Model-based Synthesis of the Ud and the Renaissance Lute

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 2001, Pages

  Erkut, Cumhur ^a   Laurson, Mikael ^b   Kuuskankare, Mika ^b   Välimäki, Vesa ^a  

^a AALTO UNIVERSITY   (Finland)

^b Sibelius Akatemia   (Finland)

Author keywords

[No Author keywords available]

Indexed keywords

LOOP FILTER; MODEL-BASED SYNTHESIS; MODELING APPROACH; NOVEL METHODS; PHYSICAL MODELLING; SOUND-SYNTHESIS; TEST BED PLATFORMS;

EID: 85159557529     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (14)

1. Cook, P. R. (1997). Physically informed sonic modeling (PhISM): Synthesis of percussive sounds. Computer Music J. 21(3), 38-49.
2. Cook, P. R. and G. P. Scavone (1999, October). The Synthesis ToolKit STK. In Proc. Int. Computer Music Conf., Beijing, China.
3. Erkut, C. (2001, July). Model order selection techniques for the loop filter design of virtual string instruments. In Proc. 5th World Multiconference on Systemics, Cybernetics and Informatics (SCI 2001), Orlando, FL, USA.
4. Friedlander, B. and B. Porat (1984, March). The modified Yule-Walker method of ARMA spectral estimation. IEEE Trans. on Aerospace Electronic Systems 20(2), 158-173.
5. Jaffe, D. A. and J. O. Smith (1983). Extensions of the Karplus-Strong plucked-string algorithm. Computer Music J. 7(2), 56-69. Also published in Roads C. (ed). 1989. The Music Machine, pp. 481-494. The MIT Press. Cambridge, Massachusetts, USA.
6. Karjalainen, M., V. Välimäki, and Z. Jánosy (1993, September). Towards high-quality sound synthesis of the guitar and string instruments. In Proc. Int. Computer Music Conf., Tokyo, Japan, pp. 56-63.
7. Karjalainen, M., V. Välimäki, H. Penttinen, and H. Saastamoinen (2000, December). DSP equalization of electret film pickup for the acoustic guitar. J. Audio Eng. Soc. 48(12), 1183-1193.
8. Karjalainen, M., V. Välimäki, and T. Tolonen (1998). Plucked-string models: From the Karplus-Strong algorithm to digital waveguides and beyond. Computer Music J. 22(3), 17-32.
9. Laurson, M., C. Erkut, V. Välimäki, and M. Kuuskankare (2001). Methods for modeling realistic playing in acoustic guitar synthesis. Computer Music J. 25(3).
10. Signell, K. L. (1977). Makam: Modal Practice in Turkish Art Music. Seattle, USA: Asian Music Publications.
11. Smith, J. O. (1983, June). Techniques for digital filter design and system identification with application to the violin. Ph. D. thesis, Stanford University, California, USA.
12. Smith, J. O. (1992). Physical modeling using digital waveguides. Computer Music J. 16(4), 74-91.
13. Smith, J. O. (1993, September). Efficient synthesis of stringed musical instruments. In Proc. Int. Computer Music Conf., Tokyo, Japan, pp. 64-71.
14. Smith, J. O. (1996). Physical modeling synthesis update. Computer Music J. 20(2), 44-56.