Annotated Music for Retrieval, Reproduction, and Sharing

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 2004, Pages

  Hirata, Keiji ^a   Matsuda, Shu ^b   Kaji, Katsuhiko ^c   Nagao, Katashi ^c  

^a Nippon Telegraph and Telephone Corporation   (Japan)

^b Digital Art Creation   (Japan)

^c NAGOYA UNIVERSITY   (Japan)

Author keywords

[No Author keywords available]

Indexed keywords

'CURRENT; DIAGRAM EDITORS; IMPLEMENTATION SUPPORT; MUSIC CREATION; MUSIC INFORMATION; MUSIC RESONATORS; MUSIC THEORY;

CELL PROLIFERATION;

EID: 85159687919     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (10)

1. Goto, M. and R. Neyama (2002). Open RemoteGIG: An Open-to-the-Public Distributed Session System Overcoming Network Latency. SIG Technical Report 43(2), 299–309. In Japanese.
2. Hirata, K. and T. Aoyagi (2003). Computational Music Representation based on the Generative Theory of Tonal Music and the Deductive Object-Oriented Database. Computer Music Journal 27(3), 73–89.
3. Hirata, K. and S. Matsuda (2003). Interactive Music Summarization based on Generative Theory of Tonal Music. Journal of New Music Research 32(2), 165–177.
4. Jordà, S. (2002). FMOL: Toward User-Friendly, Sophisticated New Musical Instruments. Journal of New Music Research 26(3), 23–39.
5. Lerdahl, F. and R. Jackendoff (1983). A Generative Theory of Tonal Music. The MIT Press.
6. Nagao, K. (2003). Digital Content Annotation and Transcoding. Boston . London: Artech House Publishers.
7. Narmour, E. (1990). The Analysis and Cognition of Basic Melodic Structures - The Implication-Realization Model. The Universiy of Chicago Press.
8. Selfridge-Field, E. (2000). Beyond MIDI. The MIT Press.
9. Sgouros, N. M. (2000). Detection, Analysis and Rendering of Audience Reactions in Distributed Multimedia Perfrmances. In Proc of ACM Multimedia 2000.
10. Young, J. P. (2001). Using the Web for Live Interactive Music. In Proc of ICMC 2001.