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Volumn , Issue , 2006, Pages 101-102

Timbre interfaces using adjectives and adverbs

Author keywords

Natural language; Neural networks; Timbre

Indexed keywords

MACHINE LEARNING; MUSIC;

EID: 85160343214     PISSN: 22204792     EISSN: 22204806     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper
Times cited : (12)

References (11)
  • 2
    • 0028385193 scopus 로고
    • SeaWave: A system for musical timbre description
    • R. Etherington and B. Punch. SeaWave: A system for musical timbre description. Computer Music Journal, 18(1):30–39, 1994.
    • (1994) Computer Music Journal , vol.18 , Issue.1 , pp. 30-39
    • Etherington, R.1    Punch, B.2
  • 3
    • 84905164521 scopus 로고    scopus 로고
    • Synthesising timbres and timbre-changes from adjectives/adverbs
    • F. Rothlauf et al., editor, Springer
    • A. Gounaropolous and C. Johnson. Synthesising timbres and timbre-changes from adjectives/adverbs. In F. Rothlauf et al., editor, Applications of Evolutionary Computing. Springer, 2006.
    • (2006) Applications of Evolutionary Computing
    • Gounaropolous, A.1    Johnson, C.2
  • 4
    • 33745772476 scopus 로고    scopus 로고
    • Psychoacoustically informed spectrography and timbre
    • D. M. Howard and A. M. Tyrrell. Psychoacoustically informed spectrography and timbre. Organised Sound, 2(2):65–76, 1997.
    • (1997) Organised Sound , vol.2 , Issue.2 , pp. 65-76
    • Howard, D. M.1    Tyrrell, A. M.2
  • 6
    • 0029442124 scopus 로고
    • Perceptual scaling of synthesized musical timbres: Common dimensions, specificities, and latent subject classes
    • S. McAdams, S. Winsberg, S. Donnadieu, G. de Soete, and J. Krimphoff. Perceptual scaling of synthesized musical timbres: Common dimensions, specificities, and latent subject classes. Psychological Research, 58:177–192, 1995.
    • (1995) Psychological Research , vol.58 , pp. 177-192
    • McAdams, S.1    Winsberg, S.2    Donnadieu, S.3    de Soete, G.4    Krimphoff, J.5
  • 7
    • 0029327484 scopus 로고
    • An artificial intelligence approach to sound design
    • E. R. Miranda. An artificial intelligence approach to sound design. Computer Music Journal, 19(2):59–75, 1995.
    • (1995) Computer Music Journal , vol.19 , Issue.2 , pp. 59-75
    • Miranda, E. R.1
  • 11
    • 0041126709 scopus 로고    scopus 로고
    • Harwood Academic Publishers, second edition, revised by Simon Emmerson; first edition 1985
    • T. Wishart. On Sonic Art. Harwood Academic Publishers, 1996. second edition, revised by Simon Emmerson; first edition 1985.
    • (1996) On Sonic Art
    • Wishart, T.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.