Automatic Bass Line Transcription from Polyphonic Music

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 2001, Pages

  Hainsworth, Stephen W ^a   Macleod, Malcolm D ^a  

^a UNIVERSITY OF CAMBRIDGE   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

HYPOTHESES GENERATION; POLYPHONIC MUSIC;

MUSIC;

EID: 85159584017     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (7)

1. Goto, M. and S. Hayamizu (1999). A real-time music scene description system: detecting melody and bass lines in audio signals. In Proc. IJCAI Workshop on CASA, pp. 31-40.
2. Kashino, K. and H. Murase (1998). Music recognition using note transition context. In Proc. ICASSP, pp. VI 3593-6.
3. Macleod, M. (1998, January). Nearly fast ML estimation of the parameters of real or complex single tones or resolved multiple tones. IEEE Trans. Signal Processing 46(1), 141-148.
4. Martin, K. (1996). A blackboard system for automatic transcription of simple polyphonic music. Technical Report 385, Media Laboratory, MIT.
5. Moore, B. (1997). An introduction to the psychology of Hearing (4th ed.). Academic Press.
6. Scheirer, E. (1995, September). Extracting expressive performance information from recorded music. Master's thesis, Media Lab, MIT.
7. Sterian, A. and G. Wakefield (2000). Music transcription systems: from sound to symbol. In Proc. AAAI-2000 Workshop on Aritificial Intelligence and Music.