Recent developments in violin-related digital musical instruments: Where are we and where are we going?

Proceedings of the International Conference on New Interfaces for Musical Expression

Volumn , Issue , 2006, Pages 390-395

  Poepel, Cornelius ^a   Overholt, Dan ^b  

^a UNIVERSITY OF BIRMINGHAM   (United Kingdom)

^b UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

Bass; Cello; Controller; Digital; Electronic; Synthesis; Viola; Violin

Indexed keywords

COMPUTER MUSIC; MUSIC;

BASS; CELLO; DIGITAL; VIOLA; VIOLIN;

MUSICAL INSTRUMENTS;

EID: 85160318949     PISSN: 22204792     EISSN: 22204806     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (16)

1. Bahn, C and Trueman, D. Interface, Electronic Chamber Ensemble Proceedings of the CHI 01 Workshop New Interfaces for Musical Expression (NIME01), Seattle, USA, 2001
2. Chafe, C. Personal Communication, 2006
3. Goto, S. and Takahiko, S. The Case Study of Application of Advanced Gesture Interface and Mapping Interface, Virtual Musical Instrument "Le SuperPolm" and Gesture Controller "BodySuit" Proceedings of the 2004 Conference on New Interfaces for Musical Expression, Hamamatsu, Japan, 2004, 207-208
4. Goudeseune, C. Resonant Processing of Instrumental Sound Controlled by Spatial Position Proceedings of the CHI 01 Workshop New Interfaces for Musical Expression (NIME01), Seattle, USA, 2001
5. Jaffe, D.A. and Smith, J. O. Performance Expression in Commuted Waveguide Synthesis of Bowed Strings. In Proceedings of the 1995 International Computer Music Conference, Tokyo, Japan 1995, 343-346.
6. Jaffe, David A. Ten Criteria for Evaluating Synthesis Techniques, Computer Music Journal Vol. 19(1), MIT Press, Spring 1995, 76-87
7. Jehan, T and Schoner, B. An Audio-Driven Perceptually Meaningful Timbre Synthesizer Proceedings of the 2001 International Computer Music Conference, Bejing, China 2001, 381-388.
8. Machover, T. Hyperinstruments: A progress report 1987 – 1991. Technical report, MIT Media Laboratory.
9. Nichols, C. The vBow: A Development of a Virtual Violin Bow Haptic Human-Computer Interface Proceedings of the 2002 Conference on New Interfaces for Musical Expression Dublin, Ireland, 2002, 29-32
10. Overholt, D. The Overtone Violin: A New Computer Music Instrument, Proceedings of the 2005 International Computer Music Conference, Barcelona, Spain 2005, 604-607.
11. Poepel, C. On Interface Expressivity: A Player-Based Study, Proceedings of the 2005 Conference on New Interfaces for Musical Expression, Vancouver, Canada, 2005, 228-231
12. Poepel, C. and Dannenberg R. B. Audio Signal Driven Sound Synthesis, Proceedings of the 2005 International Computer Music Conference, Barcelona, Spain 2005, 391-394
13. Rasamimanana Nicolas, Fléty Emmanuel, Bevilacqua Frédéric, Gesture Analysis of Violin Bow Strokes, GW 2005, Lecture Notes in Artificial Intelligence 3881, S. Gibet, N. Courty, and J.-F. Kamp (Eds.), 2006, 145–155.
14. Schoner, B. Cooper, C. and Gershenfeld N. Cluster Weighted Sampling for Syntheis and Cross-Synthesis of Violin Family Instruments Proceedings of the 2000 International Computer Music Conference, Berlin, Germany 2000, 376-379
15. Trueman, D. and Cook, P. BoSSA: The Deconstructed Violin Reconstructed, Proceedings of the 1999 International Computer Music Conference, Bejing, China 1999, 232-239
16. Young, D. S. New Frontiers of Expression Through Real Time Dynamics Measurements of Violin Bows, Master’s Thesis, M.I.T. 2001