Hybrid resonant assemblages: Rethinking instruments, touch and performance in new interfaces for musical expression

Proceedings of the International Conference on New Interfaces for Musical Expression

Volumn , Issue , 2014, Pages 7-12

  Bowers, John ^a   Haas, Annika ^b  

^a NEWCASTLE UNIVERSITY   (United Kingdom)

^b BERLIN UNIVERSITY OF THE ARTS   (Germany)

Author keywords

Hybrid resonant assemblages; Infra instruments; Instrumentality; Performance; Speaker objects; Touch

Indexed keywords

DIGITAL SIGNAL PROCESSING; MUSIC; PHILOSOPHICAL ASPECTS;

CRITICAL PERSPECTIVES; HYBRID RESONANT ASSEMBLAGE; INFRA-INSTRUMENT; INSTRUMENTALITY; LAY-OUT; NEW INTERFACES FOR MUSICAL EXPRESSIONS; PERFORMANCE; SOUND TRANSDUCERS; SPEAKER-OBJECT; TOUCH;

HYBRID MATERIALS;

EID: 85160335086     PISSN: 22204792     EISSN: 22204806     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (7)

1. Bowers, J. and Archer, P. Not hyper, not cyber, not meta but infra-instruments. NIME 2005.
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3. Deleuze, G. and Guattari, F. Kafka: Toward a Minor Literature. University of Minnesota Press. 1986.
4. Ingold, T. Making – Anthropology, Archaeology, Art and Architecture, Routledge, 2013.
5. Machover, T. and Chung, J. Hyperinstruments: Musically intelligent and interactive performance and creativity systems. In Proc. Intl. Computer Music Conference, 1989.
6. Nancy, J.-L. Rühren, Berühren, Aufruhr. Stirring, Stirring Up, Uprising. SCORES No. 1, Tanzquartier Wien, 2011, 8-15.
7. Nancy, J.-L. Listening. Fordham University Press, New York, 2007.