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Volumn , Issue , 2012, Pages

Crossole: A gestural interface for composition, improvisation and performance using kinect

Author keywords

Body gesture; Chord progression; Kinect; Meta instrument

Indexed keywords

BODY GESTURE; CHORD PROGRESSION; CROSSWORDS PUZZLES; GESTURAL INTERFACES; HANDS MOVEMENT; IMPROVIZATION; KINECT; META-INSTRUMENT; PERFORMANCE; SENSING TECHNOLOGY;

EID: 85150284733     PISSN: 22204792     EISSN: 22204806     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper
Times cited : (33)

References (11)
  • 2
    • 84923914519 scopus 로고    scopus 로고
    • The “air worm”: An interface for real-time manipulation of expressive music performance
    • S. Dixon, W. Goebl, and G. Widmer. The “air worm”: An interface for real-time manipulation of expressive music performance. Proc. ICMC’05, pages 614–617, 2005.
    • (2005) Proc. ICMC’05 , pp. 614-617
    • Dixon, S.1    Goebl, W.2    Widmer, G.3
  • 4
    • 79957657206 scopus 로고    scopus 로고
    • Inside the race to hack the Kinect
    • J. Giles. Inside the race to hack the Kinect. The New Scientist, 208(2789):22–23, 2010.
    • (2010) The New Scientist , vol.208 , Issue.2789 , pp. 22-23
    • Giles, J.1
  • 5
    • 0040802749 scopus 로고
    • The radio baton and conductor program, or: Pitch, the most important and least expressive part of music
    • M. Mathews. The radio baton and conductor program, or: Pitch, the most important and least expressive part of music. Computer Music Journal, 15(4):37–46, 1991.
    • (1991) Computer Music Journal , vol.15 , Issue.4 , pp. 37-46
    • Mathews, M.1
  • 6
    • 47649099679 scopus 로고    scopus 로고
    • Block jam: a tangible interface for interactive music
    • H. Newton-Dunn, H. Nakano, and J. Gibson. Block jam: a tangible interface for interactive music. Journal of New Music Research, 32(4):383–393, 2003.
    • (2003) Journal of New Music Research , vol.32 , Issue.4 , pp. 383-393
    • Newton-Dunn, H.1    Nakano, H.2    Gibson, J.3
  • 8
    • 0011007101 scopus 로고    scopus 로고
    • Musical performance practice on sensor-based instruments
    • A. Tanaka. Musical performance practice on sensor-based instruments. Trends in Gestural Control of Music, pages 389–405, 2000.
    • (2000) Trends in Gestural Control of Music , pp. 389-405
    • Tanaka, A.1
  • 9
    • 0006419132 scopus 로고
    • The hands, a set of remote midi-controllers
    • San Francisco, CA: International Computer Music Association, pages
    • M. Waisvisz. The hands, a set of remote midi-controllers. In Proceedings of the International Computer Music Conference, San Francisco, CA: International Computer Music Association, pages 86–89, 1985.
    • (1985) Proceedings of the International Computer Music Conference , pp. 86-89
    • Waisvisz, M.1
  • 10
    • 84969345208 scopus 로고    scopus 로고
    • O body swayed to music (and vice versa): roles for the computer in dance
    • R. Wechsler. O body swayed to music (and vice versa): roles for the computer in dance. Leonardo, pages 385–389, 1997.
    • (1997) Leonardo , pp. 385-389
    • Wechsler, R.1
  • 11
    • 18644376831 scopus 로고    scopus 로고
    • Problems and prospects for intimate musical control of computers
    • D. Wessel and M. Wright. Problems and prospects for intimate musical control of computers. Computer Music Journal, 26(3):11–22, 2002.
    • (2002) Computer Music Journal , vol.26 , Issue.3 , pp. 11-22
    • Wessel, D.1    Wright, M.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.