Digitizing North Indian Performance

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 2004, Pages

  Kapur, Ajay ^a   Davidson, Philip ^b   Cook, Perry R ^b   Driessen, Peter F ^a   Schloss, W Andrew ^a  

^a UNIVERSITY OF VICTORIA   (Canada)

^b PRINCETON UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

PERFORMANCE; SENSOR TECHNOLOGIES;

EID: 85159675892     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (24)

1. Alesis. “Alesis D4 Reference Manual.” (2004) Available at: http://www.alesis.com/downloads/manuals/D4_Manual.pdf
2. Bagchee, S. (1998) NAD: Understanding Raga Music, Mumbai, India, Ceshwar Business Publications Inc.
3. Brain, M. (1998). “How Computer Mice Work” How Stuff Works.Com.
4. Cook, P. R. (2001) "Principles for Designing Computer Music Controllers," ACM CHI Workshop in New Interfaces for Muiscal Expression, Seattle.
5. Cook, P. R. (2002) Real Sound Synthesis for Interactive Applications, A.K. Peters Press.
6. Cook, P.R. (2003) “Perceiving our Instruments: Psychoacoustics Meets Aesthetics in the Design of New Performance Interfaces,” Proceedings of IPEM 40, Institute for Psychoacoustics and Electronic Music, Ghent, Belgium.
7. Courtney, D. R. (1995) Fundamentals of Tabla: Complete Reference for Tabla. Vol. 1, Houston TX, Sur Sangeet Services.
8. Davidson P., Kapur, A., and P.R. Cook. (2003) “A System for Generating Real Time Visual Meaning for Live Indian Drumming” Refractory: A Journal of Entertainment Media.
9. Dixon, S. (2000) “A Lightweight Multi-Agent Musical Beat Tracking System.” Pacific Rim International Conference on Artificial Intelligence, pp 778-788.
10. Gurevich, M., Verplank, B., and R.S. Wilson. (2003) “Physical Interaction Design.” Proceedings of the International Conference on Computer Music. Singapore.
11. Horenstein, M. (1996) Microelectronic circuits and devices. Prentice Hall, second edition.
12. Kapur, A., Essl, G., Davidson, P., and P. R. Cook. (2003) The Electronic Tabla Controller. Journal of New Music Research. 32(4) pp. 351-360.
13. Kapur, A., Lazier, A., Davidson, P., Wilson, R. S., and P. R. Cook. (2004) “The Electronic Sitar Controller” Proceedings of the 2004 Conference on New Interfaces for Musical Expression, Hamamatsu, Japan.
14. Kothari, K.S. (1968) Indian Folk Musical Instruments, pp. 43-44, New Delhi, India, Sangeet Natak Akademi.
15. Menon, R. R. (1974) Discovering Indian Music. Mumbai, India, Somaiya Publications PVT. LTD.
16. Merrill, D. (2003) “Head-Tracking for Gestural and Continuous Control of Parameterized Audio Effects,” Proceedings of the 2003 Conference on New Instruments for Musical Expression, Montreal, Canada.
17. Parallax Inc. (2004) “BASIC Stamp Programming Manual,” version 2.0.
18. Puckette, M. (1996) “Pure Data: Another Integrated Computer Music Environment.” Proceedings of Second Intercollege Computer Music Concerts, Tachikawa, Japan, pp. 37-41.
19. Roland. “Roland Handsonic HPD-15 Owner’s Manual.” (2004) Available at: http://www.roland.co.uk/
20. Segal, M. and K. Akeley. (1993) The OpenGL TM Graphics System: A Specification, Version 1.0, Silicon Graphics.
21. Sharma, S. (1997) Comparative Study of Evolution of Music in India & the West. New Delhi, India, Pratibha Prakashan.
22. Vir, R. A. (1998) Learn to play on Sitar, New Delhi, India, Punjab Publications.
23. Wilson, S., Gurevich, M., Verplank, B., and P. Stang. (2003) “Microcontrollers in Music Education - Reflections on our Switch to the Atmel AVR Platform”, Proceedings of the 2003 Conference on New Interfaces for Musical Expression, Montreal, Canada.
24. Wright, M., Freed, A., and A. Momeni. (2003) “OpenSound Control: State of the Art 2003.” Proceedings of the 2003 Conference on New Interfaces for Musical Expression, Montreal, Canada.