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Volumn , Issue , 2001, Pages

Singing Voice Synthesis Combining Excitation plus Resonance and Sinusoidal plus Residual Models

Author keywords

[No Author keywords available]

Indexed keywords

ANALYSIS/SYNTHESIS; MODEL SYNTHESIS; PHONETIC TRANSCRIPTIONS; RESIDUAL MODEL; RESONANCE MODEL; SINGING VOICES; SINGING-VOICE SYNTHESIS; SPECTRAL MODELING; SYNTHESIS TECHNIQUES; SYNTHETIC VOICES;

EID: 85159560842     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper
Times cited : (17)

References (15)
  • 1
    • 85142383628 scopus 로고    scopus 로고
    • METRIX: A Musical Data Definition Language and Data Structure for a Spectral Modeling Based Synthesizer
    • Amatriain, X. 1998. “METRIX: A Musical Data Definition Language and Data Structure for a Spectral Modeling Based Synthesizer,” Proceedings of 98 Digital Audio Effects Workshop.
    • (1998) Proceedings of 98 Digital Audio Effects Workshop
    • Amatriain, X.1
  • 2
    • 0030109986 scopus 로고    scopus 로고
    • The KTH Rule System for Singing Synthesis
    • 1996
    • Berndtsson, G. 1996. “The KTH Rule System for Singing Synthesis,” Computer Music Journal, 20:1, 1996.
    • (1996) Computer Music Journal , vol.20 , pp. 1
    • Berndtsson, G.1
  • 5
    • 5544313509 scopus 로고
    • What can a musician learn about music performance from newly discovered microstructure principles (PM and PAS)?
    • Royal Swedish Academy of Musi 1987
    • Clynes, M. 1987. “What can a musician learn about music performance from newly discovered microstructure principles (PM and PAS)?,” Action and Perception in Rhythm and Music. Royal Swedish Academy of Music No. 55, 1987.
    • (1987) Action and Perception in Rhythm and Music , Issue.55
    • Clynes, M.1
  • 6
    • 3343019782 scopus 로고    scopus 로고
    • Singing Voice Synthesis History, Current Work, and Future Directions
    • Cook, P. 1996. “Singing Voice Synthesis History, Current Work, and Future Directions,” Computer Music Journal, 20:2 1996.
    • (1996) Computer Music Journal , vol.20 , pp. 21996
    • Cook, P.1
  • 8
    • 85023299794 scopus 로고
    • Generative Rules for Music Performance: A Formal Description of a Rule System
    • 1991
    • Friberg, A. 1991. “Generative Rules for Music Performance: A Formal Description of a Rule System,” Computer Music Journal 15:2, 1991.
    • (1991) Computer Music Journal , vol.15 , pp. 2
    • Friberg, A.1
  • 9
  • 11
    • 0025544510 scopus 로고
    • Spectral Modeling Synthesis: A Sound Analysis/Synthesis System based on a Deterministic plus Stochastic Decomposition
    • Serra, X.; J. Smith. 1990. “Spectral Modeling Synthesis: A Sound Analysis/Synthesis System based on a Deterministic plus Stochastic Decomposition,'' Computer Music Journal 14(4):12-24.
    • (1990) Computer Music Journal , vol.14 , Issue.4 , pp. 12-24
    • Serra, X.1    Smith, J.2
  • 12
    • 0008927055 scopus 로고
    • A flexible sampling-rate conversion method
    • San Diego, New York, 19.4.1-19.4.2. IEEE Press 1984
    • Smith, J.O.; P. Gosset. 1984. “A flexible sampling-rate conversion method,” Proceedings of the ICASSP, San Diego, New York, vol. 2, pp 19.4.1-19.4.2. IEEE Press 1984.
    • (1984) Proceedings of the ICASSP , vol.2
    • Smith, J.O.1    Gosset, P.2
  • 14
    • 0010360427 scopus 로고    scopus 로고
    • Extending Spectral Modeling Synthesis With Transient Modeling Synthesis
    • Verma, T. S.; T. H. Y. Meng. 2000. “Extending Spectral Modeling Synthesis With Transient Modeling Synthesis” Computer Music Journal 24:2, pp.47-59.
    • (2000) Computer Music Journal , vol.24 , Issue.2 , pp. 47-59
    • Verma, T. S.1    Meng, T. H. Y.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.