Designing for Emergent Behavior: a John Cage realization

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 2004, Pages

  Burns, Christopher ^a  

^a STANFORD UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

COMPUTER MUSIC; FEEDBACK; MUSIC;

AUDIO FEEDBACKS; AUDIO INPUT; ELECTRONIC MUSIC; EMERGENT BEHAVIOURS; FEEDBACK CIRCUITS; FEEDBACK NETWORKS; FEEDBACK SYSTEMS; SOFTWARE INTERFACES; TIME VARYING PARAMETER;

AUDIO ACOUSTICS;

EID: 85159657248     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (10)

1. Adams, John D. S. (1997). “Giant osci llations: the birth of Toneburst.” Musicworks 69, 14-17.
2. Burns, Christopher. (2003). “Emergent Behavior from Idiosyncratic Feedback Networks.” In Proceedings of the International Computer Music Conference. San Francisco: International Computer Music Association.
3. Cage, John. (1968). Electronic Music for Piano. New York: C.F. Peters.
4. Cage, John. (1960). Music for Piano 69-84. New York: C.F. Peters.
5. Chadabe, Joel. (1997). Electric Sound. Saddle River, New Jersey: Prentice-Hall.
6. Essl, Georg. (2003). “The Disp laced Bow and Aphisms: Abstract physically informed synthesis methods for composition and interactive performance.” Florida Electronic Music Festival, University of Florida, Gainesville, Florida.
7. Kostelanetz, Richard, ed. (1987). Conversing with Cage. New York: Limelight.
8. Pritchett, James. (1993). The Music of John Cage. Cambridge, England: Cambridge University Press.
9. Puckette, Miller. Pd. http://www-crca.ucsd.edu/~msp/
10. Sullivan, Charles. (1990). “Extending the Karplus -Strong Algorithm to Synthesize Electric Guitar Timbres with Distortion and Feedback.” Computer Music Journal 14(3), 26-37.