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Volumn , Issue , 2013, Pages 164-169

Rouages: Revealing the mechanisms of digital musical instruments to the audience

Author keywords

3D interface; Digital musical instruments; Mappings; Mixed reality; Rouages

Indexed keywords

MIXED REALITY; MUSICAL INSTRUMENTS; THREE DIMENSIONAL COMPUTER GRAPHICS;

EID: 85160314005     PISSN: 22204792     EISSN: 22204806     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper
Times cited : (31)

References (17)
  • 4
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    • The preservation, emulation, migration, and virtualization of live electronics for performing arts: An overview of musical and technical issues
    • 6:1–6:16, June
    • A. Bonardi and J. Barthélemy. The preservation, emulation, migration, and virtualization of live electronics for performing arts: An overview of musical and technical issues. J. Comput. Cult. Herit., 1(1):6:1–6:16, June 2008.
    • (2008) J. Comput. Cult. Herit , vol.1 , Issue.1
    • Bonardi, A.1    Barthélemy, J.2
  • 5
    • 61149322649 scopus 로고    scopus 로고
    • Laptop music-counterfeiting aura in the age of infinite reproduction
    • K. Cascone. Laptop music-counterfeiting aura in the age of infinite reproduction. Parachute, issue 107, 2002.
    • (2002) Parachute , Issue.107
    • Cascone, K.1
  • 6
    • 0034286624 scopus 로고    scopus 로고
    • Building a perceptual visualisation architecture
    • C. G. Healey. Building a perceptual visualisation architecture. Behaviour & Information Technology, 19:349–366, 2000.
    • (2000) Behaviour & Information Technology , vol.19 , pp. 349-366
    • Healey, C. G.1
  • 8
    • 33745737279 scopus 로고    scopus 로고
    • Interactive music systems for everyone: exploring visual feedback as a way for creating more intuitive, efficient and learnable instruments
    • Stockholm, Sweden
    • S. Jordà. Interactive music systems for everyone: exploring visual feedback as a way for creating more intuitive, efficient and learnable instruments. In Proceedings of the Stockholm Music Acoustics Conference (SMAC03), Stockholm, Sweden, 2003.
    • (2003) Proceedings of the Stockholm Music Acoustics Conference (SMAC03)
    • Jordà, S.1
  • 11
    • 84893929198 scopus 로고    scopus 로고
    • Sounds from shapes: audiovisual performance with hand silhouette contours in the manual input sessions
    • Singapore, Singapore, National University of Singapore
    • G. Levin and Z. Lieberman. Sounds from shapes: audiovisual performance with hand silhouette contours in the manual input sessions. In Proceedings of the 2005 conference on New interfaces for musical expression, NIME ’05, pages 115–120, Singapore, Singapore, 2005. National University of Singapore.
    • (2005) Proceedings of the 2005 conference on New interfaces for musical expression, NIME ’05 , pp. 115-120
    • Levin, G.1    Lieberman, Z.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.