Influence of timbre, presence/absence of tonal hierarchy and musical training on the perception of musical tension and relaxation schemas

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 1997, Pages

  Paraskeva, Stella ^a,b   McAdams, Stephen ^a,b  

^a IRCAM   (France)

^b CNRS   (France)

Author keywords

[No Author keywords available]

Indexed keywords

DYNAMIC INTERPRETATION; MUSICAL PHRASE; MUSICAL PIECES; NON-METRIC; PERFORMANCE; PRESENCE-ABSENCE; TENSION RELAXATION;

MUSIC;

EID: 85159479155     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (4)

1. Bigand, E. 1993. Contributions of music to research on human auditory cognition", in S. McAdams & E. Bigand (Eds.), Thinking in Sound: The Cognitive Psychology of Human Audition, pp. 231-277, Oxford University Press, Oxford.
2. Krumhansl, C. L. 1990. Cognitive Foundations of Musical Pitch, Oxford University Press, Oxford.
3. Lerdahl, F. 1989. "Atonal prolongational structure", Contemporary Music Review, Volume 4, pp. 65-87.
4. Lerdahl, F. & Jackendoff, R. 1983. A Generative Theory of Tonal Music, MIT Press, Cambridge, MA.