.
52. Wolfgang Clemen, A Commentary on Shakespeare's "Richard III", trans. Jean Bonheim (London: Methuen, 1968), p. 73.
53. Stephen Booth, An Essay on Shakespeare's Sonnets (New Haven: Yale University Press, 1969), pp. 167-68.
54. Howard Baker's observation that the poetry of the hunting scenes in Titus recalls the poetry of hunting in "Venus and Adonis, " in Induction to Tragedy (Baton Rouge: Louisiana State University Press, 1939), pp. 135-37.
55. S. V. Young, "The Stage History of Titus Andronicus, " in Cambridge ed., ed. J. Dover Wilson (Cambridge: Cambridge University Press, 1948), p. lxvii.
56. Rosalie Colie, Shakespeare's Living Art (Princeton: Princeton University Press, 1974). P-45
57. Stephen Wallace Lacey, "Structures of Awareness in Dante and Shakespeare" (Ph.D. diss., State University of New York at Buffalo, 1972).
58. Howard Baker sets Titus Andronicus in a medieval and Renaissance English tradition of adapting Ovid in his Induction to Tragedy, pp. 121-26.
59. Eugene Waith, "The Metamorphosis of Violence in Titus Andronicus, " Shakespeare Survey 10 (1957): 39-49.
60. R. F. Hill, "The Composition of Titus Andronicus, " Shakespeare Survey 10 (1957): 64.
61. Hyder Rollins, ed., The New Variorum Edition of Shakespeare: The Sonnets, 2 vols. (Philadelphia: Lippincott, 1944).
62. Stephen Booth, An Essay on Shakespeare's Sonnets (New Haven: Yale University Press, 1969), p. 14.
63. J. Leishman, Themes and Variations in Shakespeare's Sonnets, 2nd ed. (London: Hutchinson, 1963), p. 11.
64. Palladis Tamia, Wits Treasury (1598); quoted from The Riverside Shakespeare, p. 1844.
65. C. S. Lewis, English Literature in the Sixteenth Century, Excluding Drama (Oxford: Clarendon Press, 1944), p. 491.
66. William Empson, Seven Types of Ambiguity, 2nd ed. rev. (London: Chatto and Windus, 1947), pp. 2-3.
67. Booth keeps Q's he in this line; the emendation she, followed by most modern editors, originates with Malone (1780).
68. Leslie Fiedler, The Stranger in Shakespeare (New York: Stein and Day, 1972), Ρ 33.
69. "Some Neurotic Mechanisms in Jealousy, Paranoia and Homosexuality, " in Standard Edition, vol. 18, pp. 230-31.
70. W. H. Auden, Introduction to the Sonnets, in The Complete Signet Classic Shakespeare, gen. ed. Sylvan Bamet (New York: Harcourt Brace Jovanovich, 1972), p. 1726.
71. D. W. Winnicott, Playing and Reality (New York: Basic Books, 1971); see esp. "Transitional Objects and Transitional Phenomena, " pp. 1-25.
72. "Love Calls Us to the Things of This World, " from Richard Wilbur, Things of This World (New York: Harcourt, Brace, 1956).
73. "Mirror-role of Mother and Family in Child Development, " in Playing and Reality, pp. 111-18.
74. Richard P. Wheeler, "Poetry and Fantasy in Shakespeare's Sonnets 8896, " Literature and Psychology 22 (1972): 151-62.
75. Brigid Brophy, in Black Ship to Hell (New York: Harcourt, Brace and World, 1962), pp. 463-72
76. Patrick Cruttwell, The Shakespearean Moment (London: Chatto and Windus, 1954), pp. 13-14.
77. "The Figure a Poem Makes" (1939), in Robert Frost on Writing, ed. Elaine Barry (New Brunswick, N.J.: Rutgers University Press, 1973), p. 126.
78. Carol Neely, "Detachment and Engagement in Shakespeare's Sonnets: 94, 116, 129, " PMLA 92 (1977): 83.
79. "Holy Sonnets: XVII, " The Poems of John Donne, ed. Sir Herbert Grierson (London: Oxford University Press, 1933), p. 301.
80. S. L. Barber, Shakespeare's Festive Comedy (Princeton: Princeton University Press, 1959), p. 245.
81. "The Choice, " Collected Poems of W. B. Yeats (New York: Macmillan, 1956), p. 242.
82. Leishman, Themes and Variations (n. 7 above), p. 217.
83. Murray Krieger, A Window to Criticism: Shakespeare's Sonnets and Modern Poetics (Princeton: Princeton University Press, 1964), pp. 165-90.
84. C. L. Barber, Shakespeare's Festiiv Comedy (Princeton: Princeton University Press, 1959), pp. 192-221.
85. Shakespeare's Sonnets, ed. with analytic commentary by Stephen Booth (New Haven: Yale University Press, 1977), p. 351.
86. Maurice Morgann, An Essay on the Dramatic Character of Sir John Falstaff (London: T. Davies, 1777)
87. Roy Battenhouse, "Falstaff as Parodist and Perhaps Holy Fool, " PMLA 90 (1975): 32-52.
88. Emst Kris, Psychoanalytic Explorations in Art (New York: International Universities Press, 1952), pp. 273-88.
89. Peter Erickson, "'The Fault / My Father Made': The Anxious Pursuit of Heroic Fame in Shakespeare's Henry V, " Modern Language Studies 10 (1979): 10-12.
90. Norman Rabkin, "Either / Or: Responding to Henry V, " chap. 2 in Shakespeare and the Problem of Meaning (Chicago: University of Chicago Press, 1981), pp. 33-62.
91. "Mourning and Melancholia, " Standard Edition, vol. 14, pp. 243-58.
92. Roy Battenhouse, "The Ghost in Hamlet: A Catholic 'Linchpin'?" Studies in Philology 48 [1951]: 192).
93. T. S. Eliot, "Hamlet and His Problems, " Selected Essays, new ed. (New York: Harcourt, Brace and World, 1950), p. 123.
94. William Hazlitt, Characters of Shakespeare Plays (1817), ed. Ernest Rhys (London: Everyman's Library, n.d.), p. 79.
95. Karl Marx, The Eighteenth Brumaire of Louis Bonaparte (New York: International Publishers, 1963), pp. 15-17.
96. E. K. Chambers, The Elizabethan Stage (Oxford: Clarendon Press, 1923), vol. 1, pp. 261, 295.
97. W. H. Auden, "The Joker in the Pack, " in The Dyer's Hand (New York: Random House, 1962), pp. 246-72; see esp. pp. 256-57.
98. Neely, "Women and Men in Othello: 'What should such a fool / Do with so good a woman?'" in The Woman's Part: Feminist Criticism of Shakespeare, ed. Carolyn Ruth Swift Lenz, Gayle Greene, and Carol Thomas Neely [Urbana: University of Illinois Press, 1980], pp. 211-39
99. Snow, "Sexual Anxiety and the Male Order of Things in Othello, " English Literary Renaissance, 10 [1980]: 384-412).
100. Stanley Cavell, in the extraordinary meditation that closes The Claim of Reason: Wittgenstein, Scepticism, Morality, and Tragedy (Oxford: Clarendon Press, 1980), pp. 481-96
101. Hazlitt, Characters of Shakespeare Plays, p. 42.
102. Stanley Edgar Hyman, lago: Some Approaches to the Illusion of His Motivation (New York: Atheneum, 1970).
103. Kenneth Burke, "Othello: An Essay to Illustrate a Method, " Hudson Review 4 (Summer 1951): 165-203.
104. Liturgical Services of the Reign of Queen Elizabeth, ed. William Keating Clay, Parker Society, no. 30 (Cambridge: Cambridge University Press, 1847), pp. 200, 203.
105. Lawrence Stone, The Crisis of the Aristocracy: 1558-1641 (Oxford: Clarendon Press, 1965), pp. 595-99, 637-49.
106. Harold Searles, "The Effort to Drive the Other Person Crazy, " in Collected Papers on Schizophrenia and Related Subjects (London: Hogarth Press, 1965), pp. 254-83.
107. Erik H. Erikson's discussions of "basic trust, " the "cornerstone of a vital personality" formed in the early encounters of infant with maternal care and nurture, in Childhood and Society, 2nd ed. rev. (New York: Norton, 1963), pp. 77-80, 247-51
108. Identity: Youth and Crisis (New York: Norton, 1968), pp. 96-107.
109. William Elton, King Learand the Gods (San Marino, California: Huntington Library, 1966); see esp. pp. 171-263.
110. Herbert Coursen, Christian Ritual and the World of Shakespeare's Tragedies (Lewis-burg, Pa.: Bucknell University Press, 1976), pp. 237-313.
111. Janet Adelman, " 'Anger's My Meat': Feeding, Dependency, and Aggression in Coriolanus, " in Representing Shakespeare, ed. Murray M. Schwartz and Coppèlla Kahn (Baltimore: Johns Hopkins University Press, 1980), pp. 129-49.
112. "The Use of an Object and Relating through Identifications, " in D. W. Winnicott, Playing and Reality (New York: Basic Books, 1971), pp. 86-94.
113. "The Dialogue of Timon, " in Sources, vol. 6, p. 265.
114. The Ego and the Mechanisms of Defense, rev. ed. (New York: International Universities Press, 1966], pp. 123-34)
115. The story of Apollonius of Tyre in Confessió Amantis, Bk. VIII; the relevant portions are reprinted in Sources, vol. 6, pp. 375-423.
116. Edmund Leach, "Magical Hair, " journal of the Royal Anthropological Institute, 88 (Pt. 2, 1958): 147-69.
117. George Wilkins, The Painful Adventures of Pericles Prince of Tyre (1608), in Sources, vol. 6, pp. 492-546.
118. T. S. Eliot, The Complete Poems and Plays: 1909-1950 (New York: Harcourt, Brace and World, 1962), pp. 72-73.
119. Elizabeth Drew, 7". S. Eliot: The Design of His Poetry (New York: Scribner's, 1949)' PP 127-29
120. J. I. M. Stewart, Character and Motive in Shakespeare (London: Longmans, Green, 1949), pp. 30-39.
121. Murray Schwartz, "Leontes' Jealousy in The Winter's Tale, " American Imago 30 (Fall 1973): 250-73
122. "The Winter's Tale: Loss and Transformation, " American Imago 32 (Summer 1975): 145-99.
123. Enid Welsford, The Court Masque (Cambridge: Cambridge University Press, 1927), pp. 335-49.
124. O. Mannoni reads The Tempest in relation to the psychology of colonialism, in Prospero and Caliban, trans. Pamela Powesland, 2nd ed. (New York: Frederick A. Praeger, 1964), pp. 105-9