The GUIDO Notation Format A Novel Approach for Adequately Representing Score-Level Music

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 1998, Pages

  Hoos, Holger H ^a   Hamel, Keith A ^b   Renz, Kai ^a   Kilian, Jürgen ^a  

^a DARMSTADT UNIVERSITY OF TECHNOLOGY   (Germany)

^b UNIVERSITY OF BRITISH COLUMBIA   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

ANALYTICAL SYSTEMS; ANALYTICAL TOOL; HUMAN-READABLE; KEY FEATURE; MUSIC NOTATION; MUSICAL CONCEPTS; PLAIN TEXT; PLATFORM INDEPENDENT; SIMPLE++; SOFTWARE-SYSTEMS;

MUSIC;

EID: 85159611833     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (12)

1. [Abel et.al; 1992] Volker Abel, Peter Reiss, Rudolf Wille; MUTABOR II: Ein Computergesteuertes Musikinstrument zum Experimentieren mit Stimmungslogiken und Mikrotönen; Technische Hochschule Darmstadt, Fachbereich Mathematik, Preprint Nr. 1513; Darmstadt 1992
2. [Assayag et.al.; 1997] Gerard Assayag, Carlos Agon, Joshua Fineberg, Peter Hanappe; An Object Oriented Visual Environment For Musical Composition; Proc. ICMC-97
3. [Grande, Belkin; 1996] Cindy Grande, Alan Belkin; The Development of the Notation Interchange Format; Computer Music Journal 20(4):33-43; MIT 1996
4. [Hamel; 1997] Keith Hamel; NoteAbility Reference Manual; Opus 1 Music Inc.; Vancouver, B.C. 1997
5. [Hewlett, Selfridge 1997] Walter B. Hewlett, Eleanor Selfridge-Field; MIDI; in: Beyond MIDI, The Handbook of Musical Codes; Eleanor Selfridge-Field (ed.); pp. 41-72; MIT Press; Cambridge, Massachusetts 1997
6. [Hild et.al. 1992] Hermann Hild, Johannes Feulner, Wolfram Menzel; HARMONET: A Neural Net for Harmonizing Chorales in the Style of J.S.Bach; in: Advances in Neural Information Processing Systems 4 (NIPS*4); San Mateo, CA; p. 267-274; Morgan Kaufmann Publishers; 1992
7. [Hoos, Hamel; 1997] Holger H. Hoos, Keith Hamel; The GUIDO Music Notation Format - Specification Part 1; Technical Report TI 20/97; Darmstadt University of Technology; Darmstadt 1997; available from http ://www.informatik.tu-darmstadt.de/AFS/CM/GUIDO/docu/
8. [Orlarey et.al. 1997] Yann Orlarey, Dominique Fober, Stephane Letz; L'environnement de composition musicale Elody; in: Proceedings of JIM'97; p. 122-136; 1997
9. [Renz, Hoos; 1998] Kai Renz, Holger H. Hoos; A WEB based Approach to Music Notation using GUIDO; in: Proc. of ICMC'98; 1998
10. [Schottstaedt; 1997] Bill Schottstaedt; Common Music Notation; in: Beyond MIDI, The Handbook of Musical Codes; Eleanor Selfridge-Field (ed.); pp. 217-221; MIT Press; Cambridge, Massachusetts 1997
11. [Selfridge; 1997] Eleanor Selfridge-Field; DARMS, Its Dialects, and Its Uses; in: Beyond MIDI, The Handbook of Musical Codes; Eleanor Selfridge-Field (ed.); pp. 163-174; MIT Press; Cambridge, Massachusetts 1997
12. [Sloan; 1997] Donald Sloan; HyTime and Standard Music Description Language: A Document-Description Approach; in: Beyond MIDI, The Handbook of Musical Codes; Eleanor Selfridge-Field (ed.); pp. 469-490; MIT Press; Cambridge, Massachusetts 1997