Commuted Piano Synthesis

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 1995, Pages 335-342

  Iii, Julius O Smith ^a   Van Duyne, Scott A ^a  

^a STANFORD UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

INVARIANCE; MUSICAL INSTRUMENTS; SIGNAL PROCESSING;

COMMUTATIVITY; LINEAR TIME-INVARIANT SYSTEM; MOTOROLA; REAL- TIME; SIGNAL PROCESSING CHIPS; SYNTHESIS ALGORITHMS; SYNTHESISED;

HAMMERS;

EID: 85159697910     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (17)

1. X. Boutillon, "Model for Piano Hammers: Experimental Determination and Digital Simulation,"J. Acoust. Soc. Amer., vol. 83, no. 2, pp. 746-754, Feb. 1988.
2. A. Chaigne and A. Askenfelt, "Numerical Simulations of Piano Strings. I. A Physical Model for a Struck String Using Finite Difference Methods,"J. Acoust Soc. Amer., vol. 95, no. 2, pp. 1112-1118, Feb. 1994. "Numerical Simulations of Piano Strings. II. Comparisons with Measurements and Systematic Exploration of Some Hammer-String Parameters,"JASA vol. 95, no. 3, pp. 1631-1640, March 1994.
3. D. A. Jaffe and J. O. Smith, "Performance Expression in Commuted Waveguide Synthesis of Bowed Strings,"Proc. 1995 Int. Conf. Computer Music, Banff.
4. J. Laroche and J. L. Meillier, "A Simplified Source/Filter Model for Percussive Sounds,"Proc. IEEE Workshop on App. of Sig. Proc. to Audio and Acoust., New Paltz, NY.
5. J. Laroche and J.L. Meillier, "Multichannel Excitation/Filter Modeling of Percussive Sounds with Application to the Piano,"Proc. IEEE Tr. Speech and Audio Proc., vol. 2, no. 2, pp. 329-344, April 1994.
6. M. Karjalainen, V. Valimaki, and Z. Janosy, "Towards High-Quality Sound Synthesis of the Guitar and String Instruments,"Proc. 1993 Int. Conf. Computer Music, pp. 56-63, Tokyo.
7. A. Paladin and D. Rocchesso, "A Dispersive Resonator in Real-Time on MARS Workstation,"Proc. 1992 International Computer Music Conference, pp. 146-149, San Jose.
8. J. O. Smith, "Music Applications of Digital Waveguides,"(A compendium containing four re¬lated papers and presentations.) CCRMA Tech. Rep. STAN-M-67, Stanford University, 1987, (415)723-4971.
9. J. O. Smith, "Unit-Generator Implementation on the NeXT DSP Chip,"Proc. 1989 Int. Conf. Computer Music, pp. 303-306.
10. J. O. Smith, "Physical Modeling Using Digital Waveguides,"Computer Music Journal, special issue: Physical Modeling of Musical Instruments, Part I, vol. 16, no. 4, pp. 74-91, Winter, 1992.
11. J. O. Smith, "Efficient Synthesis of Stringed Musical Instruments,"Proc. 1993 International Computer Music Conference, pp. 64-71, Tokyo.
12. H. Suzuki, "Model Analysis of a Hammer-String Interaction,"J. Acoust. Soc. Amer., vol. 82, no. 4, pp. 1145-1151, Oct. 1987.
13. S. A. Van Duyne and J. 0. Smith, "Physical Modeling with the 2-D Digital Waveguide Mesh,"Proc. 1993 International Computer Music Conference, Tokyo.
14. S. A. Van Duyne, and J. O. Smith, "A Simplified Approach to Modeling Dispersion Caused by Stiffness in Strings and Plates,"Proc. 1994 International Computer Music Conference, pp. 407-410, Arhus.
15. S. A. Van Duyne, J. R. Pierce, and J. O. Smith, "Traveling Wave Implementation of a Lossless Mode-Coupling Filter and the Wave Digital Hammer,"Proc. 1994 International Computer Music Conference, pp. 411-418, Arhus.
16. S. A. Van Duyne, and J. O. Smith, "Developments for the Commuted Piano,"(Companion paper.) Proc. 1995 International Computer Music Conference, Banff.
17. G. Weinreich, "Coupled Piano Strings,"J. Acoust. Soc. Amer., vol. 62, no. 6, pp. 1474-1484, Dec. 1977. Also see Scientific American, vol. 240, p. 94, 1979.