Cutaneous grooves: Composing for the sense of touch

Proceedings of the International Conference on New Interfaces for Musical Expression

Volumn , Issue , 2002, Pages NIME02-01-NIME02-07

  Gunther, Eric ^a   Davenport, Glorianna ^a   O’modhrain, Sile ^b  

^a MIT MEDIA LAB   (United States)

^b Media Lab Europe   (Ireland)

Author keywords

Multi modal; Music; Tactile composition; Vibrotactile

Indexed keywords

FUNDAMENTAL BUILDING BLOCKS; HAPTIC TECHNOLOGY; MULTI-MODAL; PERFORMANCE; SENSE OF TOUCH; SPATIOTEMPORAL PATTERNS; TACTILE COMPOSITION; VIBROTACTILE;

EID: 85160340901     PISSN: 22204792     EISSN: 22204806     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (7)

1. Geldard, F.A. Some Neglected Possibilities of Communication. Science 131, 1960.
2. Geldard, F.A. and Sherrick, C.E. The Cutaneous Rabbit: A Perceptual Illusion. Science 178, 1972.
3. O'Modhrain, M. Sile. Playing by Feel: Incorporating Haptic Feedback into Computer-Based Musical Instruments. Ph.D. Dissertation. CCRMA, Stanford University, 2000.
4. Rovan, Joseph and Hayward, Vincent. Trends in Gestural Control of Music: Typology of tactile sounds and their synthesis in gesture-driven computer music performance, Editions IRCAM, Paris, 2000.
5. Sherrick, Carl E., A Scale for Rate of Tactual Vibration. Journal of the Acoustic Society of America. 78(1), 1985.
6. Verrillo, R.T. and Gescheider, G.A., Tactile Aids for the Hearing Impaired, Chapter One: Perception via the Sense of Touch. Ed. Summers, Whurr Publishers Ltd., London, 1992.
7. Wachpress, How. Audiotactile stimulation and communication system. United States Patent No. 3,875,932, 1975.