Learning Models for Interactive Melodic Improvisation

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 1999, Pages 190-193

  Thorn, Belinda ^a  

^a Carnegie Mellon University ^*  (United States)

Author keywords

[No Author keywords available]

Indexed keywords

COMPUTER MUSIC; LEARNING SYSTEMS; MUSIC;

IMPROVIZATION; LEARNING MODELS; TECHNICAL CONTRIBUTION; TIGHTLY-COUPLED; UNSUPERVISED LEARNING METHOD;

UNSUPERVISED LEARNING;

EID: 85159662876     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (9)

1. Charlie Parker Omnibook: For C Instruments. Michael H Goldsen, Atlantic Music Corp., 1978.
2. R. Dannenberg and B. Mont-Reynaud. Following an improvisation in real time. In Proceedings of the ICMC, 1987.
3. PG Music Inc. Band-in-a-box. Technical report, http://www-pgmusic.com, 1999.
4. P. N. Johnson-Laird. Jazz improvisation: A theory at the computational level. In Peter Howell, editor, Representing Musical Structure, pages 291-325. Academic Press, Inc., 1991.
5. Carol M. Krumhansl. Cognitive Foundations of Musical Pitch. Oxford University Press, 1990.
6. B. Pennycook and D. Stammen. Real-time recognition of melodic fragments using the dynamic timewarp algorithm. In Proceedings of the ICMC, 1993.
7. P. Rolland and J. Ganascia. Automated motiveoriented analysis of musical corpuses: a jazz case study. In Proceedings of the ICMC, 1996.
8. Belinda Thorn. Interactive, customized generation of jazz improvisation: Believable music companions. Thesis proposal, unpublished, 1997.
9. Belinda Thorn. Clustering variable-sized samples from discrete nominal distributions. Technical report, Computer Science Department, Carnegie Mellon University, 1999. In progress.