Borderlands: An audiovisual interface for granular synthesis

Proceedings of the International Conference on New Interfaces for Musical Expression

Volumn , Issue , 2012, Pages

  Carlson, Chris ^a   Wang, Ge ^a  

^a STANFORD UNIVERSITY   (United States)

Author keywords

CCRMA 1. MOTIVATION; Granular synthesis; Improvisation; NIME; Organized sound; Painterly interfaces

Indexed keywords

AUDIOVISUAL INTERFACES; BREAKINGS; CCRMA 1.; GRANULAR SYNTHESIS; IMPROVIZATION; NIME; ORGANIZED SOUND; PAINTERLY INTERFACE; REAL- TIME; USER INTERACTION DESIGN;

EID: 85160303773     PISSN: 22204792     EISSN: 22204806     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (20)

1. Brandtsegg, O., Johansen, T., Saue, S. Particle synthesis – a unified model for granular synthesis. Proceedings of the 2011 Linux Audio Conference. (LAC ’11)(Maynooth, Ireland, May6-8, 2011).
2. Barri, T. Audiovisual composing in 3d. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME ’09)(Carnegie Mellon University, June 4-6, 2009).
3. Cage, J. Silence: Lectures and Writings. Hanover, NH: Wesleyan University/University Press of New England, 1961.
4. Curtis Heavy iPhone App. The Strange Agency: http://thestrangeagency.com/products/curtis-heavy/
5. Eckel, G. Iturbide, M. R., Becker, B. The development of GiST, a Granular Synthesis Toolkit Based on an Extension of the FOF Generator. Proceedings of the 1995 International Computer Music Conference (ICMC ’95)(San Francisco, CA, 1995).
6. Eno, B. Composers as Gardeners. http://edge.org/conversation/composers-as-gardeners. 2011.
7. Farnell, A. Designing Sound. MIT Press, 2010. 310-312.
8. Gabor, D. Acoustical quanta and the theory of hearing. Nature 159 (4044), 1947, 591-594.
9. Granular Synthesis Software List: http://www.granularsynthesis.com/software.php.
10. IXI Audio. http://www.ixi-audio.net/content/about.html.
11. Levin, G. Painterly Interfaces for Audiovisual Performance. Master’s Thesis, Massachusetts Institute of Technology, Cambridge, MA, 2000.
12. libsndfile: http://www.mega-nerd.com/libsndfile/
13. Kruge, N. Wang, G. MadPad: A Crowdsourcing System for Audiovisual Sampling. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME ’11) (Oslo, Norway, May 30-June1, 2011).
14. Mathews, M. Quote from presentation at Stanford. http://soundcloud.com/cloudveins/max. Stanford University, October 2010.
15. Roads, C. Introduction to Granular Synthesis. Computer Music Journal 12, 2. Cambridge, MA, 1988.
16. Roads, C. Microsound. MIT Press, Cambridge, MA, 2004.
17. RtAudio: http://www.music.mcgill.ca/~gary/rtaudio/
18. Smith, J. Spectral Audio Signal Processing. W3K, 2009.
19. Truax, B. Real-Time Granular Synthesis with a Digital Signal Processor. Computer Music Journal 12,2. Cambridge, MA, 1988.
20. Xenakis, I. Formalized Music, Bloomington: Indiana University Press, 1971.